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Civilization --- Homeric --- Epic poetry --- Greek --- History and criticism

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Andrew Lang (1844-1912) was a prolific Scots man of letters, a poet, novelist, literary critic and contributor to anthropology. He now is best known as the collector of folk and fairy tales. He was educated at the Edinburgh Academy, St Andrews University and at Balliol College, Oxford. As a journalist, poet, critic and historian, he soon made a reputation as one of the ablest and most versatile writers of the day. Lang was one of the founders of the study of ""Psychical Research,"" and his other writings on anthropology include The Book of Dreams and Ghosts (1897) and Magic and Religion (1901).

Gods, Greek -- Poetry. --- Gods, Greek, in literature. --- Homeric hymns -- Translations into English. --- Homeric hymns. --- Hymns, Greek (Classical) -- History and criticism. --- Hymns, Greek (Classical) -- Translations into English. --- Gods, Greek --- Hymns, Greek (Classical)

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The Homeric Hymns have survived for two and a half millennia because of their captivating stories, beautiful language, and religious significance. Well before the advent of writing in Greece, they were performed by traveling bards at religious events, competitions, banquets, and festivals. These thirty-four poems invoking and celebrating the gods of ancient Greece raise questions that humanity still struggles with-questions about our place among others and in the world. Known as "Homeric" because they were composed in the same meter, dialect, and style as Homer's Iliad and Odyssey, these hymns were created to be sung aloud. In this superb translation by Diane J. Rayor, which deftly combines accuracy and poetry, the ancient music of the hymns comes alive for the modern reader. Here is the birth of Apollo, god of prophecy, healing, and music and founder of Delphi, the most famous oracular shrine in ancient Greece. Here is Zeus, inflicting upon Aphrodite her own mighty power to cause gods to mate with humans, and here is Demeter rescuing her daughter Persephone from the underworld and initiating the rites of the Eleusinian Mysteries. This updated edition incorporates twenty-eight new lines in the first Hymn to Dionysos, along with expanded notes, a new preface, and an enhanced bibliography. With her introduction and notes, Rayor places the hymns in their historical and aesthetic context, providing the information needed to read, interpret, and fully appreciate these literary windows on an ancient world. As introductions to the Greek gods, entrancing stories, exquisite poetry, and early literary records of key religious rituals and sites, the Homeric Hymns should be read by any student of mythology, classical literature, ancient religion, women in antiquity, or the Greek language.

Hymns, Greek (Classical) --- Gods, Greek --- Homeric hymns --- Inni omerici --- Homērikoi hymnoi --- Hymni Homerici --- ancient greek hymns. --- ancient literature. --- ancient religion. --- antiquity. --- aphrodite. --- apollo. --- ares. --- artemis. --- asclepius. --- athena. --- celebrating the gods. --- dactylic hexameter. --- demeter. --- dionysus. --- dioscuri. --- gaia. --- greece. --- greek book literature. --- greek gods. --- greek language. --- greek literature. --- greek mythology. --- helios. --- hephaestus. --- hera. --- heracles. --- hermes. --- hestia. --- historical context. --- homeric. --- hymns. --- literature. --- mythology. --- pan. --- persephone. --- poetry. --- poseidon. --- religion. --- selene. --- the iliad. --- the muses. --- the odyssey. --- translated poetry. --- zeus.

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The Tabulae Iliacae are a group of carved stone plaques created in the context of early Imperial Rome that use miniature images and text to retell stories from Greek myth and history - chief among them Homer's Iliad and the fall of Troy. In this book, Professor Petrain moves beyond the narrow focus on the literary and iconographic sources of the Tabulae that has characterized earlier scholarship. Drawing on ancient and modern theories of narrative, he explores instead how the tablets transfer the Troy saga across both medium and culture as they create a system of visual storytelling that relies on the values and viewing habits of Roman viewers. The book comprehensively situates the tablets in the urban fabric of Augustan Rome. New photographs of the tablets, together with re-editions and translations of key inscriptions, offer a new, clearer view of these remarkable documents of the Roman appropriation of Greek epic.

Mythology, Greek, in art. --- Civilization, Homeric. --- Classical antiquities. --- Relief (Art) --- Relief (Sculpture), Roman. --- Mythologie grecque dans l'art --- Civilisation homérique --- Antiquités gréco-romaines --- Relief (Sculpture) romain --- Homer. --- Literary collections --- Ancient, Classical et Medieval --- bisacsh --- Relief (Art). --- Reliëfs. --- Inscripties. --- Receptie. --- Romeinse keizertijd. --- Iliad (Homer). --- Tabula Iliaca. --- bisacsh. --- Civilisation homérique --- Antiquités gréco-romaines --- Roman relief (Sculpture) --- 3-D painting --- Layering (Art) --- Relief art --- Relief painting --- Relief panel --- Three-dimensional painting --- Art, Modern --- Antiquities, Classical --- Antiquities, Grecian --- Antiquities, Roman --- Archaeology, Classical --- Classical archaeology --- Roman antiquities --- Antiquities --- Archaeological museums and collections --- Art, Ancient --- Classical philology --- Homeric civilization --- Homer