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In this collection of essays from leading scholars, the dynamic interplay between evolution and Victorian culture is explored for the first time, mapping new relationships between the arts and sciences. Rather than focusing simply on evolution and literature or art, this volume brings together essays exploring the impact of evolutionary ideas on a wide range of cultural activities including painting, sculpture, dance, music, fiction, poetry, cinema, architecture, theatre, photography, museums, exhibitions and popular culture. Broad-ranging, rather than narrowly specialized, each chapter provides a brief introduction to key scholarship, a central section exploring original insights drawn from primary source material, and a conclusion offering overarching principles and a projection towards further areas of research. Each chapter covers the work of significant individuals and groups applying evolutionary theory to their particular art, both as theorists and practitioners. This comprehensive examination of topics sheds light on larger and previously unknown Victorian cultural patterns.
Culture --- English literature --- Social evolution --- Cultural evolution --- Cultural transformation --- Culture, Evolution of --- Evolution --- Social change --- Literature, Victorian --- Victorian literature --- Cultural sociology --- Sociology of culture --- Civilization --- Popular culture --- History --- Social aspects --- Arts, Victorian. --- Evolution in literature. --- Victorian arts --- History and criticism. --- Philosophy --- Great Britain
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The essays in this volume focus on the way Victorian Physicist John Tyndall and his correspondents developed their ideas through letters, periodicals and journals and challenge assumptions about who gained authority, and how they attained and defended their position within the scientific community.
Science --- Naturalism --- History --- Religious aspects. --- Philosophy --- Tyndall, John, --- Influence. --- 1800-1899 --- Great Britain --- Great Britain.
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