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Art --- installations [visual works] --- motion --- video art --- sound art --- Zwanikken, Christiaan
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Art --- drawing [image-making] --- photography [process] --- mixed media --- site-specific works --- sculpting --- sound art --- Cuoghi, Roberto
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Art --- installations [visual works] --- computer art [visual works] --- sound art --- Nicolai, Carsten
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hedendaagse kunst --- Sturtevant, Elaine --- Art --- installations [visual works] --- video art --- haunted houses --- Gesamtkunstwerk --- violence --- interactive art --- sound art --- hedendaagse kunst. --- Sturtevant, Elaine.
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Linda Kouvaras explores the ways in which selected sound art works demonstrate creatively how sound is embedded within local, national, gendered and historical environments. Taking Australian music as its primary - but not sole - focus, the book not only covers discussions of technological advancement, but also engages with aesthetic standpoints, through interviews, theoretical developments, analysis and cultural milieux for a contemporary Australian, and wider postmodern, context. Developing new methodologies for synergies between musicology and cultural studies, the book uncovers a new post-
Avant-garde (Music) --- Postmodernism --- Post-modernism --- Postmodernism (Philosophy) --- Arts, Modern --- Avant-garde (Aesthetics) --- Modernism (Art) --- Philosophy, Modern --- Post-postmodernism --- Experimental music --- Musical avant-garde --- Sound art --- Ars acustica --- Audio art --- Art --- Music --- Time-based art
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In this collection of essays, scholars and researchers in the emerging field of sound studies offer new perspectives on the significance of sound in its material and cultural forms. The book considers sounds and music as experienced in such diverse settings as shop floors, laboratories, clinics, design studios, homes, and clubs, across a range of historical periods and national and cultural contexts. Science has traditionally been understood as a visual matter, a study which has historically been undertaken with optical technologies such as slides, graphs, and telescopes. This book questions that notion by showing how listening has contributed to scientific practice. Sounds have always been a part of human experience, shaping and transforming the world in which we live in ways that often go unnoticed. Sounds and music, the authors argue, are embedded in the fabric of everyday life, art, commerce, and politics in ways which impact our perception of the world. Through a diverse set of case studies, the authors illlustrate how sounds -- from the sounds of industrialization, to the sounds of automobiles, to sounds in underwater music and hip-hop, to the sounds of nanotechnology -- give rise to new forms of listening practices. In addition, the book discusses the rise of new public problems such as noise pollution, hearing loss, and the "end" of the amateur musician, each problem stemming from the spread and appropriation of new sound- and music-related technologies, both analog and digital, in many domains of life.
Sound --- Sounds --- Noise --- Acoustics --- Continuum mechanics --- Mathematical physics --- Physics --- Pneumatics --- Radiation --- Wave-motion, Theory of --- Silence --- Sound effects --- Manners and customs --- Son --- Bruit --- Handbooks, manuals, etc --- Guides, manuels, etc --- 78.82 --- 78.83 --- 78.86 --- 781.1 --- Geluid ; geluiden ; klanken --- Sound Art --- Geluidskunst --- Handbooks, manuals, etc. --- Affective and dynamic functions --- Vibrations
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Earth Sound Earth Signal is a study of energies in aesthetics and the arts, from the birth of modern communications in the nineteenth century to the global transmissions of the present day. Douglas Kahn begins by evoking the Aeolian sphere music that Henry David Thoreau heard blowing along telegraph lines and the Aelectrosonic sounds of natural radio that Thomas Watson heard through the first telephone; he then traces the histories of science, media, music, and the arts to the 1960's and beyond. Earth Sound Earth Signal rethinks energy at a global scale, from brainwaves to outer space, through detailed discussions of musicians, artists and scientists such as Alvin Lucier, Edmond Dewan, Pauline Oliveros, John Cage, James Turrell, Robert Barry, Joyce Hinterding, and many others. Earth Sound Earth Signal is a study of energies in aesthetics and the arts, from the birth of modern communications in the nineteenth century to the global transmissions of the present day. Grounded in the Aeolian sphere music that Henry David Thoreau heard blowing in telegraph lines and in the Aelectrosonic sounds of natural radio that Thomas Watson heard in telephone lines, the book moves through the histories of science, media, music, and the arts to the 1960s, when the composer Alvin Lucier worked with the ""natural electromagnetic sounds"" present from ""brainwaves to outer.
Sound in art. --- Radio noise. --- 7.01 --- Geluid ; geluiden ; klanken ; in de kunst --- Sound studies --- Sound Art --- Radiogeluiden ; radioruis ; radiosignalen --- Energetische aardstralen ; in de kunst --- Noise, Radio --- Electronic noise --- Radio astronomy --- Radio meteorology --- Kunst ; theorie, filosofie, esthetica --- Sound in art --- Radio noise --- Art --- Music --- music [performing arts] --- sound [acoustics] --- performance art --- electronic music --- sound art --- Sound in art.. --- 1960s. --- 19th century. --- aelectrosonic sounds. --- aeolian sphere music. --- aesthetics. --- artists. --- arts. --- brainwaves. --- early sound technologies. --- earth magnitude. --- energies. --- global perspective. --- global transmissions. --- henry david thoreau. --- humanities. --- media studies. --- modern communications. --- modern world. --- music history. --- musicians. --- natural radio. --- nonfiction. --- outer space. --- science historians. --- science history. --- scientists. --- sound energy. --- telegraph lines. --- telephone. --- thomas watson. --- 781.1 --- Geluidskunst --- music [performing arts genre]
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