Narrow your search

Library

KU Leuven (3)

UGent (3)

LUCA School of Arts (2)

Odisee (2)

Thomas More Kempen (2)

Thomas More Mechelen (2)

UCLL (2)

VIVES (2)

VUB (2)

ULiège (1)


Resource type

book (3)


Language

English (3)


Year
From To Submit

2014 (3)

Listing 1 - 3 of 3
Sort by

Book
The lily and the thistle : the French tradition and the older literature of Scotland : essays in criticism
Author:
ISBN: 1442666242 9781442666245 9781442646650 1442646659 1442666250 Year: 2014 Publisher: Toronto, [Ontario] ; Buffalo, [New York] ; London [England] : University of Toronto Press,

Loading...
Export citation

Choose an application

Bookmark

Abstract

In 'The lily and the thistle', William Calin argues for a reconsideration of the French impact on medieval and renaissance Scottish literature. Calin proposes that much of traditional, medieval, and early modern Scottish culture, thought to be native to Scotland or primarily from England, is in fact strikingly international and European. By situating Scottish works in a broad intertextual context, Calin reveals which French genres and modes were most popular in Scotland and why. 'The lily and the thistle' provides appraisals of medieval narrative texts in the high courtly mode (equivalent to the French "dits amoureux"); comic, didactic, and satirical texts; and Scots romance. Special attention is accorded to texts composed originally in French such as the Arthurian "Roman de Fergus," as well as to the lyrics of Mary Queen of Scots and little known writers from the French and Scottish canons. By considering both medieval and renaissance works, Calin is able to observe shifts in taste and French influence over the centuries.


Book
The Trojan legend in medieval Scottish literature
Author:
ISBN: 1782042024 1843843641 Year: 2014 Publisher: Suffolk : Boydell & Brewer,

Loading...
Export citation

Choose an application

Bookmark

Abstract

The Trojan legend became hot property during the Anglo-Scots Wars of Independence. During the late thirteenth and early fourteenth centuries, the English traced their ancestry to Brutus and the Trojans and used this origin myth tobolster their claims to lordship and ownership of Scotland; while in a game of political one-upmanship, and in order to prove Scotland's independence and sovereignty, Scottish historians instead traced their nation's origins to aGreek prince, Gaythelos, and his Egyptian wife, Scota. Despite the wealth of scholarship on the Trojan legend in English and European literature, very little has been done on Scotland's literary response to the same legend,even though a mere glance at the canonical material of late medieval Scotland indicates that it remained equally current north of the Border, a gap which this book fills. Through a detailed analysis of a range of Older Scots textsfrom c. 1375 to c. 1513, notably The Scottish Troy Book, Henryson's Testament of Cresseid, and Douglas' Eneados, it provides the first comprehensive assessment of the Scottish response to the Trojan legend. It considers the way in which Scottish texts interact with English counterparts, such as Geoffrey of Monmouth's Historia, Chaucer's Troilus, Lydgate's Troy Book, and Caxton's Eneados, and demonstrates how despite - or perhaps because of - its use in the Anglo-Scots Wars of Independence, the Trojan legend was for the most part neither neglected nor pejoratively treated in Older Scots literature. Rather, the Matter of Troy and related Matter of Greece were used not just as an origin myth, but also a metaphor for Anglo-Scots political relations, guide to good governance, and locus through which poets might explore broader issues of literary tradition, authority, and the nature of poetic truth. Emily Wingfield is a lecturer in English at the University of Birmingham.


Book
Pointed Encounters
Author:
ISBN: 9401211116 9789401211116 9042038691 9789042038691 1322339414 9781322339412 Year: 2014 Publisher: Amsterdam Editions Rodopi

Loading...
Export citation

Choose an application

Bookmark

Abstract

Pointed Encounters establishes the literary significance of representations of dance in poetry, song, dance manuals, and fiction written between 1750 and 1830. Presenting original readings of canonical texts and fresh readings of neglected but significant literary works, this book traces the complicated role of social dancing in Scottish culture and identifies the hitherto unexplored motif of dance as an outwardly conforming, yet covertly subversive, expression of Scottish identity during the period. The volume draws upon diverse yet mutually revealing texts, from traditional dance and music to Sir Walter Scott and contemporary Scottish women novelists, to offer students and scholars of Scottish and English literature a fresh insight into the socio-cultural context of the British state after 1746.

Listing 1 - 3 of 3
Sort by