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2014 (5)

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Coleridge and the philosophy of poetic form
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ISBN: 9781107705913 Year: 2014 Publisher: Cambridge Cambridge University Press

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Letters of Samuel Taylor Coleridge.
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Year: 2014 Publisher: [Place of publication not identified] : Perlego,

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.


Book
Letters of Samuel Taylor Coleridge.
Author:
Year: 2014 Publisher: [Place of publication not identified] : Perlego,

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Abstract

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.


Book
George Seferis : Collected Poems, 1924-1955. Bilingual Edition - Bilingual Edition
Authors: --- ---
ISBN: 0691064377 069101373X 0691064717 1306992907 0691641986 1400856884 9780691064376 9780691013732 Year: 2014 Publisher: Princeton, NJ : Princeton University Press,

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This new bilingual edition of George Seferis: Collected Poems both supplements and revises the two earlier editions published in 1967 and 1969. It presents for the first time the complete Notes for a 'Week,' " Three Secret Poems, and three later poems that were not collected by the poet himself but whose English translation he authorized during his lifetime.Originally published in 1982.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.


Book
Coleridge and the philosophy of poetic form
Author:
ISBN: 9781107705913 9781107068445 9781107647510 9781316076019 1316076016 1107705916 9781316073643 1316073645 9781316078389 1316078388 1107068444 1107647517 1316083101 9781316083109 1316057100 9781316057100 1322067066 9781322067063 1316080749 9781316080740 1316071286 9781316071281 131605473X Year: 2014 Publisher: Cambridge : Cambridge University Press,

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Ewan James Jones argues that Coleridge engaged most significantly with philosophy not through systematic argument, but in verse. Jones carries this argument through a series of sustained close readings, both of canonical texts such as Christabel and The Rime of the Ancient Mariner, and also of less familiar verse, such as Limbo. Such work shows that the essential elements of poetic expression - a poem's metre, rhythm, rhyme and other such formal features - enabled Coleridge to think in an original and distinctive manner, which his systematic philosophy impeded. Attentiveness to such formal features, which has for some time been overlooked in Coleridge scholarship, permits a rethinking of the relationship between eighteenth-century verse and philosophy more broadly, as it engages with issues including affect, materiality and self-identity. Coleridge's poetic thinking, Jones argues, both consolidates and radicalises the current literary critical rediscovery of form.

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