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What is the relevance of Luc Boltanski's 'pragmatic sociology of critique' to central issues in contemporary social and political analysis? In seeking to respond to this question, this book contains critical commentaries from prominent social theorists attempting to map out the influence and broad scope of Boltanski's oeuvre.

Critical theory --- Sociology --- Philosophy --- Boltanski, Luc --- École de Francfort (philosophie) --- Sociologie et philosophie --- Boltanski, Luc, --- Critical theory. --- #SBIB:316.21H51 --- #SBIB:316.21H21 --- 316.2 BOLTANSKI, LUC --- Critical social theory --- Critical theory (Philosophy) --- Critical theory (Sociology) --- Negative philosophy --- Criticism (Philosophy) --- Philosophy, Modern --- Rationalism --- Frankfurt school of sociology --- Socialism --- Philosophy. --- Theoretische sociologie: structuralisme, poststructuralisme --- Theoretische sociologie: kritische theorie en de Frankfurter Schule --- Sociologische richtingen. Sociologische scholen. Sociologen--BOLTANSKI, LUC --- Boltanski, Luc. --- École de Francfort. --- Sociologie et philosophie. --- Sociology - Philosophy

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What is the relationship between a cinematic grid of color and that most visceral of negative affects, disgust? How might anxiety be a matter of an interrupted horizontal line, or grief a figure of blazing light?Offering a bold corrective to the emphasis on embodiment and experience in recent affect theory, Eugenie Brinkema develops a novel mode of criticism that locates the forms of particular affects within the specific details of cinematic and textual construction. Through close readings of works by Roland Barthes, Hollis Frampton, Sigmund Freud, Peter Greenaway, Michael Haneke, Alfred Hitchcock, Søren Kierkegaard, and David Lynch, Brinkema shows that deep attention to form, structure, and aesthetics enables a fundamental rethinking of the study of sensation. In the process, she delves into concepts as diverse as putrescence in French gastronomy, the role of the tear in philosophies of emotion, Nietzschean joy as a wild aesthetic of repetition, and the psychoanalytic theory of embarrassment. Above all, this provocative work is a call to harness the vitality of the affective turn for a renewed exploration of the possibilities of cinematic form.

Critiques de cinéma --- Formalisme (analyse littéraire) --- Affect (psychologie) --- Film criticism. --- Formalism (Literary analysis) --- Affect (Psychology) --- Critical theory. --- #SBIB:309H520 --- #SBIB:39A8 --- Critical social theory --- Critical theory (Philosophy) --- Critical theory (Sociology) --- Negative philosophy --- Criticism (Philosophy) --- Philosophy, Modern --- Rationalism --- Sociology --- Frankfurt school of sociology --- Socialism --- Emotions --- Psychology --- Formalism (Russian literature) --- Russian formalism (Literary analysis) --- Criticism --- Motion picture criticism --- Motion pictures --- Moving-picture criticism --- Audiovisuele communicatie: algemene werken --- Antropologie: linguïstiek, audiovisuele cultuur, antropologie van media en representatie --- Evaluation --- Formalism (Literary analysis). --- Affect (Psychology). --- Formalisme (littérature) --- Critical theory --- Film criticism --- Critiques de cinéma. --- Critiques de cinéma. --- Formalisme (littérature)

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Das Werk von Pierre Bourdieu zählt ebenso wie das der Frankfurter Schule zu den wichtigsten gesellschaftskritischen Ansätzen. Die gegenseitige Rezeption allerdings ist von Missverständnissen und Abgrenzungskämpfen durchzogen. Die Beiträge in diesem Band versuchen dem zu begegnen, indem sie beide Positionen stärker miteinander vermitteln, als dies bisher geschehen ist. Daraus ergeben sich zugleich neue Perspektiven für eine kritische Gesellschaftstheorie der Gegenwart. Zentrale gemeinsame Bezugspunkte sind die Subjekt- bzw. Habitustheorie, die Analyse von Macht- und Herrschaftsstrukturen sowie die jeweilige Stellung zu politischem Eingreifhandeln und sozialen Bewegungen. »In summa stellt dieser kritische Band das Werk von Pierre Bourdieu in Gegenüberstellung zur Frankfurter Schule umfassend dar und bietet damit einen spannenden Vergleich dieser beiden Denksysteme.« Helmut Reinalter, Zeitschrift für Internationale Freimaurerforschung, 37 (2017) »Eine durchwegs komplexe, fundierte und anregende Sammlung von Analysen zu den beiden großen Theoriesträngen der rezenten kritischen Soziologie in Deutschland und Frankreich.« Ingolf Erler, Schulheft 156 (2014) Besprochen in: Portal für Politikwissenschaft, 31.07.2014, Hendrik Claas Meyer Rundbrief Begegnungszentrum für aktive Gewaltlosigkeit, 38/3 (2014) Information Philosophie, 3 (2014)

Critical theory. --- Frankfurt school of sociology. --- Sociology --- Critical theory (Sociology) --- Frankfurt school --- Frankfurt sociologists --- Schools of sociology --- Critical theory --- Marxian school of sociology --- Critical social theory --- Critical theory (Philosophy) --- Negative philosophy --- Criticism (Philosophy) --- Philosophy, Modern --- Rationalism --- Frankfurt school of sociology --- Socialism --- Philosophy. --- Bourdieu, Pierre, --- Burdʹe, Pʹer, --- Burdʹe, P. --- Bourdieu, P. --- Pūrtiyu, Piyar, --- Bourdieu; Frankfurter Schule; Kritische Theorie; Habitus; Herrschaft; Soziale Bewegungen; Gesellschaft; Politik; Soziologische Theorie; Sozialphilosophie; Politische Philosophie; Soziologie; Critical Theory; Social Movements; Society; Politics; Sociological Theory; Social Philosophy; Political Philosophy; Sociology --- Political Philosophy. --- Politics. --- Social Movements. --- Social Philosophy. --- Society. --- Sociological Theory. --- Sociology.

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This book is a critical analysis of a selection of Adorno’s work framed by four essential concerns: 1) Adorno’s method of analysis; 2) the absence of a theory of social change; 3) the relationship of his approach to the dialectics of Hegel and Marx, particularly, to others in and around the Frankfurt School (Benjamin, Kracauer, Marcuse), and in contrast to scholars such as Lukács and Bloch; and 4) Adorno’s use of his approach with respect to jazz, popular music, radio and pro-fascist propaganda of the 1930's and 40's as an instrument to disparage the working class. The argument is not an affirmation of Adorno’s work, but argues against the significance of aspects of his theoretical perspective.

Methodology. --- Dialectic. --- Critical theory. --- Critical social theory --- Critical theory (Philosophy) --- Critical theory (Sociology) --- Negative philosophy --- Criticism (Philosophy) --- Philosophy, Modern --- Rationalism --- Sociology --- Frankfurt school of sociology --- Socialism --- Polarity --- Polarity (Philosophy) --- Philosophy --- Research --- Methodology --- Adorno, Theodor W., --- Marx, Karl, --- Hegel, Georg Wilhelm Friedrich, --- Hegel, Giorgio Guglielmo Frederico --- Hegel, Georg Wilhelm Friedrich --- Adorno, Theodor W. --- Wiesengrund, Theodor, --- Wiesengrund-Adorno, Theodor, --- Adorno, Teodor V., --- Adorŭno, --- אדורנו, תאודור --- אדורנו, ת. ו. --- Adorno, Th. W. --- Marx, Karl --- Makesi, --- Ma-kʻo-ssu, --- 马克思, --- 馬克思, --- Marukusu, --- マルクス, --- Marx, Heinrich Karl, --- Marks, Karl, --- Marx, Carlos, --- Marks, K. --- Marŭkʻŭsŭ, Kʻal, --- 마르크스, 칼, --- Marksŭ, --- 맑스, --- Marks, Karol, --- Mác, Các, --- Marx, Karel, --- Marksas, Karolis, --- Marx, Carlo, --- Mác, C., --- מארכס, --- מארכס, קארל, --- מארכס, קרל, --- מארכס, ק --- מארקס --- מארקס, קארל --- מארקס, קארל, --- מארקס, קרל, --- מארקס, ק. --- מרכס, קרל --- מרכס, קרל, --- ماركس، كارل --- ماركس، كارل، --- Markso, Karlo, --- Hēgeru, --- Hei-ko-erh, --- Gegelʹ, Georg, --- Hījil, --- Khegel, --- Hegel, G. W. F. --- Hegel, --- Hei Ge Er, --- Chenkel, --- Hīghil, --- הגל, --- הגל, גאורג וילהלם פרידריך, --- הגל, גיאורג וילהלם פרידריך, --- הגל, ג.ו.פ, --- היגל, גורג ווילהלם פרדריך, --- היגל, גיורג וילהלם פרידריך, --- 黑格尔, --- Hegel, Guillermo Federico, --- Hegel, Jorge Guillermo Federico, --- Heyel, Georg Wilhelm Friedrich, --- Higil, Gʼūrg Vīlhim Frīdrīsh, --- ‏هگل, --- ‏هگل، گئورگ ويلهم فريدريش, --- Humanities Methodology