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Toyô Itô place le rapport à la nature au centre de sa réflexion et plaide dans ce livre pour une architecture nouvelle, mieux intégrée dans l’environnement naturel, plus directement en prise avec la société et vraiment à l’écoute des besoins des utilisateurs. Cette réflexion trouve une application dans l’action qu’il mène pour la reconstruction du nord-est du Japon, ravagé par la triple catastrophe de 2011 : séisme, tsunami et accident nucléaire. Peu après le désastre, il s’est rendu dans la région et en étroite collaboration avec les sinistrés, il a donné forme au concept de « Maison pour tous » et a approfondi sa réflexion sur l’enseignement de l’architecture.

Tohoku Earthquake and Tsunami, Japan, 2011 --- Buildings --- Architecture --- Tremblement de terre et tsunami du Nord-Est, Japon, 2011 --- Constructions --- Natural disaster effects --- History --- Effets des catastrophes naturelles sur --- Histoire --- Ito, Toyoo, --- Ecrit d'architecte --- Séisme --- Enseignement de l'architecture --- Besoin de l'usager --- Reconstruction --- Itô, Toyô, --- Japon --- Itō, Toyoo, --- 21st century --- Japan --- Itô, Toyô, 1941 --- -Japon --- Tohoku Earthquake and Tsunami, Japan, 2011.

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Maya Deren (1917-1961) was a Russian-born American filmmaker, theorist, poet, and photographer working at the forefront of the American avant-garde in the 1940's and 1950's. Influenced by Jean Cocteau and Marcel Duchamp, she is best known for her seminal film Meshes of the Afternoon (1943), a dream-like experiment with time and symbol, looped narrative and provocative imagery, setting the stage for the twentieth-century's groundbreaking aesthetic movements and films. Maya Deren assesses both the filmmaker's completed work and her numerous unfinished projects, arguing Deren's overarching aesthetic is founded on principles of incompletion, contingency, and openness. Combining the contrasting approaches of documentary, experimental, and creative film, Deren created a wholly original experience for film audiences that disrupted the subjectivity of cinema, its standards of continuity, and its dubious facility with promoting categories of realism. This critical retrospective reflects on the development of Deren's career and the productive tensions she initiated that continue to energize film.

Experimental films --- Independent filmmakers --- Film --- PERFORMING ARTS / Film & Video / History & Criticism. --- Kino --- Spielfilm --- Filmaufnahme --- Filme --- Spielfilme --- Audiovisuelles Material --- Videokassette --- Independent moviemakers --- Motion picture producers and directors --- History and criticism. --- Deren, Maya --- Derenkowsky, Elenora --- Derenkowsky, Eleanora --- Deren, Elenora --- Deren, Eleanora --- Bardacke, Elenora --- Bardacke, Eleanora --- Hammid, Elenora --- Hammid, Eleanora --- Hammid, Maya --- Ito, Maya --- Criticism and interpretation.