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Het vertrekpunt is één simpel en concreet basisgegeven van animatiefilm: stilstaande beelden maken een bewegend beeld, en stoppen daarmee te bestaan als stilstaande beelden. Het lijkt paradoxaal dat beweging kan ontstaan uit stilstand, dat continuïteit kan worden samengesteld met discrete objecten. Dit schrijven is de neerslag van persoonlijke denkoefeningen rond dit gegeven, aan de hand van verscheidene theoretische kaders en toepassingen.
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Based on Deleuze's idea that philosophy is an activity that appeals to anyone who is attuned to the desire for the ethical life, the contributions in this book question how to live the ethical life today in academia, in art but above all in our multiple ecologies of belonging.
Ethics --- Deleuze, Gilles, --- Deleuze, Gilles, - 1925-1995 --- Influence. --- 1900-talet
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Aesthetics --- Deleuze, Gilles --- Guattari, Felix
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According to Gilles Deleuze (1925-1995) philosophy is not for the privileged few or the specialized ones: it is an activity that appeals to anyone who is attuned to the desire for the ethical life. Inspired by Spinoza’s concepts of desire and freedom, Deleuze’s ethical life is a life that aims at experimenting with sustainable ways of coping with the earth, with society, with the long term struggles and contemporary crisis that matter to us all. An ethical life defines thinking as the invention/intervention of new concepts and takes the risk of working with them in the real world. This book has been written in this spirit of free explorations of intensities. It explores the entanglements between art, activism and life in the service of training us to live ethically. Contrary to morality, which is the implementation of socially accepted rules and regulations, ethics requires an analysis of the power relations that structure our interaction as relational subjects, in order to enable us to deal with them. The original contributions presented in this volume aim to set these ideas to work in contemporary practices, exploring the ways in which Deleuze’s thought continues to be relevant at the start of the 21st century. As a product of the “Deleuze Circle”, an open collaboration between academics situated in the Low Countries started in 2008, the chapters in this book contribute to our ongoing conversations on how to live the ethical life today in academia, in art but above all in our multiple ecologies of belonging.
Deleuze, Gilles, --- Influence. --- 1900-talet
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This groundbreaking book engages with the relationship between ontology, metaphysics, and epistemology in Heidegger and Deleuze. Showing that the latter are rooted in their respective ontologies not only provides a clear, detailed, and holistic outline of all three, but also reveals that Heidegger and Deleuze are highly critical of thinking that associates being with identity. While they both seek to overcome this association by affirming being as becoming, they differ in terms of what this becoming entails with Deleuze's onto-genetic account of being's rhizomic-becoming going beyond Heidegger's temporal account. However, while Deleuze attempts to think as and from difference, the relationship between identity and difference is explored to offer a tri-partite account of identity that shows that, despite his claims to the contrary, Deleuze's ontological categories continue to depend on a form of the identity he aims to overcome.
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Aesthetics --- Ontology --- Ethics --- Deleuze, Gilles,
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Mathematics --- Mathematics. --- History. --- Philosophy. --- Deleuze, Gilles,
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