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L'ensemble est dirigé vers des questions d'histoire, de pratique et de théorie de l'architecture, en prenant notamment appui sur les travaux de Claude Parent et Paul Virilio touchant à ce qu'ils qualifient de "fonction oblique", ainsi que sur l'architecture militaire du XXème siècle considérée dans sa dimension de ruine paysagère. La mobilisation et la remise au travail de la corporéité du visiteur devant les installations que je mets en place est au coeur des enjeux de la pratique qui est la mienne et des gestes artistiques auxquels elle donne lieu. Il s'agit en effet d'y remettre au travail ses capacités sensorielles, les logiques de perception qui les organisent, de manière à activer un rapport de déséquilibre architectural du lieu ou de l'environnement où il est amené à se mouvoir. Ce bouleversement physique, j'ai voulu le disséquer en différents dialogues. Ces dialogues vont guider mon travail écrit comme ils le font lors de mon travail plastique. Ce déséquilibre que je mets en place lors des installations prend appui sur différents outils et notions telles que celles de fonction oblique, de potentialisme ou encore d'objets surmontables. Ensemble, ils interviennent comme autant d'embrayeurs et de modes opératoires, fournisssant leurs modèles à la construction d'expériences, et parcourrons tout ce mémoire.

Perception de l'espace --- Rapport architecture-sculpture --- Rapport art-architecture --- Ruine --- Architecture militaire --- Enceinte --- Parent, Claude --- Virilio, Paul

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Polemology --- Art --- anno 1910-1919 --- France --- Germany --- Guerre mondiale (1914-1918) --- Peinture --- Art et guerre --- Drawing. --- Painting. --- Dans l'art --- Catalogues d'exposition. --- Thèmes, motifs --- History. --- Wereldoorlog I --- oorlogskunst --- vrede --- fotografie --- geschiedenis --- literatuur --- karikaturen --- ruïnes --- Musée des Beaux-Arts de Reims --- verzameling Lemétais (Reims) --- Lemétais, Julien --- Willem II (keizer van Duitsland) --- Desvallières, George --- Jaurès, Jean --- Villain, Raoul --- 20ste eeuw --- Frankrijk --- Duitsland --- Catalogues d'exposition --- ruïne van een gebouw --- Wereldoorlog I. --- oorlogskunst. --- vrede. --- geschiedenis. --- literatuur. --- karikaturen. --- ruïne van een gebouw. --- Musée des Beaux-Arts de Reims. --- verzameling Lemétais (Reims). --- Lemétais, Julien. --- Willem II (keizer van Duitsland). --- Desvallières, George. --- Jaurès, Jean. --- Villain, Raoul. --- 20ste eeuw. --- Frankrijk. --- Duitsland.

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Buildings, although inanimate, are often assumed to have "life." And the architect, through the act of design, is assumed to be their conceiver and creator. But what of the "death" of buildings? What of the decay, deterioration, and destruction to which they are inevitably subject? And what might such endings mean for architecture's sense of itself? In Buildings Must Die, Stephen Cairns and Jane Jacobs look awry at core architectural concerns. They examine spalling concrete and creeping rust, contemplate ruins old and new, and pick through the rubble of earthquake-shattered churches, imploded housing projects, and demolished Brutalist office buildings. Their investigation of the death of buildings reorders architectural notions of creativity, reshapes architecture's preoccupation with good form, loosens its vanities of durability, and expands its sense of value. It does so not to kill off architecture as we know it, but to rethink its agency and its capacity to make worlds differently. Cairns and Jacobs offer an original contemplation of architecture that draws on theories of waste and value. Their richly illustrated case studies of building "deaths" include the planned and the unintended, the lamented and the celebrated. They take us from Moline to Christchurch, from London to Bangkok, from Tokyo to Paris. And they feature the work of such architects as Eero Saarinen, Carlo Scarpa, Cedric Price, Arata Isozaki, Rem Koolhaas and François Roche. Buildings Must Die is both a memento mori for architecture and a call to to reimagine the design values that lay at the heart of its creative purpose.

architectuur --- architecture [discipline] --- Architecture --- Building materials --- Creation (Literary, artistic, etc.) --- Construction --- Création (Arts) --- Philosophy --- Deterioration --- Social aspects. --- Philosophie --- Matériaux --- Détérioration --- Aspect social --- Architecture. --- 72.01 --- Verval --- Creative ability in art --- Creative ability in literature --- Art --- Imagination --- Inspiration --- Literature --- Creative ability --- Originality --- Architectural materials --- Building --- Building supplies --- Buildings --- Construction materials --- Structural materials --- Materials --- Architecture, Western (Western countries) --- Building design --- Western architecture (Western countries) --- Deterioration. --- Architectuur (theorie) --- Architectuurtheorie --- Design and construction --- Création (Arts) --- Matériaux --- Détérioration --- Constructions --- Création (esthétique) --- Effets des agents atmosphériques --- Social aspects --- Aspect social. --- Détérioration. --- Philosophie. --- Effets des agents atmosphériques. --- Architecture, Primitive --- Building materials - Deterioration --- Creation (Literary, artistic, etc.) - Social aspects --- Ruine --- Destruction de site --- Création --- Bouwmaterialen; afbraakmaterialen ; recyclagematerialen ; hergebruik --- Architectonisch erfgoed ; Europa ; conservatie ; geschiedenis --- Architectuur ; Europa ; oude gebouwen ; hergebruik --- Destructie - constructie --- Vervallen gebouwen en sites --- Levensduur van bouwwerken --- 72.025.4 --- Architectuur ; renovatie, restauratie, vernieuwing --- Architectuur ; theorie, filosofie, esthetica --- Création (esthétique) --- Effets des agents atmosphériques --- Détérioration.

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Contemporary developments in the visual arts are often reflected in urban landscapes. Imagine Architecture explores the ways in which visual culture develops in public spaces and how it shapes those spaces. This book focuses on the fruitful exchange between visual culture and architecture and follows up on the themes introduced in our previous release Beyond Architecture. It compiles experimental projects and creative perspectives from the fields of illustration, painting, collage, sculpture, photography, installation, and design.A young generation of creatives sees the urban landscape as the starting point for their work. When these illustrators, sculptors, or photographers engage with architecture, their art overrules conventional doctrines on the use of space. They use buildings as a medium for their ideas, breaking norms and triggering new tensions. Whether they make sculptures that are created within the context of a given structure or street art whose forms and colors impact its surrounding architecture, all of the featured projects interpret and reflect their spatial settings in compelling ways. In the process, these visionary concepts are playfully expanding the definition of architecture. Their creativity has the potential to breathe new life into public spaces and promote the evolution of our cities.

public spaces --- humor --- cities --- urban development --- dwellings --- urbanization --- towers [building divisions] --- architecture [discipline] --- ruins --- stadsontwikkeling --- urban renewal --- architectuur --- Architecture --- steden --- commissions [orders for works] --- Art --- sculpting --- installations [visual works] --- interactive art --- Environmental planning --- outdoor sculpture --- Serrano, Ana --- Kicey, Laura --- Setola, Sandro --- Enrich, Victor --- Catté, Olivier --- Odell, Jenny --- Wexler, Allan --- Allora and Calzadilla --- Hofstetter, Alekos --- Deleu, Luc --- Havsteen-Mikkelsen, Asmund --- Hamer, Michelle --- Sep, Erik --- Bristow, Louise --- Johnson, Kiel --- Varela, Pedro --- Cornelissen, Robbie --- Smits, Rik --- Jiang Pengyi --- Liu Jianhua --- McKenzie, Sarah --- O'Leary, Karen M. --- Mouro, João --- Duque, Alexis --- Sachs, Tom --- Rouphail, Paul --- González, Dionisio --- Wegner, Dietrich --- EVOL --- Posehn, Kristin --- Roijé, Frederik --- Chehere, Laurent --- Seibert, Calvin --- Yang Yongliang --- Jönke, Micha --- Reinert, Jens --- Stenberg, Linda --- Garaicoa, Carlos --- Smilde, Berndnaut --- Goldbach, Niklas --- Gefeller, Andreas --- Abbate, Adalberto --- Schütte, Thomas --- Strange, Ian --- Fassler, Larissa --- Hofer, Andreas --- Kramer, Jeroen --- McNabb, James --- Raddum, Fredrik --- Bohle, Georg --- Mountford, Dan --- Bompas & Parr --- Kunst, Chrisse --- Clayton, Lenka --- Halmans, Frank --- Göpfert, Florian --- Dow, Beth --- Vlahos, Vangelis --- Schubert, Simon --- Demand, Thomas --- Chinneck, Alex --- McLeod, Nicholas --- Liveröd, Jonas --- Bean, Kyle --- Jacobs, Steven --- Studio Job --- Liu Wei --- Lamarche, Bertrand --- Blasco, Isidro --- Rojas, James --- Birn, Michael J. --- Touliatou, Iris --- Bechtold, Matias --- Espantaleón, Ramón --- Overweg, Robert --- Cusick, Matthew --- Kazanjian, Jim --- Yin Xiuzhen --- Orlandini, Hugo --- Hoffman, Judith --- El Ultimo Grito --- Coffey Architects [Londen] --- Tomorrows Thoughts Today [Londen] --- Supergroup [Londen] --- Imaginaire --- Utopie --- Image de la ville --- Image de l'architecture --- Tour --- Ruine --- Technique de représentation --- Kunst en architectuur --- Kunst ; 2000 --- -7.049 --- 7.038 --- 7.039 --- Thema's in de kunst ; imaginaire architectuur en steden --- 719.2 --- Iconografie ; verschillende onderwerpen --- Kunstgeschiedenis ; 1950 - 2000 --- Kunstgeschiedenis ; 2000 - 2050 --- Steden --- Art and architecture --- Cities and towns in art --- Imaginary places in art --- Art and architecture. --- Cities and towns in art. --- Imaginary places in art. --- 7.049 --- 7.08 --- 7.036 --- 7.037 --- 72 --- Installaties (kunst) --- 20ste eeuw (kunst) --- Twintigste eeuw (kunst) --- 21ste eeuw (kunst) --- Eénentwintigste eeuw (kunst) --- Architectuur --- Coffey Architects [London] --- Tomorrows Thoughts Today [London] --- Supergroup [London] --- -Art and architecture. --- -Art --- visual culture --- planologie-stedebouw, steden --- Kunst ; 2000-