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This anthology addresses the modern musical culture of interwar Osaka and its surrounding Hanshin region. It is the first to draw together research on the interwar musical culture of the Osaka region and addresses comprehensively both Western and non-Western musical practices and genres, questions the common perception of their being wholly separate domains in interwar Japan, and gives due weight to their overlap in the creation of new hybrid genres. This empirically grounded investigation explores Osaka's modern musical culture to better understand the effects of regional geography, demography

Music --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- History and criticism. --- History and criticism --- J6700 --- J6800.80 --- J4144 --- Japan: Performing arts and entertainment -- music --- Japan: Performing and media arts -- history -- Gendai (1926- ), Shōwa period, 20th century --- Japan: Sociology and anthropology -- cultural trends and movements -- modernism

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"In Pink Globalization, Christine R. Yano examines the creation and rise of Hello Kitty as a part of Japanese Cute-Cool culture. Yano argues that the international popularity of Hello Kitty is one aspect of what she calls pink globalization--the spread of goods and images labeled cute (kawaii) from Japan to other parts of the industrial world. The concept of pink globalization connects the expansion of Japanese companies to overseas markets, the enhanced distribution of Japanese products, and the rise of Japan's national cool as suggested by the spread of manga and anime. Yano analyzes the changing complex of relations and identities surrounding the global reach of Hello Kitty's cute culture, discussing the responses of both ardent fans and virulent detractors. Through interviews, Yano shows how consumers use this iconic cat to negotiate gender, nostalgia, and national identity. She demonstrates that pink globalization allows the foreign to become familiar as it brings together the intimacy of cute and the distance of cool. Hello Kitty and her entourage of marketers and consumers wink, giddily suggesting innocence, sexuality, irony, sophistication, and even sheer happiness. Yano reveals the edgy power in this wink and the ways it can overturn, or at least challenge, power structures."--Publisher's description.

Hello Kitty (Fictitious character). --- Exports --- Character merchandising. --- Globalization. --- Japan --- Commerce. --- Character merchandising --- Globalization --- Global cities --- Globalisation --- Internationalization --- International relations --- Anti-globalization movement --- International trade --- Merchandising --- Advertising characters --- Hello Kitty --- Kitty White --- White, Kitty --- ハロー・キティ --- Harō Kiti --- キティ・ホワイト --- ホワイト, キティ --- Kiti Howaito --- Howaito, Kiti --- Хелоу Кити --- Khelou Kiti --- 헬로키티 --- Hellok'it'i --- Hello K'it'i --- הלו קיטי --- Helo Ḳiṭi --- Хело Кити --- 凱蒂貓 --- Kaidi Mao --- J4143 --- J4365 --- J4129 --- Japan: Sociology and anthropology -- cultural trends and movements -- popular culture --- Japan: Economy and industry -- business methods and management -- marketing and advertising --- Japan: Sociology and anthropology -- cross-cultural contacts, contrasts and globalization