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Thomas Adès’ Darknesse Visible for piano solo (1992) is a 7-minute explosion of John Dowland’s lute song In Darknesse Let Me Dwell (1610). No notes have been added; indeed, some have been removed. Patterns latent in the original have been isolated and regrouped, with the aim of illuminating the song from within, as if during the course of a performance. Adès transforms the piano into an instrument that's alchemically capable of sustaining a continuous line of melody; the technique of ceaseless tremolo that he demands of the player conjures a ghostly shimmer from the instrument.
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Contains works by anonymous and named composers, including the complete keyboard works of Nicholas Carleton, the surviving twenty 'Miserere' canons by Thomas Woodson, and the anonymous "Pretty ways for young beginners to look on." Includes preludes, plainsong settings, voluntaries, dances and character pieces. Drawn from 22 manuscripts which mostly also transmit music by Byrd and other noted virginalists--Publisher's website.
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