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In childhood, bell hooks was taught that ""talking back"" meant speaking as an equal to an authority figure and daring to disagree and/or have an opinion. In this collection of personal and theoretical essays, hooks reflects on her signature issues of racism and feminism, politics and pedagogy. Among her discoveries is that moving from silence into speech is for the oppressed, the colonized, the exploited, and those who stand and struggle side by side, a gesture of defiance that heals, making new life and new growth possible.
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A classic work of feminist scholarship, Ain't I a Woman has become a must-read for all those interested in the nature of black womanhood. Examining the impact of sexism on black women during slavery, the devaluation of black womanhood, black male sexism, racism among feminists, and the black woman's involvement with feminism, hooks attempts to move us beyond racist and sexist assumptions. The result is nothing short of groundbreaking, giving this book a critical place on every feminist scholar's bookshelf.
African American women --- Sexism --- Feminism --- Social conditions.
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A daring new model for ending Domestic Violence, this research seeks to engage black liberation theology and other movements intended to empower African American people who face racial injustice, and its impact on African American battered women.
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"In The Black Body in Ecstasy, Jennifer C. Nash rewrites black feminism's theory of representation. Her analysis moves beyond black feminism's preoccupation with injury and recovery to consider how racial fictions can create a space of agency and even pleasure for black female subjects. Nash's innovative readings of hardcore pornographic films from the 1970s and 1980s develop a new method of analyzing racialized pornography that focuses on black women's pleasures in blackness: delights in toying with and subverting blackness, moments of racialized excitement, deliberate enactments of hyperbolic blackness, and humorous performances of blackness that poke fun at the fantastical project of race. Drawing on feminist and queer theory, critical race theory, and media studies, Nash creates a new black feminist interpretative practice, one attentive to the messy contradictions--between delight and discomfort, between desire and degradation--at the heart of black pleasures."--
African American women in motion pictures. --- African American women in motion pictures. --- African American women --- African American women --- PERFORMING ARTS --- Pornography --- Pornography --- SOCIAL SCIENCE / Gender Studies. --- Sexual behavior. --- Sexual behavior. --- Reference. --- Social aspects --- Social aspects. --- United States.
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Gwendolyn Calvert Baker has had an extraordinary career and has witnessed a dramatic change in the ways that U.S. schools provide education to and about our multiethnic, multicultural society. But Baker hasn't just lived through the progression of multicultural considerations--she has been singularly instrumental in the creation and acceptance of multicultural education. In Hot Fudge Sundae in a White Paper Cup, she shares her memories and experience of a lifetime spent serving and leading the causes for multicultural education.
African American women educators --- Multicultural education --- Baker, Gwendolyn C.
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Women household employees --- African American women. --- Work and family
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Emilie Davis was a free African American woman who lived in Philadelphia during the Civil War. She worked as a seamstress, attended the Institute for Colored Youth, and was an active member of her community. She lived an average life in her day, but what sets her apart is that she kept a diary. Her daily entries from 1863 to 1865 touch on the momentous and the mundane: she discusses her own and her community’s reactions to events of the war, such as the Battle of Gettysburg, the Emancipation Proclamation, and the assassination of President Lincoln, as well as the minutiae of social life in Philadelphia’s black community. Her diaries allow the reader to experience the Civil War in “real time” and are a counterpoint to more widely known diaries of the period. Judith Giesberg has written an accessible introduction, situating Davis and her diaries within the historical, cultural, and political context of wartime Philadelphia. In addition to furnishing a new window through which to view the war’s major events, Davis’s diaries give us a rare look at how the war was experienced as a part of everyday life—how its dramatic turns and lulls and its pervasive, agonizing uncertainty affected a northern city with a vibrant black community.
African American women --- African Americans --- History --- Davis, Emilie Frances, --- Philadelphia (Pa.) --- Social conditions --- Race relations
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African American women --- African American women --- African Americans --- African Americans --- Hair --- Hair --- Beauty, Personal --- Beauty, Personal --- Race identity. --- Social conditions. --- Race identity. --- Social conditions. --- Social aspects --- Social aspects --- History. --- Social aspects --- Social aspects --- History.
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When you think about civil rights activists, do you picture middle-aged, middle-class northern women in white gloves and tidy dresses meeting for coffee with their southern counterparts? This book tells the story of a group of women who did exactly that. As the civil rights movement reached a fevered pitch during Freedom Summer, Wednesdays in Mississippi (WIMS) brought interfaith, interracial teams of northern women to Jackson, Mississippi, to meet with southern women to challenge injustice and open lines of communication where others had failed.
African American women political activists --- African American women civil rights workers --- African Americans --- Civil rights movements --- History --- History --- Civil rights --- History --- History --- Wednesdays in Mississippi (Organization) --- Mississippi Freedom Project --- History. --- Mississippi --- Race relations --- History
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