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Acteurs --- Tragédie grecque --- Théâtre --- Greek drama (Tragedy) --- Theater --- Theater and society --- Actors --- Aspect social --- History --- Tragédie grecque. --- History.
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Dramatic music --- Greek drama (Tragedy) --- Musique de scène --- Tragédie grecque --- History and criticism --- Appreciation --- Histoire et critique --- Appréciation --- Musique de scène --- Tragédie grecque --- Appréciation --- Foreign countries --- Germany --- 19th century
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Greek drama (Tragedy) --- Manuscripts, Greek (Papyri) --- Manuscripts, Greek (Medieval and modern) --- Tragédie grecque --- Papyrus grecs --- Manuscrits grecs (Médiévaux et modernes) --- Criticism, Textual. --- Euripides --- Criticism and interpretation. --- Tragédie grecque --- Manuscrits grecs (Médiévaux et modernes)
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"Through a series of interdisciplinary studies this book argues that the Athenians themselves invented the notion of 'classical' tragedy just a few generations after the city's defeat in the Peloponnesian War. In the third quarter of the fourth century BC, and specifically during the 'Lycurgan Era' (338-322 BC), a number of measures were taken in Athens to affirm to the Greek world that the achievement of tragedy was owed to the unique character of the city. By means of rhetoric, architecture, inscriptions, statues, archives and even legislation, the 'classical' tragedians (Aeschylus, Sophocles and Euripides) and their plays came to be presented as both the products and vital embodiments of an idealised Athenian past. This study marks the first account of Athens' invention of its own theatrical heritage and sheds new light upon the interaction between the city's literary and political history"--
Classical Greek literature --- Drama --- Athens --- Greek drama (Tragedy) --- Literature and society --- Tragédie grecque --- Littérature et société --- History and criticism. --- Historiography --- Histoire et critique --- Historiographie --- Lycurgus, --- Greece --- Athens (Greece) --- Grèce --- Athènes (Grèce) --- Civilization --- History. --- Civilisation --- Histoire --- Tragedy. --- Licurgue --- History --- Ancient --- General. --- Tragédie grecque --- Littérature et société --- Grèce --- Athènes (Grèce) --- Literature --- Literature and sociology --- Society and literature --- Sociology and literature --- Sociolinguistics --- Social aspects --- Lycurgue, --- Lykourgos,
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"Jeder hat noch in den Alten gefunden, was er brauchte oder wünschte; vorzüglich sich selbst." Friedrich Schlegels Diktum bestätigt sich in der produktiven Auseinandersetzung der dramatischen Moderne mit dem bedeutendsten kanonbildenden Modell des abendländischen Dramas und Theaters: der griechischen Tragödie des Aischylos, Sophokles und Euripides. Unter dem aus T.S. Eliots "Ulysses"-Rezension entlehnten Titel einer 'mythischen Methode' und ausgehend von Nietzsches folgenreicher Revision des Antikenbildes analysiert die Arbeit jenes umfangreiche Repertoire moderner Dramen (von Pannwitz, Hofmannsthal und Jahnn bis zu Hauptmann und Brecht; von Cocteau und Gide bis Giraudoux, Anouilh, Sartre; von Jeffers und O'Neill bis zu Eliot und Berkoff), die ihren kreativen Impuls aus der Variation griechischer Tragödien beziehen, so daß die 'Arbeit am Mythos' eo ipso zur 'Arbeit an der Differenz' wird. Komparatistische Werkinterpretationen (immer in der Gegenüberstellung antiker und moderner Versionen und unter Berücksichtigung auch der klassisch-klassizistischen Rezeptionslinien der europäischen Tradition) alternieren mit übergreifenden theoretischen Konzeptualisierungen aus intertextualitätstheoretischer, gattungspoetischer und kulturgeschichtlich-funktionsanalytischer Perspektive. Ein leitendes Erkenntnisinteresse gilt der Möglichkeit und den kulturellen Funktionen der Tragödie im Epochenhorizont einer säkularen, nachklassischen Moderne.
Greek drama (Tragedy) --- Greek tragedy --- Grieks toneel (Treurspel) --- Grieks treurspel --- Griekse tragedie --- Théâtre (Genre littéraire) grec (Tragédie) --- Tragedie [Griekse ] --- Tragedy [Greek ] --- Tragédie grecque --- Treurspel [Grieks ] --- Tragedy --- German drama --- English drama --- French drama --- Tragédie --- Théâtre allemand --- Théâtre anglais --- Théâtre français --- History and criticism. --- History and criticism --- Histoire et critique --- Nietzsche, Friedrich Wilhelm, --- Drama --- Tragédie --- Tragédie grecque --- Théâtre allemand --- Théâtre anglais --- Théâtre français --- Theater --- Themes, motives --- Influence
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Age-old scholarly dogma holds that the death of serious theatre went hand-in-hand with the 'death' of the city-state and that the fourth century BC ushered in an era of theatrical mediocrity offering shallow entertainment to a depoliticised citizenry. The traditional view of fourth-century culture is encouraged and sustained by the absence of dramatic texts in anything more than fragments. Until recently, little attention was paid to an enormous array of non-literary evidence attesting, not only the sustained vibrancy of theatrical culture, but a huge expansion of theatre throughout (and even beyond) the Greek world. Epigraphic, historiographic, iconographic and archaeological evidence indicates that the fourth century BC was an age of exponential growth in theatre. It saw: the construction of permanent stone theatres across and beyond the Mediterranean world; the addition of theatrical events to existing festivals; the creation of entirely new contexts for drama; and vast investment, both public and private, in all areas of what was rapidly becoming a major 'industry'. This is the first book to explore all the evidence for fourth century ancient theatre: its architecture, drama, dissemination, staging, reception, politics, social impact, finance and memorialisation.
Theaters --- Architecture, Greek --- Sculpture, Greek --- Pottery, Greek --- Excavations (Archaeology) --- Théâtres --- Architecture grecque --- Sculpture grecque --- Céramique grecque --- Fouilles (Archéologie) --- Greece --- Grèce --- Antiquities --- Antiquités --- Theater --- Greek drama --- History --- History and criticism --- 4e siècle av. J.-C. --- Théâtre (genre littéraire) grec --- Théâtres antiques --- Tragédie grecque --- Comédie grecque --- Antiquités grecques --- Languages & Literatures --- Greek & Latin Languages & Literatures --- History and criticism. --- Antiquities. --- E-books --- Théâtres --- Céramique grecque --- Fouilles (Archéologie) --- Grèce --- Antiquités --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- 4e siècle av. J.-C. --- Théâtre (genre littéraire) grec --- Théâtres antiques --- Tragédie grecque --- Comédie grecque --- Antiquités grecques --- Theater - Greece - History - To 500 - Congresses --- Theater - Greece - Athens - History - To 500 - Congresses --- Theater - Greece - History - Congresses --- Greek drama - History and criticism - Congresses --- Greece - Antiquities - Congresses --- Greece. --- Theatre. --- antiquity. --- drama.
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