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"Voice/Presence/Absence collects international contributions from academic scholars and practitioners, together with recorded live performances of artists, writers, musicians and poets, creating the space for a discussion on the role of voice in contemporary humanities. Voice/Presence/Absence is conceived as a dialogue: between a variety of interpretive frameworks and definitions of voice; between different objects of study (from contemporary art to post-dramatic theatre, from radio-voices to recorded poetry and audio-books, from pop music to novels, from the voice of trees to the one of birds, etc.) and, most important, between artists, performers and the world of academia."--Publisher's website.
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Dans le secteur des arts et de la culture le marketing souffre d'un fort déficit d'image. Pourtant qu'il s'agisse de lancer des projets, de nouer des relations avec des partenaires, d'attirer et de fidéliser des publics, de démocratiser l'accès aux œuvres d'art, de financer un équipement, les organisations culturelles modernes ont besoin d'une démarche et d'outils marketing rigoureux adaptés à leurs spécificités. Cette deuxième édition poursuit un double objectif : éclairer le lecteur sur les caractéristiques nouvelles du secteur et définir les enjeux stratégiques et outils opérationnels du marketing dans les principaux domaines des arts et de la culture (spectacle vivant, patrimoine, industries culturelles).
Art --- Cultural industries --- Marketing. --- Management.
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Vous avez un projet artistique à faire découvrir ? Ce livre est fait pour vous !Musicien, comédien, plasticien, circassien... Et si on parlait de votre projet artistique ? Cet ouvrage s'adresse aux artistes en création, qui sortent d'une école supérieure artistique ou qui se lancent dans un nouveau projet. Il entend donner une série d'outils concrets pour dépasser le seuil de la page blanche, papier et numérique. Cet ouvrage parlera donc pour eux. Ou encore mieux : il leur donnera la parole, enfin, pour qu'ils puissent pleinement communiquer (sur) leur art. Parmi les sujets traités, on retrou
Arts --- Cultural industries --- Management. --- Marketing.
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Enquêtes dans les coulisses de la culture d'aujourd'hui et sur son évolution depuis 30 ans, afin de répondre aux questions suivantes : Qui a pris le pouvoir dans les milieux culturels ? Quels sont ces réseaux ? Rencontre avec une centaine de producteurs, grands patrons, cinéastes, politiques ou artistes. ©Electre 2015
Politique culturelle --- Industries culturelles --- Enquêtes --- Culture --- Cultural industries --- Economic aspects --- France --- Cultural policy --- Enquêtes --- Culture - Economic aspects - France --- Cultural industries - France --- France - Cultural policy
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"In popular culture, management in the media industry is frequently understood as the work of network executives, studio developers, and market researchers --"the suits"--Who oppose the more productive forces of creative talent and subject that labor to the inefficiencies and risk aversion of bureaucratic hierarchies. However, such portrayals belie the reality of how media management operates as a culture of shifting discourses, dispositions, and tactics that create meaning, generate value, and shape media work throughout each moment of production and consumption. Making Media Work aims to provide a deeper and more nuanced understanding of management within the entertainment industries. Drawing from work in critical sociology and cultural studies, the collection theorizes management as a pervasive, yet flexible set of principles drawn upon by a wide range of practitioners--artists, talent scouts, performers, directors, show runners, and more--in their ongoing efforts to articulate relationships and bridge potentially discordant forces within the media industries. The contributors interrogate managerial labor and identity, shine a light on how management understands its roles within cultural and creative contexts, and reconfigure the complex relationship between labor and managerial authority as productive rather than solely prohibitive. Engaging with primary evidence gathered through interviews, archives, and trade materials, the essays offer tremendous insight into how management is understood and performed within media industry contexts. The volume as a whole traces the changing roles of management both historically and in the contemporary moment within US and international contexts, and across a range of media forms, from film and television to video games and social media"
Management --- Mass media --- Cultural industries. --- Creative industries --- Culture industries --- Industries --- Management. --- Cultural industries --- E-books --- Administration --- Industrial relations --- Organization --- Gestion --- Médias --- Industries culturelles --- Etudes transculturelles
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Publishers and publishing --- Book industries and trade --- Book trade --- Cultural industries --- Manufacturing industries
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Daniel-François-Esprit Auber (1782-1871), the most amiable French composer of the 19th century, came to his abilities late in life. After a stalled commercial career, he studied with Cherubini. His first works were not a success, but La Bergère Châteleine, written at the age of 38, established him as an operatic composer. He then met the librettist Eugène Scribe (1791-1861), with whom he developed a long and illustrious working partnership that only ended with Scribe's death. Success followe...
Composers --- Music trade. --- Music business --- Music industry --- Cultural industries --- Songwriters --- Musicians
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In post-industrial societies more and more people earn an income in creative knowledge work, a highly flexible labour market segment that demands a geographically mobile workforce. Creative knowledge work is based on an understanding of language, culture and symbolic meanings. This can best be obtained through local and national embeddedness. Yet, this necessity for embeddedness stands in contrast to the demand in geographical mobility. How is this contradiction solved by individuals? What new forms of place attachment does this bring about? This book introduces a showcase of 25 multi-local creative knowledge workers, who live in different countries at the same time. It investigates how continuous mobility becomes part of their lifeworld, and how it changes their feelings of belonging and practices of place attachment. Applying an innovative methodological mix of social phenomenology, hermeneutics and mental mapping, this book takes a detailed look at biographies and the role of places in mobile life worlds. Plug&Play Places brings forth the idea that places have to be understood as individual items, which are configured and then plugged into the 'system' of the own life world. They can be 'played' without great effort once an individual needs to make use of them. This new type of place attachment is a form of subjective standardization of place, which complements the well-known models of objective standardization of places. Plug&Play Places is relevant for scientists who deal with mobility and its impact on individual life worlds, with transnational multilocality and with flexibilised labour markets. Furthermore, the book provides a detailed qualitative perspective which can enrich the explanations of quantitative research in the same field. It is an interesting reading also for practitioners engaged in urban planning, housing and real estate development. Robert Nadler holds a doctoral degree in Urban and Local European Studies from the University of Milan-Bicocca. He is a researcher at the Leibniz Institute for Regional Geography and published on creative industries, multilocality and labour mobility.
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L'auteur propose une généalogie du processus d'industrialisation. L'industrie n'est pas qu'une affaire d'économie et de technique, elle est aussi une affaire philosophique, parce qu'elle porte l'imaginaire de l'Occident. Les industries contemporaines multiplient la fabrication de dispositifs destinés à développer les imaginaires grâce au virtuel, au numérique et aux technobiologies.
Imagination (Philosophy) --- Industrialization --- Cultural industries --- Imaginaire (Philosophie) --- Industrialisation --- Industries culturelles --- Philosophy. --- Philosophie
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