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"In this volume, a number of senior and emerging Dickinson scholars raise their disparate voices with a particular set of theoretical premises, each selecting specific fascicles for close inspection. The result is the first practical, balanced, common ground for studying Dickinson's poetry in her own context"--
LITERARY CRITICISM / Poetry. --- Dickinson, Emily, --- Technique. --- Manuscripts. --- Criticism, Textual. --- Dickinson, Emily --- Dickinson, Emilia, --- Dickinson, Emily Elizabeth, --- Dikinson, Ėmili, --- D̲ikinson, Emily, --- Ti-chin-sen, Ai-mi-li, --- דיקינסון, אמילי, --- Dykinsan, Ėmili,
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"Examines how the religious environment around Emily Dickinson, specifically New England Protestantism, helps in understanding her poetry, and conversely how her poetry brings attention to religious aspects of her culture and surroundings"--Provided by publisher.
Religious poetry, American --- History and criticism. --- Dickinson, Emily, --- Criticism and interpretation. --- Religion.
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Literaire vertaling. --- Literature --- Romans --- Vrouwen en letterkunde --- Women and literature --- vertalen. --- Verenigde Staten. --- History. --- Dickinson, Emily, --- kritiek en interpretatie.
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"A Place for Humility examines Dickinson's and Whitman's poetry in conjunction with this important change in environmental perception, and explores the links between their poetic projects in the context of developing nineteenth-century environmental thought. Gerhardt argues that Dickinson's and Whitman's poetry participates in this shift in different but related ways, and that their involvement with their culture's growing environmental sensibilities constitutes an important connection between their disparate poetic projects"-- "Emily Dickinson and Walt Whitman are widely acknowledged as two of America's foremost nature poets, primarily due to their explorations of natural phenomena as evocative symbols for cultural developments, individual experiences, and poetry itself. Yet for all their metaphorical suggestiveness, Dickinson's and Whitman's poems about the natural world neither preclude nor erase nature's relevance as an actual living environment. In their respective poetic projects, the earth matters both figuratively, as a realm of the imagination, and also as the physical ground that is profoundly affected by human action. This double perspective, and the ways in which it intersects with their formal innovations, points beyond their traditional status as curiously disparate icons of American nature poetry. That both of them not only approach nature as an important subject in its own right, but also address human-nature relationships in ethical terms, invests their work with important environmental overtones. Dickinson and Whitman developed their environmentally suggestive poetics at roughly the same historical moment, at a time when a major shift was occurring in American culture's view and understanding of the natural world. Just as they were achieving poetic maturity, the dominant view of wilderness was beginning to shift from obstacle or exploitable resource to an endangered treasure in need of conservation and preservation. A Place for Humility examines Dickinson's and Whitman's poetry in conjunction with this important change in American environmental perception, exploring the links between their poetic projects within the context of developing nineteenth-century environmental thought. Christine Gerhardt argues that each author's poetry participates in this shift in different but related ways, and that their involvement with their culture's growing environmental sensibilities constitutes an important connection between their disparate poetic projects. There may be few direct links between Dickinson's "letter to the World" and Whitman's "language experiment," but via a web of environmentally-oriented discourses, their poetry engages in a cultural conversation about the natural world and the possibilities and limitations of writing about it-a conversation in which their thematic and formal choices meet on a surprising number of levels. "--
LITERARY CRITICISM / Poetry. --- Poetics. --- Environmentalism in literature. --- Nature in literature. --- American poetry --- Nature in poetry --- Poetry --- History and criticism. --- Technique --- Dickinson, Emily, --- Whitman, Walt, --- Dickinson, Emily --- Dickinson, Emilia, --- Dickinson, Emily Elizabeth, --- Dikinson, Ėmili, --- D̲ikinson, Emily, --- Ti-chin-sen, Ai-mi-li, --- דיקינסון, אמילי, --- Dykinsan, Ėmili, --- Ouïtman, Ouōlt, --- Uitman, Uolʹt, --- Uitmen, Uot, --- Uitmen, Uolt, --- Viṭman̲, Vālṭ, --- Vālṭ Viṭman̲, --- Witʻŭmŏn, --- Ṿiṭman, Ṿolṭ, --- Vālṭviṭman̲, --- Waltvitmen, --- Whitman, Walter, --- Huiteman, --- Veeitman, --- Уитмен, Уолт, --- ויטמן, וולט, --- װיטמאן, װאלט, --- ويتمن، والت، --- Vitmen, Volt, --- Uitman, Uollt, --- Huiteman, Huate, --- 華特·惠特曼, --- Criticism and interpretation. --- Whitman, Walt --- Criticism and interpretation --- Dickinson, Emily Elizabeth --- 19th century --- History and criticism --- Environmentalism in literature --- Poetics
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"Miles of Stare explores the problem of nineteenth-century American literary vision: the strange conflation of visible reality and poetic language that emerges repeatedly in the metaphors and literary creations of American Transcendentalists" --
Literature and society --- Transcendentalism (New England) --- American literature --- Polarity in literature. --- Figures of speech. --- Realism in literature. --- Transcendentalism in literature. --- English language --- Imagery --- Speech, Figures of --- Tropes --- Rhetoric --- Symbolism --- Neorealism (Literature) --- Magic realism (Literature) --- Mimesis in literature --- English literature --- Agrarians (Group of writers) --- New England transcendentalism --- History --- History and criticism --- History and criticism. --- Figures of speech --- 19th century --- Realism in literature --- Polarity in literature --- New England --- United States --- Emerson, Ralph Waldo --- Criticism and interpretation --- Douglass, Frederick --- Dickinson, Emily Elizabeth --- Howells, William Dean --- Jewett, Sarah Orne, 1849-1909. The Country of the Pointed Firs
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