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Keuzes maken we iedere dag. Terwijl we denken dat we beslissingen maken op basis van de juiste informatie, pakt het soms toch verkeerd uit. Vervolgens vragen we onszelf af: Hoe kon dit nu gebeuren? en Waarom zag ik dit niet aankomen? In Zien wat anderen niet zien daagt Bazerman de lezer uit zijn eigen blinde vlekken te ontdekken en een eersteklas waarnemer te worden. Aan de hand van theorie gecombineerd met verbluffende gedachte-experimenten en praktijkvoorbeelden laat hij zien waar we op moeten letten en hoe dit correct waarnemen ons een voorsprong kan geven, zowel zakelijk als privé.Dit boek leert u te letten op wat er níet is gebeurd, te zien welk eigenbelang er speelt en een derde keuze te maken. Met dit boek op zak ziet u nooit meer iets over het hoofd.Bron : http://www.bol.com

Waarneming --- Managementvaardigheden --- Leiderschap --- Bedrijfspsychologie

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Methods in social research (general) --- #SBIB:303H32 --- Waarneming en participerende waarneming, gecontroleerde observatie, groepsdiscussie (vragenlijsten, interviews, experimenten)

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Methods in social research (general) --- #SBIB:303H32 --- #SBIB:303H4 --- Waarneming en participerende waarneming, gecontroleerde observatie, groepsdiscussie (vragenlijsten, interviews, experimenten) --- Informatica in de sociale wetenschappen

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"Why does the world look to us as it does? Generally speaking, this question has received two types of answers in the cognitive sciences in the past fifty or so years. According to the first, the world looks to us the way it does because we construct it to look as it does. According to the second, the world looks as it does primarily because of how the world is. In The Innocent Eye, Nico Orlandi defends a position that aligns with this second, world-centered tradition, but that also respects some of the insights of constructivism. Orlandi develops an embedded understanding of visual processing according to which, while visual percepts are representational states, the states and structures that precede the production of percepts are not representations. If we study the environmental contingencies in which vision occurs, and we properly distinguish functional states and features of the visual apparatus from representational states and features, we obtain an empirically more plausible, world-centered account. Orlandi shows that this account accords well with models of vision in perceptual psychology -- such as Natural Scene Statistics and Bayesian approaches to perception -- and outlines some of the ways in which it differs from recent 'enactive' approaches to vision. The main difference is that, although the embedded account recognizes the importance of movement for perception, it does not appeal to action to uncover the richness of visual stimulation. The upshot is that constructive models of vision ascribe mental representations too liberally, ultimately misunderstanding the notion. Orlandi offers a proposal for what mental representations are that, following insights from Brentano, James and a number of contemporary cognitive scientists, appeals to the notions of de-coupleability and absence to distinguish representations from mere tracking states"--

Philosophical anthropology --- Theory of knowledge --- kunsttheorie --- psychologie --- waarneming --- perceptie --- 7.01 --- 159.9 --- 1 --- kennisleer --- kennis --- neurowetenschappen --- neurologie --- filosofie --- brein --- hersens

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The psychology of aesthetics and the arts is dedicated to the study of our experiences of the visual arts, music, literature, film, performances, architecture and design; our experiences of beauty and ugliness; our preferences and dislikes; and our everyday perceptions of things in our world. The Cambridge Handbook of the Psychology of Aesthetics and the Arts is a foundational volume presenting an overview of the key concepts and theories of the discipline where readers can learn about the questions that are being asked and become acquainted with the perspectives and methodologies used to address them. The psychology of aesthetics and the arts is one of the oldest areas of psychology but it is also one of the fastest growing and most exciting areas. This is a comprehensive and authoritative handbook featuring essays from some of the most respected scholars in the field.

kunst --- kunsttheorie --- esthetica --- kunst en psychologie --- kunstonderwijs --- muziek --- dans --- theater --- architectuurtheorie --- architectuur --- waarneming --- perceptie --- naslagwerk --- 7.01 --- 159.9 --- psychologie --- Aesthetics --- Arts --- Radio broadcasting Aesthetics --- Psychological aspects.