Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Philosophy --- Art --- Architecture --- architecture [discipline] --- philosophy --- sociology --- urban renewal --- urbanization --- utopias --- community art --- social anthropology --- political art --- philosophy of art --- kunst en wetenschap --- Weiner, Lawrence --- Park, Kyong --- Holzer, Jenny

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"This groundbreaking exploration of appropriation and institutional critique assembles a wide variety of artists and mediums to offer new insight and make unprecedented connections. Exploring two parallel strands of post-conceptual art, Take It or Leave It highlights artists known for their use of appropriation and those who engage in "institutional critique." Focusing on American artists who emerged from the late 1970s to the early 1990s, the book highlights dynamic practices in a variety of media: from performance to photography; video to installation; painting to writing. Artists as wide-ranging in approach as Dara Birnbaum, Mark Dion, Robert Gober, Barbara Kruger, Zoe Leonard, Glenn Ligon, Adrian Piper, Stephen Prina, and Fred Wilson are examined within the context of the larger culture--from the political landscape to design strategies in advertising. Essays by curators Anne Ellegood and Johanna Burton as well as scholars George Baker, Julia Bryan-Wilson, Gavin Butt, and Darby English explore the historical and current terrain of appropriation and institutional critique, while pursuing topics including the downtown music scene in New York in the '80s, new strategies of painting, and theories of race after identity politics' heyday"--

Art --- video recordings --- installations [visual works] --- drawing [image-making] --- painting [image-making] --- photography [process] --- property [legal concept] --- mass media --- performance art --- art criticism --- Leonard, Zoe --- Barry, Judith --- Bender, Gretchen --- Burr, Tom --- Gonzales-Torres, Felix --- Kolbowski, Silvia --- Leavitt, William --- Steinbach, Haim --- McCarthy, Paul --- Kelley, Mike --- Durham, Jimmie --- Holzer, Jenny --- Kelly, Mary --- Birnbaum, Dara --- Dion, Mark --- Fraser, Andrea --- Green, Renée --- Kruger, Barbara --- Levine, Sherrie --- McCollum, Allan --- Mullican, Matt --- Noland, Cady --- Tiravanija, Rirkrit --- Gober, Robert --- Rosler, Martha --- Blake, Nayland --- Ligon, Glenn --- Miller, John --- Prina, Stephen --- Williams, Sue --- Wilson, Fred --- Wojnarowicz, David --- Piper, Adrian --- Williams, Christopher --- Appropriation (Art) --- Art, American --- Institutional Critique (Art movement) --- 7.038/039 --- Alves Maria Thereza --- appropriation art --- Barry Judith --- Bender Gretchen --- Birnbaum Dara --- Blake Nayland --- Burr Tom --- concept art --- conceptuele kunst --- Dion Mark --- Durham Jimmie --- eenentwintigste eeuw --- fotografie --- Fraser Andrea --- Gober Robert --- Gonzalez-Torres Felix --- Green Renée --- Holzer Jenny --- installaties --- institutionele kritiek --- Kelley Mike --- Kelly Mary --- Kolbowski Silvia --- Kruger Barbara --- kunst --- kunst en politiek --- Lawler Louise --- Leavitt William --- Leonard Zoe --- Levine Sherrie --- Ligon Glenn --- McCarthy Paul --- McCollum Allan --- Miller John --- Mullican Matt --- Noland Cady --- performances --- Piper Adrian --- Prina Stephen --- Rosler Martha --- schilderkunst --- Simon Jason --- Steinbach Haim --- tekenkunst --- Tiravanija Rirkrit --- twintigste eeuw --- Verenigde Staten --- video --- videokunst --- Williams Christopher --- Williams Sue --- Wilson Fred --- Wojnarowicz David --- Art, Modern --- Appropriated imagery --- Appropriated images --- Appropriationism (Art) --- Postmodernism --- Imitation in art --- Exhibitions --- video recordings [physical artifacts]

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"Originally delivered as the prestigious A.W. Mellon Lectures in the Fine Arts in 1995, After the End of Art remains a classic of art criticism and philosophy, and continues to generate heated debate for contending that art ended in the 1960s. Arthur Danto, one of the best-known art critics of his time, presents radical insights into art's irrevocable deviation from its previous course and the decline of traditional aesthetics. He demonstrates the necessity for a new type of criticism in the face of contemporary art's wide-open possibilities"--Page 4 of cover.

Postmodernism. --- Art criticism --- Art --- Philosophy. --- Historiography. --- Alloway, Lawrence. --- Barnes, Albert. --- Bartlett, Jennifer. --- Bellows, George. --- Benjamin, Walter. --- Berlin Wall. --- Botticelli, Sandro. --- Braque, Georges. --- Caravaggio, da. --- Chardin, Jean-Baptiste. --- Cimabue, Giovanni. --- Counter-Reformation art. --- Davis, Stuart. --- De Stijl movement, color use by. --- Derain, André. --- Dickie, George. --- Eakins, Thomas. --- Erebon, Didier. --- Fiorentino, Rosso. --- French neorealism. --- Giacometti, Alberto. --- Gingrich, Newt. --- Grien, Hans Baldung. --- Hausmann, Raoul. --- Holzer, Jenny. --- Individuals (Strawson). --- Jewish Museum (New York). --- Kahn, Louis. --- Kramer, Hilton. --- Lacan, Jacques. --- Mannerist architecture. --- Maschinekunst. --- Matiushin. --- Nazarenes. --- abstraction, hard-edged. --- aesthetic vs. historical criticism. --- antifoundationalism. --- appropriationist art. --- arte povera. --- calendar art. --- category theory. --- censorship, museums and. --- colonialism, cultural. --- commercial art, pop art and. --- conceptual revolutions. --- contrary-to-fact conditionals. --- cultural colonialism. --- fauvism. --- futurist manifesto. --- invisibility of events. --- leftist art criticism. --- minimalist art.