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Unter dem Pseudonym Theophilus Presbyter ist eine für die Erforschung und das Verständnis der hochmittelalterlichen Künste zentrale Schrift überliefert: die Schedula diversarum artium. Die drei von Prologen eingeleiteten Bücher enthalten äußerst detailreiche Anweisungen über Fertigungsweisen nahezu aller mittelalterlichen Kunstgegenstände - von der Buch- und Wandmalerei über die Glas- und Goldschmiedekunst bis hin zum Glockenguß und Orgelbau. Doch sind der Status dieser Texte und ihr Verhältnis zu den beschriebenen Tätigkeiten und Objekten unklar. Nach dem Zusammenbruch der bisherigen Autor- und Werkstatthypothese gilt das Forschungsinteresse verstärkt der Eigenart und der Überlieferung der Schrift selbst, die weit mehr als eine bloße Rezeptsammlung ist und die Verschriftlichung überlieferter und zeitgenössischer Praktiken und Techniken mit der Vermittlung an ein literates Publikum verbindet. Hierbei reflektiert die Schedula die Aufwertung der artes mechanicae im Zusammenhang einer umfassenden enzyklopädischen Sicht des Wissens in allen seinen Facetten, wie sie für das 12. Jahrhundert charakteristisch ist. Der enzyklopädische Charakter und die systematische Anordnung und Präsentation verweisen darüber hinaus auf den Kontext naturphilosophischer, technischer und medizinischer Texte unter dem Einfluß arabischer Wissenschaften seit der Mitte des 11. Jahrhunderts. In diese Richtung weist auch die in diesem Band diskutierte neueste Autorhypothese.

Art --- Technique --- Early works to 1800 --- Ouvrages avant 1800 --- Theophilus, --- Théophile, --- Early works to 1800. --- Technique. --- Art - Technique --- Theophilus, - Presbyter, - active 12th century - De diversis artibus --- The encyclopedia, art, the Middle Ages, textual transmission.

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This book throws new light on the question of authorship in the Latin literature of the later medieval and in the early modern periods. It shows that authorship was not something to be automatically assumed in an empathic sense, but was chiefly to be found in the paratextual features of works and was imparted by them. This study examines the strategies and tools used by authors circa 1350-1650, to assert their authorial aspirations. Enenkel demonstrates how they incorporated themselves into secular, ecclesiastical, spiritual and intellectual power structures. He shows that in doing so rituals linked to the ceremonial of ruling, played a fundamental role, for example, the ritual presentation of a book or the crowning of a poet. Furthermore Enenkel establishes a series of qualifications for entry to the Respublica litteraria, with which the authors of books announced their claims to authorship.

Latin literature, Medieval and modern --- Authorship --- Authors, Medieval. --- Literature, Medieval --- Transmission of texts --- Literary transmission --- Manuscript transmission --- Textual transmission --- Criticism, Textual --- Editions --- Manuscripts --- Medieval authors --- Authoring (Authorship) --- Writing (Authorship) --- Literature --- History and criticism. --- History --- Criticism, Textual. --- Humanities

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"Critical editions are going on-line, but not without intense controversy. Digital Critical Editions investigates how the transition from the print-based humanities to various forms of digital presentations affects not only the way scholarly editors deal with the practicalities of critical text editing, but also, in a deeper way, various conceptions about the nature of texts and their transmission. To explore the transition fully, it combines the experience of philologists, text critics, text encoders, scientific editors, and analysts of the digital turn, to set the searchlight on the future of philology's crown jewel - scholarly editing. It tackles a wide range of issues, offering the reader a deep view of editorial traditions and practices, from ancient Alexandrian philology to cutting-edge issues in text mark-up, from the Lachmannian revolution in textual criticism to visions about user-supported online critical editing, and from narrowly distributed peer-directed products to community-oriented broad products. The book bridges the expertise of philologists and new kinds of reading practices in cyberspace. It offers digital editors and prospective digital editors a sober description of state-of-the-art techniques and standards of text encoding grammars and transformation mechanisms. It does not dwell on arcane theoretical issues, nor on highly technical text mark-up considerations but instead attempts to extend the benefits already achieved to new kinds of texts and collections"-- "Provocative yet sober, Digital Critical Editions examines how transitioning from print to a digital milieu deeply affects how scholars deal with the work of editing critical texts. On one hand, forces like changing technology and evolving reader expectations lead to the development of specific editorial products, while on the other hand, they threaten traditional forms of knowledge and methods of textual scholarship. Using the experiences of philologists, text critics, text encoders, scientific editors, and media analysts, Digital Critical Editions ranges from philology in ancient Alexandria to the vision of user-supported online critical editing, from peer-directed texts distributed to a few to community-edited products shaped by the many. The authors discuss the production and accessibility of documents, the emergence of tools used in scholarly work, new editing regimes, and how the readers' expectations evolve as they navigate digital texts. The goal: exploring questions such as, What kind of text is produced? Why is it produced in this particular way? Digital Critical Editions provides digital editors, researchers, readers, and technological actors with insights for addressing disruptions that arise from the clash of traditional and digital cultures, while also offering a practical roadmap for processing traditional texts and collections with today's state-of-the-art editing and research techniques thus addressing readers' new emerging reading habits"--

Graphics industry --- Computer architecture. Operating systems --- LANGUAGE ARTS & DISCIPLINES / Publishing. --- COMPUTERS / Electronic Publishing. --- LANGUAGE ARTS & DISCIPLINES / Library & Information Science / General. --- Digital humanities. --- Scholarly electronic publishing. --- Document markup languages. --- Transmission of texts --- Criticism, Textual --- Digital media --- Editing --- Text processing (Computer science) --- Literary transmission --- Manuscript transmission --- Textual transmission --- Editions --- Manuscripts --- Textual criticism --- Authorship --- Electronic scholarly publishing --- Learning and scholarship --- Electronic publishing --- Scholarly publishing --- Humanities --- Data processing. --- Editing. --- Data processing --- Information technology --- Epic poetry, Greek Criticism, Textual

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Literary transmission --- Manuscript transmission --- Manuscrits--Transmission --- Tekstoverlevering --- Textual transmission --- Transmission de textes --- Transmission des manuscrits --- Transmission des textes --- Transmission littéraire --- Transmission of texts --- Manuscripts, Medieval --- Jews --- 091 =924 --- 091 "04/14" --- 091 "15" --- Jewish learning and scholarship --- Civilization, Jewish --- Jewish civilization --- Civilization, Semitic --- Medieval manuscripts --- Manuscripts --- Texts. --- Civilization. --- Intellectual life. --- Handschriftenkunde. Handschriftencatalogi--Hebreeuws --- Handschriftenkunde. Handschriftencatalogi--Middeleeuwen --- Handschriftenkunde. Handschriftencatalogi--16e eeuw. Periode 1500-1599 --- 091 "15" Handschriftenkunde. Handschriftencatalogi--16e eeuw. Periode 1500-1599 --- 091 "04/14" Handschriftenkunde. Handschriftencatalogi--Middeleeuwen --- 091 =924 Handschriftenkunde. Handschriftencatalogi--Hebreeuws --- Manuscripts [Medieval ] --- Texts --- Civilization --- Intellectual life --- Printing [Hebrew ] --- History --- Judaism --- Medieval and early modern period, 425-1789

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The essays in Between Orality and Literacy address how oral and literature practices intersect as messages, texts, practices, and traditions move and change, because issues of orality and literacy are especially complex and significant when information is transmitted over wide expanses of time and space or adapted in new contexts. Their topics range from Homer and Hesiod to the New Testament and Gaius’ Institutes , from epic poetry and drama to vase painting, historiography, mythography, and the philosophical letter. Repeatedly they return to certain issues. Writing and orality are not mutually exclusive, and their interaction is not always in a single direction. Authors, whether they use writing or not, try to control the responses of a listening audience. A variable tradition can be fixed, not just by writing as a technology, but by such different processes as the establishment of a Panhellenic version of an Attic myth and a Hellenistic city’s creation of a single celebratory history.

Oral communication --- Written communication --- Transmission of texts --- Oral tradition in literature --- Oral-formulaic analysis --- Formulaic analysis, Oral --- Folk literature --- Folklore --- Oral tradition --- Literary transmission --- Manuscript transmission --- Textual transmission --- Criticism, Textual --- Editions --- Manuscripts --- Written discourse --- Written language --- Communication --- Discourse analysis --- Language and languages --- Visual communication --- Oral transmission --- Speech communication --- Verbal communication --- History and criticism --- Methodology --- Oral communication - Greece - Congresses --- Oral communication - Rome - Congresses --- Written communication - Greece - Congresses --- Written communication - Rome - Congresses --- Transmission of texts - Greece - Congresses --- Transmission of texts - Rome - Congresses --- Oral tradition in literature - Greece - Congresses --- Oral tradition in literature - Rome - Congresses --- Oral-formulaic analysis - Congresses