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The psychological dimension of Richard Wagner's operas has long been associated with the ideas of Arthur Schopenhauer, yet Wagner had begun absorbing elements of contemporary psychological thought into his stage works as early as the 1830s, twenty years before he engaged with the philosopher's writings. As Katherine Syer demonstrates, the composer incorporated imagery and metaphors with the potential to infuse his psychologically charged dramas with latent political meaning. His operatic visions convey a sense of urgency intimately bound up with the era's crises and instabilities. In Wagner's Visions, Syer offers a detailed examination of Die Feen, Wagner's least known complete opera, as well as new analytical insights into Der fliegende Holländer, Tannhäuser, Lohengrin, and the four Ring dramas. Her study of the ways Wagner probed the inner experiences of his protagonists explores the impact of neglected yet crucial artistic influences. These include the fables of the eighteenth-century Venetian playwright Carlo Gozzi, the Iphigenia operas of Christoph Willibald Gluck, and the legacy of the martyr Theodor Körner. During the Napoleonic Wars, which raged as Wagner was born, Körner's poetry became the lingua franca of the revolutionary movement to liberate and unify Germany. A Humboldt Fellowship recipient, Syer is Assistant Professor of Musicology and Theatre Department Faculty Affiliate at the University of Illinois at Urbana-Champaign.

Opera. --- Opera --- Comic opera --- Lyric drama --- Opera, Comic --- Operas --- Drama --- Dramatic music --- Singspiel --- History and criticism --- Wagner, Richard, --- Germany. --- Alemania --- Ashkenaz --- BRD --- Bu̇gd Naĭramdakh German Uls --- Bundesrepublik Deutschland --- Deutsches Reich --- Deutschland --- Doitsu --- Doitsu Renpō Kyōwakoku --- Federal Republic of Germany --- Federalʹna Respublika Nimechchyny --- FRN --- German Uls --- Germania --- Germanii︠a︡ --- Germanyah --- Gjermani --- Grossdeutsches Reich --- Jirmānīya --- KhBNGU --- Kholboony Bu̇gd Naĭramdakh German Uls --- Nimechchyna --- Repoblika Federalin'i Alemana --- República de Alemania --- República Federal de Alemania --- Republika Federal Alemmana --- Vācijā --- Veĭmarskai︠a︡ Respublika --- Weimar Republic --- Weimarer Republik --- ХБНГУ --- Германия --- جرمانيا --- ドイツ --- ドイツ連邦共和国 --- ドイツ レンポウ キョウワコク --- Germany (East) --- Germany (Territory under Allied occupation, 1945-1955) --- Germany (Territory under Allied occupation, 1945-1955 : British Zone) --- Germany (Territory under Allied occupation, 1945-1955 : French Zone) --- Germany (Territory under Allied occupation, 1945-1955 : Russian Zone) --- Germany (Territory under Allied occupation, 1945-1955 : U.S. Zone) --- Germany (West) --- Holy Roman Empire --- Wagner, Wilhelm Richard, --- Drach, Wilhelm, --- Fājner, Rītshārd, --- Vāgners, Richards, --- Vagner, Rikhard, --- Vagner, R. --- Wagner, R. --- Wagunā, R., --- Vagneri, Rihard, --- Wagner, Riccardo, --- ואגנר, ריכארד, --- ואגנר, ריכרד, --- Music --- Music and literature --- Political aspects --- 1800-1899 --- Der fliegende Holländer. --- Die Feen. --- Lohengrin. --- Ring. --- Tannhäuser. --- Wagner's operas. --- cultural life. --- political significance. --- revolutionary movement.

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Theatrical science --- Wagner, Richard --- Germany