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Analyse de la rhétorique des premiers textes d'A. Jarry, dont l'obscurité est revendiquée. A la lumière des spécificités de production et de réception de la littérature symboliste, le spécialiste étudie l'influence de l'herméneutique fin de siècle sur Jarry, et l'apport de l'écrivain à celle-ci.
Authors, French --- Symbolism in literature --- Ecrivains français --- Symbolisme dans la littérature --- Jarry, Alfred, --- Ecrivains français --- Symbolisme dans la littérature
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Symbolic representation is a crucial subject for and a potent heuristic instrument of diaspora studies. This special focus inquires into the forms and functions of symbols of diaspora both in aesthetic practice and in critical discourse, analyzing and theorizing symbols from Shakespeare to Bollywood as well as in critical writings of theorists of diaspora. What kinds of symbols and symbolic practices, contributors ask, are germane to the representation, both emic and etic, of diasporics and diasporas? How are specific symbols and symbolic practices analyzed across the academic fields contributing to diaspora studies? Which symbols and symbolic practices inform the academic study of diasporas, sometimes unconsciously or without being remarked on? To study these phenomena is to engage in a dialogue that aims at refining the theoretical and methodological vocabulary and practice of truly transdisciplinary diaspora studies while attending to the imperative of specificity that inheres in this emerging field. The volume collects a range of analyses from social anthropology, history and ethnography to literary and film studies, all combining readings of individual symbolic practices with meta-theoretical reflections.
Symbolism in literature. --- Symbolism (Art movement) --- Symbolism. --- Representation, Symbolic --- Symbolic representation --- Mythology --- Emblems --- Signs and symbols --- Art, Modern --- Signs and symbols in literature --- Symbolism in folk literature --- Diaspora. --- identity. --- memory. --- symbols.
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El presente volumen tiene como finalidad el estudio a lo largo del tiempo contemporáneo de las claves que definen uno de los núcleos más significativos de la creación literaria común en la trayectoria de las letras hispánicas: lo inventivo y lo estético, la invención, por una parte, como un problema intraliterario y, a la v ez, como un legado proveniente de la tradición occidental que se expande a través del mito de la poesía generado en el Romanticismo; y, por otra, como la caracterización simbólica de una creatividad cuyos arquetipos están presentes tanto en el nacimiento del arte por el arte como en la consagración de la poesía pura o la construcción de la irrealidad en las vanguardias y neovanguardias.
Symbolism in literature. --- Spanish literature --- Literature --- Simbolismo en la literatura --- Literatura española --- Estética literaria --- Creación literaria --- History and criticism. --- Aesthetics. --- Espan��a. --- Historia y crítica --- Literatura española --- Estética literaria --- Creación literaria --- Historia y crítica
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Peut-on dégager des propriétés communes à toues les arts du point de vue de leur structure ? Est-il possible d'étudier les formes artistiques en termes de consonance, de rythme ou de tempo ? Peut-on parler effectivement d'une "musique du poème" ou d'une "musique du tableau" ? Pour répondre à ces questions qui hantent depuis longtemps les théoriciens de l'art, cet ouvrage étudie le paradigme musical qui traverse le romantisme allemand, le symbolisme français et le formalisme de la fin du XIXe siècle. En explorant les rapports entre sens et musicalité à la lumière de la théorie sémiotique, l'auteur propose un modèle transversal d'analyse des arts, et invite à repenser le symbolisme dans le cadre d'une histoire des formes synthétiques.
Music and literature --- Symbolism in literature --- Romanticism --- Musique et littérature --- Symbolisme dans la littérature --- Romantisme --- History --- Histoire --- Music --- Art and music --- Symbolism in music --- Philosophy and aesthetics --- Semiotics --- Music - 19th century - Philosophy and aesthetics --- Art and music - History - 19th Century --- Music and literature - History - 19th century --- Music - Semiotics
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During the Reformation, the mystery of the Eucharist was the subject of contentious debate and a nexus of concerns over how the material might embody the sublime and how the absent might be made present. For Kimberly Johnson, the question of how exactly Christ can be present in bread and wine is fundamentally an issue of representation, and one that bears directly upon the mechanics of poetry. In Made Flesh, she explores the sacramental conjunction of text with materiality and word with flesh through the peculiar poetic strategies of the seventeenth-century English lyric. Made Flesh examines the ways in which the works of John Donne, George Herbert, Richard Crashaw, Edward Taylor, and other devotional poets explicitly engaged in issues of signification, sacrament, worship, and the ontological value of the material world. Johnson reads the turn toward interpretively obstructive and difficult forms in the seventeenth-century English lyric as a strategy to accomplish what the Eucharist itself cannot: the transubstantiation of absence into perceptual presence by emphasizing the material artifact of the poem. At its core, Johnson demonstrates, the Reformation debate about the Eucharist was an issue of semiotics, a reimagining of the relationship between language and materiality. The self-asserting flourishes of technique that developed in response to sixteenth-century sacramental controversy have far-reaching effects, persisting from the post-Reformation period into literary postmodernity.
Christian poetry, English --- Christianity and literature --- Lord's Supper in literature. --- Theology in literature. --- Symbolism in literature. --- Transubstantiation in literature. --- Signs and symbols in literature --- Symbolism in folk literature --- History and criticism. --- History --- Cultural Studies. --- Literature. --- Medieval and Renaissance Studies. --- Religion. --- Religious Studies.
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This volume offers a critical examination of the early works of Vladimir Solov’ëv, Russia’s most famous and systematic philosopher. It presents a philosophical critique of his early writings up to 1881 from an immanent viewpoint and examines Solov’ëv’s intended contributions to philosophy against the background of German Idealism, including Schopenhauer, and the positivism of his day. Examining contemporary reactions to his writings by leading figures of his day, such as Chicherin and Kavelin, The Early Solov’ëv and His Quest for Metaphysics reveals the small but vibrant philosophical community in Russia during the immediate decades before the Bolshevik Revolution. It provides a detailed discussion of Solov’ëv’s confrontation with his philosophical opponents and shows how his emphasis on developing a metaphysical ontology rather than epistemology exerted a virtual paradigmatic influence on Russian philosophy for years to come. This volume also sets Solov’ëv’s writings against a detailed intellectual biography of these early years, drawing on letters to friends and relatives including reminiscences, and challenges many of the received claims concerning his actions and positions, particularly his alleged youthful mystical visions. In addition, the book features two appendices: one that sketches the early Russian reception of French positivism against which Solov’ëv reacted in the name of metaphysics and another that presents a fascinating look at the Solov’ëv family background, which produced at once intellectual as well as dysfunctional members. Presenting a rare picture of the non-Marxist intellectual scene in 19th century Russia, The Early Solov’ëv and His Quest for Metaphysics will be of interest to graduate students and researchers looking for a philosophically informed approach to this unique thinker and era.
Metaphysics. --- Philosophy, Russian. --- Symbolism in literature. --- Solovyov, Vladimir Sergeyevich, --- Criticism and interpretation. --- Symbolism. --- Signs and symbols in literature --- Symbolism in folk literature --- Russian philosophy --- Соловьев, Владимир Сергеевич, --- Solowjew, W. S., --- Solovyof, Vladimir, --- Solovyev, Vladimir, --- Solovjeff, Wladimir, --- Solovjovas, Vladimiras, --- Soloviev, Wladimir, --- Solovʹev, Vladimir Sergeevich, --- Solowiew, Wladimir, --- Solowjow, Wladimir, --- Soloviev, Vladimir, --- Solowjoff, Wladimir, --- Solovjev, Vladimir, --- Solowjew, Wladimir, --- Соловьев, Вл. --- Solovʹev, Vl. --- Соловьев, В. С. --- Solovʹev, V. S. --- So-lo-wei-yüeh-fu, --- Soloviev, Vi. Soiovʹev V., --- Soloviev, V. S., --- Solovjov, Vladimír Sergejevič, --- סאלאוויאוו, וולאדימיר סערגעיעוו, --- Solovʼëv, Vladimir, --- Szolovjov, Vlagyimir, --- Philosophy. --- Culture --- Political science. --- History of Philosophy. --- Regional and Cultural Studies. --- Political Science. --- Study and teaching. --- God --- Ontology --- Philosophy --- Philosophy of mind --- Philosophy (General). --- Culture-Study and teaching. --- Administration --- Civil government --- Commonwealth, The --- Government --- Political theory --- Political thought --- Politics --- Science, Political --- Social sciences --- State, The --- Culture—Study and teaching. --- Mental philosophy --- Humanities --- Ethnology. --- Culture. --- Regional Cultural Studies. --- History. --- Cultural sociology --- Sociology of culture --- Civilization --- Popular culture --- Cultural anthropology --- Ethnography --- Races of man --- Social anthropology --- Anthropology --- Human beings --- Social aspects
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