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Espagnol (langue) --- Diplomas de Español como Lengua Extranjera --- Examens.
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Il volume contiene la descrizione di 74 manoscritti datati conservati a Brescia presso i Musei civici di arte e storia, l’Università Cattolica e il Museo Diocesano; presso la Biblioteca Morcelli di Chiari; la Fondazione Ugo da Como di Lonato; presso la Biblioteca comunale Lanfranchi di Palazzolo sull’Oglio; a Como presso la Biblioteca Comunale, i Musei civici, il Centro Studi Nicolò Rusca e la Società Storica Comense a Como; a Lodi presso l’Archivio Storico Diocesano, la Biblioteca Comunale e il Collegio San Francesco; presso la Biblioteca Capitolare di Monza; a Varese presso il monastero delle Romite Ambrosiane e il Museo Baroffio e del Sacro Monte al Sacro Monte e presso la Biblioteca Capitolare di Busto Arsizio. Il catalogo è introdotto dalla storia delle biblioteche e dei fondi ed è corredato dagli indici, dalla bibliografia e da 84 tavole in bianco e nero. Al volume è allegato un CD-ROM che contiene 260 immagini a colori dei codici descritti.
091 "..." --- 091 <45> --- h --- Handschriftenkunde. Handschriftencatalogi--Italië --- 091 <45> Handschriftenkunde. Handschriftencatalogi--Italië --- Catalogue de manuscrits --- Manuscrits datés --- Brescia --- Como --- Lodi --- Monza --- Varese
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"This important and innovative book examines artists' mobility as a critical aspect of Italian Renaissance art. It is well known that many eminent artists such as Cimabue, Giotto, Donatello, Lotto, Michelangelo, Raphael, and Titian traveled. This book is the first to consider the sixteenth-century literary descriptions of their journeys in relation to the larger Renaissance discourse concerning mobility, geography, the act of creation, and selfhood. David Young Kim carefully explores relevant themes in Giorgio Vasari's monumental Lives of the Artists, in particular how style was understood to register an artist's encounter with place. Through new readings of critical ideas, long-standing regional prejudices, and entire biographies, The Traveling Artist in the Italian Renaissance provides a groundbreaking case for the significance of mobility in the interpretation of art and the wider discipline of art history"--Publisher's description.
Travel in art. --- Painting, Renaissance --- Voyages and travels in art --- Art, Italian --- Art, Renaissance --- Artists --- Art, Italian. --- Art, Renaissance. --- Travel --- History --- Travel. --- 1500-1599 --- Italy. --- Renaissance art --- Italian art --- Bamboccianti (Group of artists) --- Corrente (Group of artists) --- Cracking Art (Group of artists) --- Fronte nuovo delle arti (Group of artists) --- Geometria e ricerca (Group of artists) --- Girasole (Group of artists) --- Gruppo 1 (Group of artists) --- Gruppo Aniconismo dialettico (Group of artists) --- Gruppo di Como (Group of artists) --- Gruppo di Scicli (Group of artists) --- Gruppo Enne (Group of artists) --- Gruppo Forma uno (Group of artists) --- Italiens de Paris (Group of artists) --- Mutus Liber (Group of artists) --- Novecento italiano (Group of artists) --- Nuovi-nuovi (Group of artists) --- Origine (Group of artists) --- Sei pittori di Torino (Group of artists) --- Transvisionismo (Group of artists) --- Persons --- Italia --- Italian Republic --- Italianska republika --- Italʹi͡anskai͡a Rėspublika --- Italie --- Italien --- Italii͡ --- Italii͡a Respublikasi --- Italiĭsʹka Respublika --- Itālija --- Itālijas Republika --- Italijos Respublika --- Italikē Dēmokratia --- Īṭāliy --- Italiya Respublikasi --- It'allia --- It'allia Konghwaguk --- İtalya --- İtalya Cumhuriyeti --- Iṭalyah --- Iṭalye --- Itaria --- Itaria Kyōwakoku --- Jumhūrīyah al-Īṭālīyah --- Kgl. Italienische Regierung --- Königliche Italienische Regierung --- Laško --- Lýðveldið Ítalía --- Olasz Köztársaság --- Olaszország --- Regno d'Italia --- Repubblica italiana --- Republiḳah ha-Iṭalḳit --- Włochy --- Yidali --- Yidali Gongheguo --- Italy
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"Explores the early career of Domenikos Theotokopoulos, 'El Greco,' in particular his engagement with Italian art around the time of his sojourn in Venice and Rome (1567-76). Examines the form, function, and conception of religious images in the second half of the sixteenth century"--Provided by publisher.
Art, Italian --- Christian art and symbolism --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Symbolism in art --- Church decoration and ornament --- Italian art --- Bamboccianti (Group of artists) --- Corrente (Group of artists) --- Cracking Art (Group of artists) --- Fronte nuovo delle arti (Group of artists) --- Geometria e ricerca (Group of artists) --- Girasole (Group of artists) --- Gruppo 1 (Group of artists) --- Gruppo Aniconismo dialettico (Group of artists) --- Gruppo di Como (Group of artists) --- Gruppo di Scicli (Group of artists) --- Gruppo Enne (Group of artists) --- Gruppo Forma uno (Group of artists) --- Italiens de Paris (Group of artists) --- Mutus Liber (Group of artists) --- Novecento italiano (Group of artists) --- Nuovi-nuovi (Group of artists) --- Origine (Group of artists) --- Sei pittori di Torino (Group of artists) --- Transvisionismo (Group of artists) --- Influence. --- Greco, --- Theotocopuli, Dominico, --- Theotokopoulos, Domenikos, --- Theocopuli, Domenico, --- Theotocopuli, Domenico, --- Zeotokopoulos, Doménikos, --- Theotocópuli, Domingo, --- Theotocópoulos, Doménicos, --- Theoscopoli, Domenico, --- Greco, Domenico, --- Griego, --- El Greco, --- Greco, Dominico, --- Ο Γκρεκο, --- Criticism and interpretation. --- Theotocopuli, Dominico --- Theotokopoulos, Domenikos --- Theocopuli, Domenico --- Theotocopuli, Domenico --- Zeotokopoulos, Doméniko, --- Theotocópuli, Domingo --- Theotocópoulos, Doménicos --- Theoscopoli, Domenico --- Greco, Domenico --- Griego --- El Greco --- Greco, Dominico --- Ο Γκρεκο
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