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The flower bloomed and faded. The sun rose and sank. The lover loved and went. And what the poets said in rhyme, the young translated into practice. Written for her lover Vita Sackville-West, "Orlando" is Woolf's playfully subversive take on a biography, here tracing the fantastical life of Orlando. As the novel spans centuries and continents, gender and identity, we follow Orlando's adventures in love - as he changes from a lord in the Elizabethan court to a lady in 1920s London. First published in 1928, this tale of unrivalled imagination and wit quickly became the most famous work of women's fiction. Sexuality, destiny, independence and desire all come to the fore in this highly influential novel that heralded a new era in women's writing.
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Cognitive and material frames surround us and serve as a central strategy of making sense of the world. Throughout centuries, literary texts reflect on the power of the frame. The thesis explores the way framed narratives have changed in form and function, and retraces the nexus between cultural context and narrative structure. It traces formal experiments with narrative framings back to early Romanticism. Starting with a bestseller from the 18th century, Horace Walpole's intricately framed 'The Castle of Otranto' (1764), and moving on to a later proponent of Romantic fiction, Mary Shelley's '
English fiction --- English fiction. --- Literature. --- History and criticism.
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This book offers a significant statement about the contemporary British novel in relation to three authors: Graham Swift, Ian McEwan, and Kazuo Ishiguro. All writing at the forefront of a generation, these authors sought to resuscitate the novel's ethico-political credentials, at a time which did not seem conducive to such a project.
English fiction --- English fiction --- History and criticism --- History and criticism
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This innovative book comprises nine essays from leading scholars which investigate the relationship between fiction, censorship and the legal construction of obscenity in Britain between 1850 and the present day. Each of the chapters focuses on a distinct historical period and each has something new to say about the literary works it spotlights. Overall, the volume fundamentally refreshes our understanding of the way texts had to negotiate the moral and legal minefields of publicreception. The book is original in the historical period it covers, starting in 1850 and bringing debates about fict
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Embattled Reason, Principled Sentiment and Political Radicalism: Quixotism in English Novels, 1742-1801 proposes a new understanding of eighteenth-century Quixotism in English thought and literary production. The honourable and reform-oriented envisaging of the world displayed by eighteenth-century English Quixotes reveals a strain of lament and criticism aimed at the rise of commercialism and the pre-eminence of self-interest, patriarchy, political economy, religious conformism and imperial designs. Chapters on Henry Fielding, Sarah Fielding, Henry Mackenzie, Charlotte Lennox, Richard Graves and Charles Lucas exemplify the period’s marketplace diversity while convincingly claiming intellectual common ground. Quixotism appears as a discourse serving ethic-political ends, in which its very formulation as a genteel, though eccentric, assembly of principled sentiments enables social intervention and a political critique upheld by comedy and Whiggish sympathetic laughter.
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Adventure stories, English. --- English adventure stories --- English fiction
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