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Paul and patronage : the dynamics of power in 1 Corinthians
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ISBN: 1620325578 9781620325575 Year: 2013 Publisher: Eugene (Or.) Pickwick Publications

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Le sante protettrici di Palermo e altre storie della Chiesa siciliana
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Military saints in Byzantium and Rus, 900-1200
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ISBN: 9780521195645 0521195640 9781139013864 9781107313828 1107313821 9781107308275 1107308275 9781299257108 1299257100 1139013866 9781107306073 1107306078 1107300991 1107232848 131662935X 1107305357 1107311624 9781107300996 9781107232846 9781107305359 Year: 2013 Publisher: Cambridge Cambridge University Press

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The rulers of the Byzantine Empire and its commonwealth were protected both by their own soldiers and by a heavenly army : the military saints. The transformation of Saints George, Demetrios, Theodore and others into the patrons of imperial armies was one of the defining developments of religious life under the Macedonian emperors. This book provides a comprehensive study of military sainthood and its roots in late antiquity. The emergence of the cults is situated within a broader social context, in which mortal soldiers were equated with martyrs and martyrs of the early Church recruited to protect them on the battlefield. Dr White then traces the fate of these saints in early Rus, drawing on unpublished manuscripts and other under-utilised sources to discuss their veneration within the princely clan and their influence on the first native saints of Rus, Boris and Gleb, who eventually joined the ranks of their ancient counterparts


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Concepts of creativity in seventeenth-century England
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ISBN: 9781843837404 1843837404 9781782042310 1306152186 1782042318 Year: 2013 Publisher: Suffolk Boydell & Brewer

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In the seventeenth century, the concept of creativity was far removed from most of the fundamental ideas about the creative act - notions of human imagination, inspiration, originality and genius - that developed in the eighteenthand nineteenth centuries. Instead, in this period, students learned their crafts by copying and imitating past masters and did not consciously seek to break away from tradition. Most new material was made on the instructions of apatron and had to conform to external expectations; and basic tenets that we tend to take for granted-such as the primacy and individuality of the author-were apparently considered irrelevant in some contexts. This aim of this interdisciplinary collection of essays is to explore what it meant to create buildings and works of art, music and literature in seventeenth-century England and to investigate the processes by which such creations came into existence. Through a series of specific case studies, the book highlights a wide range of ideas, beliefs and approaches to creativity that existed in seventeenth-century England and places them in the context of the prevailing intellectual, social and cultural trends of the period. In so doing, it draws into focus the profound changes that were emerging in the understanding of human creativity in early modern society - transformations that would eventually lead to the development of a more recognisably modern conception of the notion of creativity. The contributors work in and across the fields of literary studies, history, musicology, history of art and history of architecture, and their work collectively explores many of the most fundamental questions about creativity posed by the early modern English 'creative arts'. REBECCA HERISSONE is Head of Music and Senior Lecturer in Musicology at the University of Manchester. ALAN HOWARD is Lecturer in Music at the University of East Anglia.


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The patron-driven library
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ISSN: 2052210X ISBN: 9781843347361 9781780634029 1780634021 1306178045 9781306178044 1843347369 Year: 2013 Volume: *48 Publisher: Oxford

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Libraries in the USA and globally are undergoing quiet revolution. Libraries are moving away from a philosophy that is collection-centered to one focused on service. Technology is key to that change. The Patron Driven Library explores the way technology has moved the focus from library collections to services, placing the reader at the center of library activities. The book reveals the way library users are changing, and how social networking, web delivery of information, and the uncertain landscape of e-print has energized librarians to adopt technology to meet a different model of the librar

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