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History is increasingly made in images, not only because its records are largely photographic but also because our ideas about the past are formed in visual terms. In Images Performing History, Katarzyna Ruchel-Stockmans offers a discussion of contemporary art practices that question received notions of historical representations after the pivotal changes of 1989 in Europe. These art practices reveal, in different ways, the operative role of the photographic media in making and remaking history. Not limited to a particular artistic medium, they demonstrate how history is forged through enacting or reenacting its past forms, while they indicate how copying and quoting can contribute to creating a new, operative aesthetics. Ruchel-Stockmans foregrounds the performative character of images, showing how art constructs an alternative knowledge of the past.

History as a science --- Photography --- photography [process] --- Philosophy and psychology of culture --- anno 2000-2099 --- anno 1990-1999 --- Europe --- Art and history --- Art and revolutions --- Art et histoire --- Art et revolutions --- Documentaire fotografie --- Documentary photography --- Fotografie [Documentaire ] --- Fotografie in de geschiedschrijving --- Geschiedenis en kunst --- Geschiedenis in de kunst --- Geschiedenis in de massamedia --- Geschiedenis in de media --- Histoire dans l'art --- Histoire dans les mass media --- Histoire dans les media --- Histoire et art --- Historical painting --- Historieschilderkunst --- History and art --- History in art --- History in mass media --- History in the media --- History painting --- Installaties (Kunst) --- Installations (Art) --- Kunst en geschiedenis --- Kunst en revoluties --- Peinture d'histoire --- Photographie dans l'historiographie --- Photographie documentaire --- Photography [Documentary ] --- Photography in historiography --- Revoluties en kunst --- Revolutions and art --- Revolutions et art --- Histoire dans les médias --- Photographie en historiographie --- Art et révolutions --- Medienwissenschaft --- Kunst --- Geschichte 1989-2015 --- Europa --- Academic collection --- Art and history. --- Art and photography --- Art and photography. --- 1900-2099. --- Europe. --- Histoire dans les médias --- Art et révolutions --- Medienwissenschaft. --- Kunst. --- Europa. --- kunst --- 77.01 --- 7.01 --- 77.038/039 --- 7.038/039 --- Schmidt Dierk --- Tuymans Luc --- Ujic Andrej --- Farocki Harun --- Bartana Yael --- Kulik Zofia --- eenentwintigste eeuw --- twintigste eeuw --- kunsttheorie --- kunst en geschiedenis --- fotografie en geschiedenis --- fotografietheorie --- fotografie --- cultuurgeschiedenis --- cultuurfilosofie

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Autobiografie van een jonge moslim uit Belgie die als jihadist in Syrie belandde, maar tot inkeer kwam en afzag van zijn radicale overtuiging.

journalisten --- Sociology of religion --- Islam --- terrorisme --- allochtone jongeren --- migranten --- islamitisch fundamentalisme --- Arabisch-Israëlisch conflict --- anno 2000-2009 --- anno 2010-2019 --- anno 1990-1999 --- Belgium --- Arab States --- Jihad --- Islamitisch-fundamentalisme --- Multiculturele samenleving --- Islamitische Staat --- BPB1508 --- 858.1 Politiek geweld --- Sociaal werk --- Radicalisme --- Terrorism --- Religious aspects --- Islamic fundamentalism --- Middle East --- History --- 21st century --- Syria --- Jordan --- Arab states --- 217.6 --- islam --- jihad --- fundamentalisme --- multiculturaliteit --- islam in het westen --- Moslimfundamentalisme

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