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Hold Your Own, Kate Tempest's first full-length collection for Picador is an ambitious, multi-voiced work based around the mythical figure of Tiresias. This four-part work follows him through his transformations from child, man and woman to blind prophet; through this structure, Tempest holds up a mirror to contemporary life in a direct and provocative way rarely associated with poetry. A vastly popular and accomplished performance poet, Tempest commands a huge and dedicated following on the performance and rap circuit. Brand New Ancients, also available from Picador, won the Ted Hughes Award for New Work in Poetry and has played to packed concert halls on both sides of the Atlantic.
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There was no simple agreement on the subject of myth in classical antiquity, and there remains none today. In Approaches to Greek Myth, Lowell Edmunds brings together practitioners of eight of the most important contemporary approaches to the subject. Whether exploring myth from a historical, comparative, or theoretical perspective, each lucidly describes a particular approach, applies it to one or more myths, and reflects on what the approach yields that others do not. Contributors are H. S. Versnel on the intersections of myth and ritual; Carlo Brillante, on the history of Greek myth and history in Greek myth; Robert Mondi, on the near Eastern contexts, and Joseph Falaky Nagy, on the Indo-European structure in Greek myth; William F. Hansen on myth and folklore; Claude Calame, on the Greimasian approach; Richard Caldwell, on psychoanalytic interpretations; and Christiane Sourvinou-Inwood, on the iconography of vase paintings of Theseus and Medea-and on a methodology for reading such visual sources. In his introduction, Edmunds confronts Marcel Detienne's recent deconstruction of the notion of Greek mythology and reconstructs a meaning for myth among the ancient Greeks.
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Medea (Greek mythology) --- Euripides --- Translations into English.
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"So entsteht denn jene phantastische und so anstössig scheinende Figur des weisen und begeisterten Satyrs, der zugleich ‚der tumbe Mensch‘ im Gegensatz zum Gotte ist: Abbild der Natur und ihrer stärksten Triebe, ja Symbol derselben und zugleich Verkünder ihrer Weisheit und Kunst: Musiker, Dichter, Tänzer, Geisterseher in einer Person." "Um leben zu können, mussten die Griechen diese Götter, aus tiefster Nöthigung, schaffen: […] So rechtfertigen die Götter das Menschenleben, indem sie es selbst leben — die allein genügende Theodicee! Das Dasein unter dem hellen Sonnenscheine solcher Götter wird als das an sich Erstrebenswerthe empfunden, und der eigentliche S c h m e r z der homerischen Menschen bezieht sich auf das Abscheiden aus ihm, vor allem auf das baldige Abscheiden: so dass man jetzt von ihnen, mit Umkehrung der silenischen Weisheit, sagen könnte, ‚das Allerschlimmste sei für sie, bald zu sterben, das Zweitschlimmste, überhaupt einmal zu sterben‘." Friedrich Nietzsche
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D'Hésiode à Paul Klee, à travers livres d'emblèmes, textes savants, poèmes, compilations et grande peinture, ce sont non seulement les transformations d'un mythe, mais aussi la façon dont les époques qui le reprennent se projettent en lui que les deux auteurs retracent.
Pandora (Greek mythology) --- Art --- Pandore (Mythologie grecque) --- Themes, motives --- Thèmes, motifs --- Analyse de l'art --- Ecrit d'artiste --- Esthétique --- Mythologie --- Symbole --- Théorie de l'art --- Thèmes, motifs --- Pandora --- Art. --- Pandora (Greek mythology) - Art
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Antigone (Greek mythology) in literature. --- Antigone (Greek mythology) in literature. --- Gender identity in literature. --- Gender identity in literature. --- Greek drama (Tragedy) --- Greek drama (Tragedy). --- Philosophy in literature. --- Philosophy in literature. --- History and criticism. --- Sophocles. --- Sophocles. --- Antigone (Sophocles).
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Valerius Flaccus flourished c. 70-90 BCE and composed an incomplete epic Argonautica in eight books, on the quest for the golden fleece. Valerius effectively rehandles the story already told by Apollonius Rhodius, recalls Virgilian language and thought, displays learning, and alludes to contemporary Rome.
Languages & Literatures --- Greek & Latin Languages & Literatures --- Argonauts (Greek mythology) --- Epic poetry, Latin --- Jason (Greek mythology) --- Medea (Greek mythology) --- Medea, --- Latin epic poetry --- Argonauts --- Golden Fleece (Greek mythology) --- Μήδεια, --- Mēdeia, --- Jason --- Chasón --- Giasone --- Giasuni --- Iasōn --- Iasonas --- Iaszón --- Jasonas --- Jāsons --- Jasão --- Jaysun --- Jazon --- Jazono --- Xasón --- Yason --- Yī ā sòng --- 伊阿宋 --- イアーソーン --- יאסון --- 이아손 --- Язон --- Ясон --- Јасон --- Ἰάσων --- Ιάσονας --- جاسون --- Mythology, Greek --- Latin poetry
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Comme son titre, 'Ulysse Lumumba', l’indique peut-être, ce livre mêle l’histoire, proprement historique, d’un homme politique congolais nommé Patrice Émery Lumumba et la légende grecque (et donc occidentale) d’Ulysse, telle que nous l’a rapportée Homère. Il invente pour ce faire une forme hybride et inclassable, mariant la prose et la poésie, le récit, la fable et la méditation, le lyrisme et l’humour, le pastiche, le détournement référentiel et le brassage intertextuel où Dante et Rimbaud rencontrent Aimé Césaire.0Un tel foisonnement permet à Laurent Demoulin de multiplier les points de vue, de déconstruire en finesse et sans angélisme le regard occidental sur l’Afrique – non sans interroger au passage sa propre position d’auteur ; mais aussi de croiser et faire dialoguer les traditions culturelles africaine et européenne. En filigrane, une question : que faire, lorsqu’on est d’une génération ayant grandi au tournant des années 1960-1970 dans une Belgique encore prospère et tranquillement assise sur ses certitudes, avec le passé colonial du pays ; comment vivre aujourd’hui avec ça ?
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