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Book acquisition --- Museology --- musea --- Louvain

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Book acquisition --- Museology --- Marketing --- Business management --- management --- marketing --- musea

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Book acquisition --- Dissertations, Academic --- 378.245 --- 02 <043> --- -Academic dissertations --- Programs, Academic --- Theses --- Thesis writing --- Universities and colleges --- Academic disputations --- Dissertaties. Proefschriften. Promoties --(hoger onderwijs) --- Bibliotheekwezen--Dissertaties --- Addresses, essays, lectures --- Dissertations --- -Dissertaties. Proefschriften. Promoties --(hoger onderwijs) --- 02 <043> Bibliotheekwezen--Dissertaties --- 378.245 Dissertaties. Proefschriften. Promoties --(hoger onderwijs) --- Academic dissertations --- Dissertations, Academic.

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At the end of the eighteenth century, noblemen and revolutionaries spent extravagant sums of money or precious military resources competing to acquire old books, which until then had often been regarded as worthless. These books, called incunabula, achieved cultural and political importance as luxury commodities and as tools for mastering a controversial past. Men of different classes met in a new, shared marketplace, creating a competition for authority, as books were seen no longer merely as sources of textual information but as a way of controlling the past in the service of contemporary concerns. The old books themselves were often changed to meet new expectations of what important historic objects should be. Focusing on Paris and London, but taking a resolutely pan-European view, this book examines the emergence of this commodity and of a new historical discipline created by traders and craftsmen.

Books and reading --- Books --- Book collecting --- History --- Book acquisition --- Book history --- book history --- reading culture --- anno 1700-1799 --- anno 1800-1899 --- Incunabula --- Antiquarian booksellers --- Bibliophilie --- Livres et lecture --- Librairies d'ancien et d'occasion --- Collectors and collecting --- Social aspects --- History. --- Aspect social --- Histoire.

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Hollywood Vault is the story of how the business of film libraries emerged and evolved, spanning the silent era to the sale of feature libraries to television. Eric Hoyt argues that film libraries became valuable not because of the introduction of new technologies but because of the emergence and growth of new markets, and suggests that studying the history of film libraries leads to insights about their role in the contemporary digital marketplace. The history begins in the mid-1910s, when the star system and other developments enabled a market for old films that featured current stars. After the transition to films with sound, the reissue market declined but the studios used their libraries for the production of remakes and other derivatives. The turning point in the history of studio libraries occurred during the mid to late 1940s, when changes in American culture and an industry-wide recession convinced the studios to employ their libraries as profit centers through the use of theatrical reissues. In the 1950s, intermediary distributors used the growing market of television to harness libraries aggressively as foundations for cross-media expansion, a trend that continues today. By the late 1960s, the television marketplace and the exploitation of film libraries became so lucrative that they prompted conglomerates to acquire the studios. The first book to discuss film libraries as an important and often underestimated part of Hollywood history, Hollywood Vault presents a fascinating trajectory that incorporates cultural, legal, and industrial history.

Motion pictures --- Motion picture studios --- Motion picture industry --- Motion picture film collections --- Distribution. --- History --- Finance. --- Economic aspects. --- Book acquisition --- Film --- anno 1900-1999 --- Los Angeles [California] --- Film collections --- Film libraries --- Motion picture collections --- Motion picture libraries --- Moving-picture film collections --- Special libraries --- Film archives --- Companies, Motion picture --- Film companies --- Film studios --- Motion picture companies --- Motion picture production companies --- Moving-picture studios --- Production companies, Motion picture --- Studios, Motion picture --- Business enterprises --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism --- american culture. --- business and industry. --- cinema. --- contemporary digital marketplace. --- cross media expansion. --- cultural studies. --- film industry. --- film libraries. --- film. --- filmmaking. --- films with sound. --- history of cinema. --- history. --- hollywood history. --- hollywood. --- industrial history. --- industry transformation. --- legal studies. --- long term implications. --- movie industry. --- new markets. --- old films. --- remakes. --- retrospective. --- silent era of film. --- star system. --- studio libraries. --- technology. --- television. --- theatrical reissues.