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collage. --- Wereldoorlog II. --- Motherwell, Robert. --- Guggenheim, Peggy.
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This comprehensive monograph on Swiss artist Pierrette Bloch (born in 1928, lives in Paris) spans her prolific output from the 1950s to today. She has developed a corpus of drawings, collages, and three-dimensional pieces whose key principles are an economy of means (ink, paper, mesh, and horsehair), the use of primary forms (dots, curls, and lines) and seriality, and the reduction to black and white. Edited by Musée Jenisch Vevey, it brings together newly commissioned essays by Julie Enckell Julliard, Pamela M. Lee, Nicolas Muller, Philippe Piguet, and Catherine de Zegher, as well as a complete biography by Laurence Schmidlin. The writers examine Bloch's singular approach to drawing, her synthetic position within postwar abstraction and minimalism, as well as her obsessive variations that explore the limits of visibility and the scale of intimacy.
Bloch, Pierrette, --- Catalogues d'exposition --- Collage --- Art minimal
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collage. --- moderne kunst. --- hedendaagse kunst. --- 20ste eeuw. --- 21ste eeuw.
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"Art21" est une série de portraits documentaires d'artistes contemporains de tous horizons. Avec leurs mots, ils évoquent leur démarche, les processus de création et les techniques ou dispositifs mis en place pour répondre à leur approche esthétique. Chaque épisode propose trois ou quatre artistes à l'oeuvre réunis sous un même thème."Identity" - Comment l'art contemporain aborde-t-il la notion d'identité ? Comment les artistes travaillant aujourd'hui révèlent ou remettent en question des idées reçues concernant les stéréotypes, la conscience de soi, l'art du portrait, et ce que signifie être artiste ? Cet épisode explore ces questions à travers le travail de quatre artistes.1. Bruce Nauman, né en 1941 à Fort Wayne, Indiana (États-Unis).2. Kerry James Marshall, né en 1955 à Brimingham, Alabama (États-Unis).3. Maya Lin, née en 1959 à Athens, Ohio (États-Unis).4. Louise Bourgeois, née en 1911 à Paris, morte à New York en 2010.Noter que l'épisode propose une introduction filmée signée William Wegman mettant en scène l'acteur Steve Martin.
Architecture --- Portrait --- Sculpture --- Installation-art --- Vidéo art --- Espace urbain --- Peinture --- Dessin --- Collage --- Enseignement artistique --- Réalisatrice
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Collage --- Revue --- Dadaïsme --- Surréalisme --- Photographie --- Variétés --- Mesens, Edouard Léon Théodore --- Van Hecke, Paul-Gustave
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Collage Culture develops a comprehensive theory of the origins and meanings of collage and readymades in modern and postmodern art, literature, and everyday life. Demonstrating that the origins of collage are found in assembly line technologies and mass media forms of layout and advertising in early twentieth-century newspapers, Collage Culture traces how the historical avant-garde turns the fragmentation of Fordist production against nationalist, fascist, and capitalist ideologies, using the radical potential unleashed by new technologies to produce critical collages. David Banash adeptly surveys the reinvention of collage by a generation of postmodern artists who develop new forms including cut-ups, sampling, zines, plagiarism, and copying to cope with the banalities and demands of consumer culture. Banash argues that collage mirrors the profoundly dialectical relations between the cut of assembly lines and the readymades of consumerism even as its cutting-edges move against the imperatives of passive consumption and disposability instituted by those technologies, forms, and relations. Collage Culture surveys and analyzes works of advertising, assemblage, film, literature, music, painting, and photography from the historical avant-garde to the most recent developments of postmodernism.
Collage --- Postmodernismo --- Filosofía del arte --- Libros electrónicos --- Collage. --- Postmodernism. --- Arts --- Philosophy. --- Post-modernism --- Postmodernism (Philosophy) --- Arts, Modern --- Avant-garde (Aesthetics) --- Modernism (Art) --- Philosophy, Modern --- Post-postmodernism --- Collages --- Art --- Found objects (Art) --- Handicraft --- Montage
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Andreasen, Kasper --- kunst --- kunstenaarsboeken --- Duitsland --- Denemarken --- Andreasen Kasper --- artists' books --- tekenkunst --- archivering --- archieven --- collage --- België --- eenentwintigste eeuw --- Exhibitions
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"James Allen, Thomas Allen, Noriko Ambe, Anonymous, Cara Barer, Doug Beube, Su Blackwell, Jennifer Collier, Brian Dettmer, Arián Dylan, Yvette Hawkins, Nicholas Jones, Jennifer Khoshbin, Lisa Kokin, Guy Laramée, Pablo Lehmann, Jeremy May, Pamela Paulsrud, Susan Porteous, Alex Queral, Jacqueline Rush Lee, Georgia Russell, Mike Stilkey, Kylie Stillman, Julia Strand, Robert The, Vita Wells"--
Book history --- Art --- 745 --- 745.54 --- Sierkunsten. Kunstnijverheid --- Kunstvoorwerpen van papier. Papierkunst --- 745.54 Kunstvoorwerpen van papier. Papierkunst --- 745 Sierkunsten. Kunstnijverheid --- Altered books --- Altered book art --- Books --- Collage
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The work of Brussels-based artist Kasper Andreasen encompasses drawing, printed matter and map-making, with a focus on the relationship between the gestures of drawing and writing. This is a companion volume to the installation 'Writing Over', which was shown in summer 2012 at Netwerk, in Aalst. Andreasen's drawings, rendered in various types of drawing marks, are based on landscape photographs, medieval maps, and notations. These are accompanied by a study of writing and drawing surfaces used in the cartographic process - sketches, stamps, engraving plates - and a short story by Louis Lüthi, entitled 'Unalaska Alaska', written specially for this book.
Andreasen, Kasper --- Lüthi, Louis --- Graphic arts --- kunst --- kunstenaarsboeken --- Duitsland --- Denemarken --- Andreasen Kasper --- artists' books --- tekenkunst --- archivering --- archieven --- collage --- België --- eenentwintigste eeuw --- cartografie --- Exhibitions
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