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Based on the conference held in Kaunas, Lithuania, 2011, Music and Technologies aims to augment discussion within the field of interdisciplinary music research developed currently at such important forums as the CIM and the ISMIR. The book consists of a collection of articles written by musicians and computer scientists, educators and mathematicians from all over the world. The main contemporary ideas in the field of music technologies are explored - estimating the process of automatic cognit...
Music and technology. --- Music --- Technology and music --- Technology --- Data processing.
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"The Death and Life of the Music Industry in the Digital Age challenges the conventional wisdom that the internet is 'killing' the music industry. While technological innovations (primarily in the form of peer-to-peer file-sharing) have evolved to threaten the economic health of major transnational music companies, Rogers illustrates how those same companies have themselves formulated highly innovative response strategies to negate the harmful effects of the internet. In short, it documents how the radical transformative potential of the internet is being suppressed by legal and organisational innovations. Grounded in a social shaping perspective, The Death and Life of the Music Industry in the Digital Age contends that the internet has not altered pre-existing power relations in the music industry where a small handful of very large corporations have long since established an oligopolistic dominance. Furthermore, the book contends that widespread acceptance of the idea that online piracy is rampant, and music largely 'free' actually helps these major music companies in their quest to bolster their power. In doing this, the study serves to deflate much of the transformative hype and digital 'deliria' that has accompanied the internet's evolution as a medium for mass communication."--Bloomsbury Publishing.
Sound recording industry --- Music and technology. --- Social aspects.
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'Beyond Sound' is for anyone who wants to build a career in the exciting world of music technology. The book describes education programmes, gives practial guidance on career preparation, and offers plans for career paths. It includes interviews with professionals, giving readers a rare insider glimpse inside this industry.
Music --- Music and technology. --- Technology and music --- Technology --- Music as a profession --- Vocational guidance.
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The Death and Life of the Music Industry in the Digital Age challenges the conventional wisdom that the internet is 'killing' the music industry. While technological innovations (primarily in the form of peer-to-peer file-sharing) have evolved to threaten the economic health of major transnational music companies, Rogers illustrates how those same companies have themselves formulated highly innovative response strategies to negate the harmful effects of the internet. In short, it documents how the radical transformative potential of the internet is being suppressed by legal and organisational innovations. Grounded in a social shaping perspective, The Death and Life of the Music Industry in the Digital Age contends that the internet has not altered pre-existing power relations in the music industry where a small handful of very large corporations have long since established an oligopolistic dominance. Furthermore, the book contends that widespread acceptance of the idea that online piracy is rampant, and music largely 'free' actually helps these major music companies in their quest to bolster their power. In doing this, the study serves to deflate much of the transformative hype and digital 'deliria' that has accompanied the internet's evolution as a medium for mass communication.
Musique --- Musique et technologie --- Sound recording industry --- Music and technology. --- Industrie et commerce --- Aspect social --- Social aspects. --- muziek --- muziekindustrie --- nieuwe media --- cultuurfilosofie --- digitale muziek --- 78 --- Aspect social. --- Musique et technologie. --- Music and technology --- Audio recording industry --- Popular music record industry --- Record companies --- Record industry --- Record music industry --- Recorded music industry --- Recording industry --- Technology and music --- Social aspects --- Music trade --- Technology
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Teaching Music through Composition offers a practical and fully multimedia curriculum of over 60 lesson plans in 29 units of study, including student assignments sheets, worksheets, handouts, and audio, MIDI, and video files on a companion website. Author and award-winning music educator Barbara Freedman presents classroom-tested ways of teaching a wide array of musical topics, including general/basic music theory, music appreciation and analysis, keyboarding,composing/arranging, even ear-training (aural theory) using technology that will directly engage students in the twenty first century. The larger curriculum objective of this book is to teach basic musical concepts through the creative process of music composition. The tool with which students create, edit, save, andreproduce music is the technology. As Freedman demonstrates, technology allows a musical experience for all skill levels in opportunities never before available to compose music without having to know much about traditional music theory or notation. All students can have meaningful hands-on applied learning experiences that will impact not only their music experience and learning but also their understanding and comfort with 21st century technology. Whether the primary focus of your class is to use technology to create music or to explore using technology as a unit or two, this book will show you how it can be done with practical, tried-and-true lesson plans and student activities.
Composition (Music) --- Music and technology. --- Music --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Technology and music --- Technology --- Composing (Music) --- Music composing --- Music composition --- Musical composition --- Concertante style --- Computer-assisted instruction. --- Instruction and study --- Technological innovations. --- Composition
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This book constitutes the thoroughly refereed proceedings of the Third International Conference on Arts and Technology, ArtsIT 2013, held in Milano, Bicocca, Italy, in March. The 19 revised full papers presented were carefully selected and reviewed from 31 submissions and are organized in topical sections on: art and technology in action, music and technology in action, reflecting on art and technology, understanding the artistic practice, and at the boundaries.
Computer science. --- Multimedia systems. --- Information systems. --- Biotechnology. --- Computer Science. --- Computer Appl. in Arts and Humanities. --- Media Design. --- Environmental Engineering/Biotechnology. --- User Interfaces and Human Computer Interaction. --- Multimedia Information Systems. --- Art, Architecture & Applied Arts --- Fine Arts - General --- Computer-based multimedia information systems --- Multimedia computing --- Multimedia information systems --- Multimedia knowledge systems --- Informatics --- Multimedia information systems. --- User interfaces (Computer systems). --- Application software. --- Environmental engineering. --- Technology and the arts --- Art and technology --- Music and technology --- Multimedia systems --- Computer graphics --- Computer vision --- Technology and music --- Technology --- Technology and art --- Science --- Information storage and retrieval systems --- Chemical engineering --- Genetic engineering --- Multimedia systems . --- Interfaces, User (Computer systems) --- Human-machine systems --- Human-computer interaction --- Environmental control --- Environmental effects --- Environmental stresses --- Engineering --- Environmental health --- Environmental protection --- Pollution --- Sustainable engineering --- Application computer programs --- Application computer software --- Applications software --- Apps (Computer software) --- Computer software
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