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Far los motz e-l so": "Faire le mot et le son". Cette expression fameuse revendiquée par les troubadours résume de façon éloquente l'art poétique et musical qui a fait leur juste renommée. Cet ouvrage éclaire, d'une façon très neuve, ce qu'est l'art du trobar dans cette union étroite des conditions poétiques et des formes rhétoriques du discours musical. A la fin du XIe siècle, la fin'amor apparaît dans le sud de la France. Elle met en scène la dame dont l'amant conquiert l'amour au travers de poèmes chantés. Le jeu est aussi de susciter l'intérêt de l'auditeur, le convaincre de la justesse de sa cause et de la pureté de ses sentiments. La force de la persuasion suppose de gagner son esprit et sa mémoire. La valeur d'un troubadour se reconnaît donc non pas tant par les thèmes poétiques abordés qui sont toujours les mêmes sinon par l'extrême subtilité à mêler le mot et le son.00.

Music and literature --- Musical analysis --- Musique et littérature --- Analyse musicale --- Musique et littérature --- Old French literature --- Music --- anno 500-1499 --- Troubadours --- France --- History --- Histoire --- Troubadours songs --- History and criticism --- History of music --- Medieval & renaissance (up to c. 1600)

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What does it mean to author a piece of music? What transforms the performance scripts written down by musicians into authored books? In this fascinating cultural history of Western music's adaptation to print, Kate van Orden looks at how musical authorship first developed through the medium of printing. When music printing began in the sixteenth century, publication did not always involve the composer: printers used the names of famous composers to market books that might include little or none of their music. Publishing sacred music could be career-building for a composer, while some types of popular song proved too light to support a reputation in print, no matter how quickly they sold. Van Orden addresses the complexities that arose for music and musicians in the burgeoning cultures of print, concluding that authoring books of polyphony gained only uneven cultural traction across a century in which composers were still first and foremost performers.

Music printing --- Music publishing --- Music --- Music --16th century -- History and criticism --- Music printing -- History -- 16th century --- Music publishing --History -- 16th century --- Music, Dance, Drama & Film --- Music Literature --- Music trade --- Publishers and publishing --- Type and type-founding --- Printing --- History --- History and criticism --- Publishing --- Music type --- E-books --- Book history --- History and criticism. --- 16th century. --- art. --- artists. --- beauty. --- classical music. --- composers. --- cultural history. --- dance. --- engaging. --- famous composers. --- history of music. --- music history. --- music printing. --- nobility. --- page turner. --- paintings. --- performance scripts. --- performers. --- performing arts. --- polyphony. --- publishing sacred music. --- renaissance period. --- retrospective. --- romance. --- romantic. --- royalty. --- western music. --- writers. --- Musique --- Impression --- Édition