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This collection of essays is dedicated to examining the recent literary phenomenon of the 'neo-historical' novel, a sub-genre of contemporary historical fiction which deliberately and self-consciously re-imagines specific periods of history. The contributions reveal how, although set in the past, neo-historical fiction is very much aimed at answering the needs and preoccupations of the present, and discuss the extent to which, as a result, its representation of one historical period for consumption by another can at times rely on 'exoticizing' strategies. Yet, as the essays in this collection demonstrate, the neo-historical novel can also offer a powerful means of contesting the very exoticist drives it seems to perpetuate, through a process of historical re-appropriation and re-articulation which simultaneously brings to light and challenges persisting cultural misconceptions about the past.
Historical fiction --- Exoticism in literature. --- Literary criticism --- History and criticism. --- European --- English, Irish, Scottish, Welsh. --- General.
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Travelers' writings, European --- European literature --- Authors, European --- Travel writing --- Exoticism in literature --- Travel in literature --- History and criticism --- Travel --- History
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Réflexion pluridisciplinaire autour de la notion d'altérité musicale, sa construction, son historiographie, ses conséquences sur une nouvelle forme de composition musicale savante et sur l'élargissement de nouveaux horizons musicaux multiculturels en Occident.
Music --- Exoticism in music --- Musique --- Exotisme dans la musique --- Philosophy and aesthetics --- Congresses --- Philosophie et esthétique --- Congrès --- History and criticism --- Effect of multiculturalism on --- Philosophie et esthétique --- Congrès --- 78.16 La Côte-Saint-André 2011 --- 78.34 --- Music - Europe - 19th century - History and criticism - Congresses --- Exoticism in music - Congresses --- Music - Effect of multiculturalism on - Congresses
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Focusing on travel journals by writers, navigators, philosophers, scientists, and anthropologists--from the eighteenth-century grand tour to the modern period--Dennis Porter explores how male authors at different historical moments conceptualized and represented the lands they encountered. Efforts to portray unfamiliar peoples and cultures are shown to give rise to rich and complex works, in which individual psychic investments frequently subvert an inherited cultural discourse. In exploring the various uses and pleasures of travel, Porter interprets it as a transgressive activity animated by desire and haunted by different forms of guilt.Broad in its historical scope and interdisciplinary in its approach, the book draws on literary theory, psychoanalysis, gender criticism, and the social history of ideas. Texts analyzed include works by Boswell, Diderot, Bougainville, Cook, Stendhal, Darwin, Flaubert, Freud, D. H. Lawrence, T. E. Lawrence, Gide, Lvi-Strauss, Barthes, and V. S. Naipaul.Originally published in 1990.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Travelers' writings, European --- European literature --- Authors, European --- Travel writing --- Exoticism in literature --- Travel in literature --- Languages & Literatures --- Literature - General --- European travelers' writings --- Voyages and travels in literature --- European authors --- History and criticism --- Travel --- History --- Exoticism in literature. --- Travel in literature. --- Travel. --- History and criticism. --- History. --- Thematology --- Comparative literature --- Authors, European -- Travel. --- European literature -- History and criticism. --- Travel writing -- History. --- Travelers'' writings, European -- History and criticism.
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Visual anthropology --- Watercolor painting, Dutch --- Drawing, Dutch --- Anthropological illustration --- Scientific illustration --- Illustration, Scientific --- Science illustration --- Scientific literature --- Art and science --- Illustration of books --- Drawing --- Technical illustration --- Illustration, Anthropological --- Dutch drawing --- Dutch watercolor painting --- Ethnology --- History --- Illustration --- Scientific applications --- Beeckman, Andries, --- exoticism --- watercolor [paint] --- Beeckman, Andries --- anno 1600-1699
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Cabala --- Yoga. --- Judaism --- Hinduism --- Mysticism --- History. --- Relations --- Hinduism. --- Judaism. --- the cultural and historical dimensions of religious exoticism --- identity --- universalizing and de-contextualizing exotic religious resources --- bricolage --- the psychologization of exotic religious resources --- the social significance of self-realization --- the 'new petite bourgeoisie' --- Kabbalah --- neo-Hindu movements --- yoga --- meditation --- Shamanism --- Buddhism --- Sufism --- religious life in neoliberal societies
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In 1941, philosopher and poet Gendun Chopel (1903-51) sent a large manuscript by ship, train, and yak across mountains and deserts to his homeland in the northeastern corner of Tibet. He would follow it five years later, returning to his native land after twelve years in India and Sri Lanka. But he did not receive the welcome he imagined: he was arrested by the government of the regent of the young Dalai Lama on trumped-up charges of treason. He emerged from prison three years later a broken man and died soon after. Gendun Chopel was a prolific writer during his short life. Yet he considered that manuscript, which he titled Grains of Gold, to be his life's work, one to delight his compatriots with tales of an ancient Indian and Tibetan past, while alerting them to the wonders and dangers of the strikingly modern land abutting Tibet's southern border, the British colony of India. Now available for the first time in English, Grains of Gold is a unique compendium of South Asian and Tibetan culture that combines travelogue, drawings, history, and ethnography. Gendun Chopel describes the world he discovered in South Asia, from the ruins of the sacred sites of Buddhism to the Sanskrit classics he learned to read in the original. He is also sharply, often humorously critical of the Tibetan love of the fantastic, bursting one myth after another and finding fault with the accounts of earlier Tibetan pilgrims. Exploring a wide range of cultures and religions central to the history of the region, Gendun Chopel is eager to describe all the new knowledge he gathered in his travels to his Buddhist audience in Tibet. At once the account of the experiences of a tragic figure in Tibetan history and the work of an extraordinary scholar, Grains of Gold is an accessible, compelling work animated by a sense of discovery of both a distant past and a strange present.
Buddhism --- History. --- Tibet Autonomous Region (China) --- travelogue, exoticism, india, sri lanka, tibet, dalai lama, treason, political prisoner, modernity, british colony, colonialism, south asia, history, ethnography, drawings, illustrations, maps, 20th century, sacred sites, buddhism, sanskrit, classics, pilgrimage, folklore, legend, china, lhasa, dharma king asoka, gupta, dynasty, pala, singhala, linguistics, tibetan language, tirthikas, religion, spirituality, customs, native plants, mount girnar, snow mountains, nonfiction.
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At the heart of every colonial encounter lies an act of translation. Once dismissed as a derivative process, the new cultural turn in translation studies has opened the field to dynamic considerations of the contexts that shape translations and that, in turn, reveal translation’s truer function as a locus of power. In Imperial Babel, Padma Rangarajan explores translation’s complex role in shaping literary and political relationships between India and Britain. Unlike other readings that cast colonial translation as primarily a tool for oppression, Rangarajan’s argues that translation changed both colonizer and colonized and undermined colonial hegemony as much as it abetted it. Imperial Babel explores the diverse political and cultural consequences of a variety of texts, from eighteenth-century oriental tales to mystic poetry of the fin de siecle and from translation proper to its ethnological, mythographic, and religious variants. Searching for translation’s trace enables a broader, more complex understanding of intellectual exchange in imperial culture as well as a more nuanced awareness of the dialectical relationship between colonial policy and nineteenth-century literature. Rangarajan argues that while bearing witness to the violence that underwrites translation in colonial spaces, we should also remain open to the irresolution of translation, its unfixed nature, and its ability to transform both languages in which it works.
LANGUAGE ARTS & DISCIPLINES / Linguistics / General. --- LITERARY CRITICISM / Asian / Indic. --- LITERARY CRITICISM / Semiotics & Theory. --- Intertextuality. --- Semiotics and literature. --- Imperialism in literature. --- English literature --- Indic literature --- Translating and interpreting --- Literature and semiotics --- Literature --- Criticism --- Semiotics --- Influence (Literary, artistic, etc.) --- Interpretation and translation --- Interpreting and translating --- Language and languages --- Translation and interpretation --- Translators --- East Indian literature --- Indian literature (East Indian) --- Indo-Aryan literature --- History and criticism --- Theory, etc. --- History. --- Translating --- Colonialism. --- Exoticism. --- India. --- Oriental Tale. --- Orientalism. --- Victorian Literature. --- imperialism. --- romanticism. --- translation.
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