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In Borderlands Saints, Desirée A. Martín examines the rise and fall of popular saints and saint-like figures in the borderlands of the United States and Mexico. Focusing specifically on Teresa Urrea (La Santa de Cabora), Pancho Villa, César Chávez, Subcomandante Marcos, and Santa Muerte, she traces the intersections of these figures, their devotees, artistic representations, and dominant institutions with an eye for the ways in which such unofficial saints mirror traditional spiritual practices and serve specific cultural needs. Popular spirituality of this kind engages the use and exchange of relics, faith healing, pilgrimages, and spirit possession, exemplifying the contradictions between high and popular culture, human and divine, and secular and sacred. Martín focuses upon a wide range of Mexican and Chicano/a cultural works drawn from the nineteenth century to the present, covering such diverse genres as the novel, the communiqué, drama, the essay or crónica, film, and contemporary digital media. She argues that spiritual practice is often represented as narrative, while narrative-whether literary, historical, visual, or oral-may modify or even function as devotional practice.

Heroes in literature. --- Holy, The, in literature. --- Secularism in literature. --- Mexican literature --- Mexican American literature (Spanish) --- American literature --- Chicano literature (Spanish) --- Spanish literature --- History and criticism. --- Mexican American authors --- Mexican-American Border Region --- American-Mexican Border Region --- Border Region, American-Mexican --- Border Region, Mexican-American --- Borderlands (Mexico and U.S.) --- Mexico-United States Border Region --- Tierras Fronterizas de México-Estados Unidos --- United States-Mexico Border Region --- Civilization.

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When I Wear My Alligator Boots examines how the lives of dispossessed men and women are affected by the rise of narcotrafficking along the U.S.-Mexico border. In particular, the book explores a crucial tension at the heart of the "war on drugs": despite the violence and suffering brought on by drug cartels, for the rural poor in Mexico's north, narcotrafficking offers one of the few paths to upward mobility and is a powerful source of cultural meanings and local prestige. In the borderlands, traces of the drug trade are everywhere: from gang violence in cities to drug addiction in rural villages, from the vibrant folklore popularized in the narco-corridos of Norteña music to the icon of Jesús Malverde, the "patron saint" of narcos, tucked beneath the shirts of local people. In When I Wear My Alligator Boots, the author explores the everyday reality of the drug trade by living alongside its low-level workers, who live at the edges of the violence generated by the militarization of the war on drugs. Rather than telling the story of the powerful cartel leaders, the book focuses on the women who occasionally make their sandwiches, the low-level businessmen who launder their money, the addicts who consume their products, the mules who carry their money and drugs across borders, and the men and women who serve out prison sentences when their bosses' operations go awry.  

Drug control --- Drug traffic --- Rural poor --- Rural poverty --- Poor --- Economic conditions --- Mexican-American Border Region --- American-Mexican Border Region --- Border Region, American-Mexican --- Border Region, Mexican-American --- Borderlands (Mexico and U.S.) --- Mexico-United States Border Region --- Tierras Fronterizas de México-Estados Unidos --- United States-Mexico Border Region --- Social conditions. --- anthropologists. --- anthropology. --- borderlands. --- criminology. --- dispossessed. --- drug addiction. --- drug cartels. --- drug mules. --- drug trade. --- drug trafficking. --- drug violence. --- drug workers. --- folklore. --- gang violence. --- imprisonment. --- jesus malverde. --- men and women. --- mexican culture. --- mexico. --- migrant studies. --- militarization. --- modern culture. --- money. --- narco culture. --- narcotrafficking. --- nortena music. --- public anthropology. --- rural poor. --- rural villages. --- sociology. --- united states. --- us borders. --- war on drugs.

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When the "counter-canon" itself becomes canonized, it's time to reload. This is the notion that animates New Border Voices, an anthology of recent and rarely seen writing by Borderlands artists from El Paso to Brownsville-and a hundred miles on either side. Challenging the assumption that borderlands writing is the privileged product of the 1970s and '80s, the vibrant community represented in this collection offers tasty bits of regional fare that will appeal to a wide range of readers and students.Among the contributions are:Introduction A "Southern Re

American literature --- English literature --- Agrarians (Group of writers) --- Violet Quill (Group of writers) --- Yunge, Di (Group of writers) --- Texas --- Mexican-American Border Region --- American-Mexican Border Region --- Border Region, American-Mexican --- Border Region, Mexican-American --- Borderlands (Mexico and U.S.) --- Mexico-United States Border Region --- Tierras Fronterizas de México-Estados Unidos --- United States-Mexico Border Region --- Teksas --- Tekhas --- Tejas --- Texas (Republic) --- Texas (Province) --- Republic of Texas --- State of Texas --- تكساس --- Tiksās --- ولاية تكساس --- Wilāyat Tiksās --- Штат Тэхас --- Shtat Tėkhas --- Тэхас --- Тексас --- Техас --- Akałii Bikéyah --- Téʼsiz Hahoodzo --- Τέξας --- Πολιτεία του Τέξας --- Politeia tou Texas --- Estado de Texas --- Teksaso --- Tet-khiet-sat-sṳ̂ --- Teeksăs --- 텍사스 주 --- T'eksasŭ-ju --- 텍사스주 --- T'eksasŭju --- 텍사스 --- T'eksasŭ --- Kekeka --- Taaksaas --- טקסס --- מדינת טקסס --- Medinat Ṭeḳsas --- Texia --- Civitas Texiae --- Teksasa --- Teksasas --- テキサス州 --- Tekisasu-shū --- Tekisasushū --- テキサス --- Tekisasu --- Texas suyu --- Teksas Eyaleti --- טעקסעס --- Ṭeḳses --- Teksasos --- 得克萨斯州 --- Dekesasi zhou --- 得克萨斯 --- Dekesasi --- TX --- Tex. --- Coahuila and Texas (Mexico) --- Texas (Provisional government, 1835) --- Civilization.