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Politics --- political art --- Iconography --- kunst en politiek
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Politics --- Art --- nationalism --- politics --- kunst en politiek
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Art --- photography [process] --- political art --- sculpting --- philosophy of art --- kunst en politiek --- Ai Weiwei
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Art --- video recordings [physical artifacts] --- community art --- political art --- kunst en politiek --- Dias & Riedweg
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Art --- video recordings [physical artifacts] --- installations [visual works] --- psychology --- sculpting --- kunst en politiek --- Hatoum, Mona
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Art --- democracies --- politics --- ideology --- philosophy of art --- kunst en politiek --- anno 1990-1999 --- anno 2000-2099
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Art --- paintings [visual works] --- sculpture [visual works] --- installations [visual works] --- history [discipline] --- botany --- wars --- politics --- kunst en politiek --- Vo, Danh
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This monograph features a new body of work, which artist Ida Ekblad realized for a solo exhibition at De Vleeshal in Middelburg, The Netherlands (November-December 2013). Fundamental in Ekblad's work is an interest in the historical perspective as a central element of our time. Through combining historical perspective in a contemporary cultural and social element, Ekblad gives an answer to the superficial connotation of a contemporary society based on speed and consumption. The use of discarded material to realize assemblages is a translation of the recuperation of the element of history to embrace a more complex relationship between art and time.
kunst --- 7.071 EKBLAD --- Noorwegen --- kunst en economie --- kunst en politiek --- installaties --- schilderkunst --- tekenkunst --- Ekblad Ida --- eenentwintigste eeuw --- Exhibitions --- installations [visual works] --- Ekblad, Ida
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kunst --- eenentwintigste eeuw --- België --- Zwitserland --- kunst en politiek --- recht --- politiek --- grondwet --- utopie --- kunst en openbare ruimte --- Meierhans Christophe --- 7.071 MEIERHANS
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Giving and Taking, Antidotes to a Culture of Greed' is a collected effort to establish the significance of the so-called non-pecuniary value of art and society. In the broadest sense of these terms: what is art about and after? What if the exchanges we call economic were part of a much larger, far older and more diffuse system of exchange? What if value were defined not by accumulation but by circulation, and circulation not by supply and demand but by honor, glory and beauty? If we need an answer to what's the real value in society and in art ; and we need that answer urgently ; why not ask philosophers, anthropologists, aestheticians, sociologists and others who have proven to be part of the same quest? The problems facing us in the 21st century, moving towards a "peak humanity" of 12 billion human beings in 2072, are mind boggling and nerve wracking. Global warming is only the fun part of the ecological devastation that will leave us with a world of dead Zen gardens everywhere. What are we doing, and why aren't we doing it better? In the book 'Giving and Taking, Antidotes to a Culture of Greed', a diverse set of authors share a strikingly similar analysis. The crisis of our institutions of government, finance and knowledge, they argue, should be attributed not to a lack of political will but to a lack of glory and honor ; categories that have been linked to gift and sacrifice from time immemorial.
kunst --- kunstmarkt --- neoliberalisme --- 7.01 --- 130.2 --- kunst en politiek --- kunsttheorie --- cultuurfilosofie --- kunst en economie --- Art --- economics --- appraising --- philosophy of art --- anno 2000-2099
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