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2014 (6)

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Book
Tragedy performances outside Athens in the late fifth and the fourth centuries BC
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ISBN: 9789526721187 Year: 2014 Publisher: Helsinki : Suomen Ateenan-Instituutin säätiö (Foundation of the Finnish Institute at Athens),

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Book
The politics of appropriation : German romantic music and the ancient Greek legacy
Authors: ---
ISBN: 9780199736119 Year: 2014 Volume: *2 Publisher: Oxford [etc.] Oxford University Press

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Le Hypotheseis narrative dei drammi euripidei : testo, contesto, fortuna
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ISBN: 9788863725452 Year: 2014 Publisher: Roma Edizioni di "Storia e letteratura"


Multi
Lycurgan Athens and the making of classical tragedy
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ISBN: 9781107062023 1107062020 9781107449589 9781107697508 1107697506 1316011488 1139990896 1139986279 1316006980 1316004724 131600922X 1107449588 1316013723 1316002489 9781316004722 9781316009222 Year: 2014 Volume: *114 Publisher: Cambridge New York

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"Through a series of interdisciplinary studies this book argues that the Athenians themselves invented the notion of 'classical' tragedy just a few generations after the city's defeat in the Peloponnesian War. In the third quarter of the fourth century BC, and specifically during the 'Lycurgan Era' (338-322 BC), a number of measures were taken in Athens to affirm to the Greek world that the achievement of tragedy was owed to the unique character of the city. By means of rhetoric, architecture, inscriptions, statues, archives and even legislation, the 'classical' tragedians (Aeschylus, Sophocles and Euripides) and their plays came to be presented as both the products and vital embodiments of an idealised Athenian past. This study marks the first account of Athens' invention of its own theatrical heritage and sheds new light upon the interaction between the city's literary and political history"--

›Die mythische Methode‹ : Komparatistische Studien zur Transformation der griechischen Tragödie im Drama der klassischen Moderne
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ISBN: 3484150866 3110939363 Year: 2014 Volume: 86 Publisher: Tübingen : Max Niemeyer Verlag,

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"Jeder hat noch in den Alten gefunden, was er brauchte oder wünschte; vorzüglich sich selbst." Friedrich Schlegels Diktum bestätigt sich in der produktiven Auseinandersetzung der dramatischen Moderne mit dem bedeutendsten kanonbildenden Modell des abendländischen Dramas und Theaters: der griechischen Tragödie des Aischylos, Sophokles und Euripides. Unter dem aus T.S. Eliots "Ulysses"-Rezension entlehnten Titel einer 'mythischen Methode' und ausgehend von Nietzsches folgenreicher Revision des Antikenbildes analysiert die Arbeit jenes umfangreiche Repertoire moderner Dramen (von Pannwitz, Hofmannsthal und Jahnn bis zu Hauptmann und Brecht; von Cocteau und Gide bis Giraudoux, Anouilh, Sartre; von Jeffers und O'Neill bis zu Eliot und Berkoff), die ihren kreativen Impuls aus der Variation griechischer Tragödien beziehen, so daß die 'Arbeit am Mythos' eo ipso zur 'Arbeit an der Differenz' wird. Komparatistische Werkinterpretationen (immer in der Gegenüberstellung antiker und moderner Versionen und unter Berücksichtigung auch der klassisch-klassizistischen Rezeptionslinien der europäischen Tradition) alternieren mit übergreifenden theoretischen Konzeptualisierungen aus intertextualitätstheoretischer, gattungspoetischer und kulturgeschichtlich-funktionsanalytischer Perspektive. Ein leitendes Erkenntnisinteresse gilt der Möglichkeit und den kulturellen Funktionen der Tragödie im Epochenhorizont einer säkularen, nachklassischen Moderne.


Book
Greek Theatre in the Fourth Century BC

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Age-old scholarly dogma holds that the death of serious theatre went hand-in-hand with the 'death' of the city-state and that the fourth century BC ushered in an era of theatrical mediocrity offering shallow entertainment to a depoliticised citizenry. The traditional view of fourth-century culture is encouraged and sustained by the absence of dramatic texts in anything more than fragments. Until recently, little attention was paid to an enormous array of non-literary evidence attesting, not only the sustained vibrancy of theatrical culture, but a huge expansion of theatre throughout (and even beyond) the Greek world. Epigraphic, historiographic, iconographic and archaeological evidence indicates that the fourth century BC was an age of exponential growth in theatre. It saw: the construction of permanent stone theatres across and beyond the Mediterranean world; the addition of theatrical events to existing festivals; the creation of entirely new contexts for drama; and vast investment, both public and private, in all areas of what was rapidly becoming a major 'industry'. This is the first book to explore all the evidence for fourth century ancient theatre: its architecture, drama, dissemination, staging, reception, politics, social impact, finance and memorialisation.

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