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Die Beschäftigung des großen Philosophen mit den unterschiedlichsten Phänomenen des Ästhetischen – hier wird sie zur fröhlich-ernsten Arbeit an der Kunst und an den Künsten, am Ästhetischen höchstselbst.

7.01 --- 7.01 Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst --- Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst

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Ce livre entend rétablir la vérité. Il analyse plus de 70 de ces idées reçues diffusées par l'extrême droite et les réfute une à une en s'appuyant sur des données solides.

329.7.01 --- P44 --- Extreem-rechts - Vlaams Blok --- Frankrijk --- Extreemrechts - Vlaams Blok

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Parcourant l'art du XXe siècle à nos jours, de M. Rothko à T. Mouraud en passant par A. Kapoor ou B. Viola, l'auteur met en évidence les liens entre l'art contemporain et la religion. Il démontre que le phénomène de glissement du religieux vers le spirituel, au sein des sociétés contemporaines, s'observe aussi dans le domaine de l'art.

Art et religion --- Art and religion --- 7.036 --- 7.01 --- 7.01 Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst --- Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst --- 7.036 Moderne kunststijlen --- Moderne kunststijlen

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"Why does the world look to us as it does? Generally speaking, this question has received two types of answers in the cognitive sciences in the past fifty or so years. According to the first, the world looks to us the way it does because we construct it to look as it does. According to the second, the world looks as it does primarily because of how the world is. In The Innocent Eye, Nico Orlandi defends a position that aligns with this second, world-centered tradition, but that also respects some of the insights of constructivism. Orlandi develops an embedded understanding of visual processing according to which, while visual percepts are representational states, the states and structures that precede the production of percepts are not representations. If we study the environmental contingencies in which vision occurs, and we properly distinguish functional states and features of the visual apparatus from representational states and features, we obtain an empirically more plausible, world-centered account. Orlandi shows that this account accords well with models of vision in perceptual psychology -- such as Natural Scene Statistics and Bayesian approaches to perception -- and outlines some of the ways in which it differs from recent 'enactive' approaches to vision. The main difference is that, although the embedded account recognizes the importance of movement for perception, it does not appeal to action to uncover the richness of visual stimulation. The upshot is that constructive models of vision ascribe mental representations too liberally, ultimately misunderstanding the notion. Orlandi offers a proposal for what mental representations are that, following insights from Brentano, James and a number of contemporary cognitive scientists, appeals to the notions of de-coupleability and absence to distinguish representations from mere tracking states"--

Philosophical anthropology --- Theory of knowledge --- kunsttheorie --- psychologie --- waarneming --- perceptie --- 7.01 --- 159.9 --- 1 --- kennisleer --- kennis --- neurowetenschappen --- neurologie --- filosofie --- brein --- hersens

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Giving and Taking, Antidotes to a Culture of Greed' is a collected effort to establish the significance of the so-called non-pecuniary value of art and society. In the broadest sense of these terms: what is art about and after? What if the exchanges we call economic were part of a much larger, far older and more diffuse system of exchange? What if value were defined not by accumulation but by circulation, and circulation not by supply and demand but by honor, glory and beauty? If we need an answer to what's the real value in society and in art ; and we need that answer urgently ; why not ask philosophers, anthropologists, aestheticians, sociologists and others who have proven to be part of the same quest? The problems facing us in the 21st century, moving towards a "peak humanity" of 12 billion human beings in 2072, are mind boggling and nerve wracking. Global warming is only the fun part of the ecological devastation that will leave us with a world of dead Zen gardens everywhere. What are we doing, and why aren't we doing it better? In the book 'Giving and Taking, Antidotes to a Culture of Greed', a diverse set of authors share a strikingly similar analysis. The crisis of our institutions of government, finance and knowledge, they argue, should be attributed not to a lack of political will but to a lack of glory and honor ; categories that have been linked to gift and sacrifice from time immemorial.

kunst --- kunstmarkt --- neoliberalisme --- 7.01 --- 130.2 --- kunst en politiek --- kunsttheorie --- cultuurfilosofie --- kunst en economie --- Art --- economics --- appraising --- philosophy of art --- anno 2000-2099