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Follows the life and career of Sally Benson, acclaimed writer of New Yorker fiction and Hollywood screenplays.

Authors, American --- Women screenwriters --- Screenwriters --- Women authors --- Benson, Sally, --- Smith, Sara Mahala Redway,

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"Screenwriting has been the subject of a wealth of popular literature that seeks to offer this work to all, to reveal the 'secrets' of screenwriting or to provide accounts of how to succeed in the mainstream screen production industries, primarily in Hollywood. But the deluge of How-to style manuals and interview collections offer little systematic analysis of the histories, practices, identities and subjects which form and shape the daily working lives of screenwriters. Screenwriting work demands particular and complex forms of subjectivity in order to distinguish it from other forms of filmmaking and writing, to make the work knowable and do-able. This book analyzes the ways in which screenwriters navigate and make sense of the labor markets in which they are immersed. Drawing on historical and critical perspectives of mainstream screenwriting in the USA and UK, as well as empirical data drawn from interviews, labour market and textual analysis, this book presents an original and multi-faceted case study of screenwriting as creative labor and professional practice. Using a range of theoretical approaches and an interdisciplinary methodological framework, it examines both the structural and subjective features of screenwriting work and it analyzes not only who has access to the work, but also who is excluded from this profession"--

Motion picture authorship --- Motion pictures --- Vocational guidance. --- Production and direction --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Film authorship --- Film-making (Motion pictures) --- Film scriptwriting --- Filmmaking (Motion pictures) --- Motion picture plays --- Motion picture scriptwriting --- Motion picture writing --- Movie-making --- Moviemaking --- Moving-picture authorship --- Screen writing --- Screenplay writing --- Screenwriting --- Scriptwriting, Film --- Scriptwriting, Motion picture --- Authorship --- Screenwriters --- History and criticism --- Play-writing --- guru --- scene --- appendix --- authors --- bibliography --- conclusion --- creative --- five --- genre --- good --- histories --- indicative --- information --- labor --- lives --- myths --- one --- out? --- practice --- profession --- professional --- publishing --- screenwriters --- screenwriting --- setting --- texts --- titles --- two --- working

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"Screenwriting in a Digital Era" examines the practices of writing for the screen from early Hollywood to Dogme, the new realism and beyond. Looking back to prehistories of the form, Kathryn Millard links screenwriting to visual and oral storytelling. From the shadow playwrights of twelfth century Egypt to semi-improvised ensemble films played out on the streets of cities around the globe, she draws on a wealth of insights from music, photography, performance, writing, psychology and organisational studies to explore the creative processes underlying writing for the screen. Looking also to the future, "Screenwriting in a Digital Era" examines the blurring of genres, production stages and roles in digital ecologies and the rise of sustainable screenwriting.

digitale cultuur --- Motion picture authorship --- film --- filmgeschiedenis --- filmtheorie --- scenario --- eenentwintigste eeuw --- digitale film --- 791.44 --- Film authorship --- Film-making (Motion pictures) --- Film scriptwriting --- Filmmaking (Motion pictures) --- Motion picture plays --- Motion picture scriptwriting --- Motion picture writing --- Motion pictures --- Movie-making --- Moviemaking --- Moving-picture authorship --- Screen writing --- Screenplay writing --- Screenwriting --- Scriptwriting, Film --- Scriptwriting, Motion picture --- Computer network resources --- Authorship --- Play-writing --- Screenwriters

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Film --- Auteur (cinéma) --- Dialogue (cinéma) --- Motion picture authorship. --- Dialogue in motion pictures. --- film --- scenario's --- narratologie --- Citizen Kane --- Mankiewicz Herman J. --- Welles Orson --- Sunset boulevard --- Wilder Billy --- Casablanca --- Epstein Julius J. --- Epstein Philip G. --- Koch Howard --- North by northwest --- Lehman Ernest --- Jules et Jim --- Truffaut François --- Gruault Jean --- Lolita --- Nabokov Vladimir --- Kubrick Stanley --- Goldfinger --- Maibaum Richard --- Dehn Paul --- The graduate --- Willingham Calder --- Henry Buck --- Midnight cowboy --- Salt Waldo --- Chinatown --- Towne Robert --- Annie Hall --- Allen Woody --- Brickman Marshall --- Breaking away --- Tesich Steve --- When Harry met Sally --- Ephron Nora --- The fisher king --- LaGravanese Richard --- Thelma & Louise --- Khouri Callie --- Toy story --- Whedon Joss --- Stanton Andrew --- Lasseter John --- Docter Pete --- Ranft Joe --- Sokolow Alec --- Good will hunting --- Damon Matt --- Affleck Ben --- Ordinary people --- Sargent Alvin --- American beauty --- Ball Alan --- Midnight in Paris --- 791.44 --- Dialogue in motion pictures --- Motion picture authorship --- Epstein Julius J --- Epstein Philip G --- Mankiewicz Herman J --- Film authorship --- Film-making (Motion pictures) --- Film scriptwriting --- Filmmaking (Motion pictures) --- Motion picture plays --- Motion picture scriptwriting --- Motion picture writing --- Motion pictures --- Movie-making --- Moviemaking --- Moving-picture authorship --- Screen writing --- Screenplay writing --- Screenwriting --- Scriptwriting, Film --- Scriptwriting, Motion picture --- Film dialogue --- Movie dialogue --- Authorship --- Play-writing --- Screenwriters --- Auteur (cinéma) --- Dialogue (cinéma)