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Monographie consacrée au sculpteur catalan François Llopis décédé en 2013. A travers la présentation d'une centaine de ses sculptures, l'ouvrage explique comment cet artiste autodidacte a naturellement su trouver les gestes primordiaux. Ses oeuvres peuvent évoquer aussi bien l'art roman que les statues de l'île de Pâques.

Sculpture, Modern --- Sculptors --- Sculpture --- Sculpteurs --- Biography --- Biographies --- Llopis, François

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In 1966, Serra made his first sculptures out of nontraditional materials such as fiberglass and rubber. Serra's earliest work was abstract and process-based made from molten lead hurled in large splashes against the wall of a studio or exhibition space. In 1967 and 1968 he compiled a list of infinitives, titled "Verb List," that served as catalysts for subsequent work: "to hurl" suggested the hurling of molten lead into crevices between wall and floor; "to roll" led to the rolling of the material into dense, metal logs. He began in 1969 to be primarily concerned with the cutting, propping or stacking of lead sheets, rough timber, etc.., to create structures, some very large, supported only by their own weight. His "Prop" pieces from the late 1960s are arranged so that weight and gravity balance lead rolls and sheets. Cutting Device: Base Plate Measure (1969) consists of an assemblage of heterogeneous materials (lead, wood, stone and steel) into which two parallel cuts have been made and the results strewn around in a chance configuration. In Malmo Role (1984), a four-foot-square steel plate, one and a half inches thick, bisects a corner of the room and is prevented from falling by a short cylindrical prop wedged into the corner of the walls. Still, he is better known for his minimalist constructions from large rolls and sheets of metal (COR-TEN steel). Many of these pieces are self-supporting and emphasize the weight and nature of the materials. Rolls of lead are designed to sag over time. Around 1970, Serra shifted his activities outdoors, focusing on large-scale site-specific sculpture. Serra often constructs site-specific installations, frequently on a scale that dwarfs the observer. His site-specific works challenge viewers' perception of their bodies in relation to interior spaces and landscapes, and his work often encourages movement in and around his sculptures. Most famous is the "Torqued Ellipse" series, which began in 1996 as single elliptical forms inspired by the soaring space of the early 17th century Baroque church San Carlo alle Quattro Fontane in Rome. Made of huge steel plates bent into circular sculptures with open tops, they rotate upward as they lean in or out.

sculpting --- Sculpture --- Minimal --- Serra, Richard --- Sculpture, American --- Sculpture, Modern --- Sculpture, American. --- Sculpture, Modern. --- Serra, Richard, --- 1900-1999. --- New York (State) --- Monographie

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Sculpteur est un métier solitaire et c'est sans doute pour cela que l'artiste allemand Bernd Lohaus (1940-2010) se livre volontiers, parce qu'il sait qu'il faut dire ce qui s'est passé dans l'atelier, le hangar, où ses seuls interlocuteurs - muets, s'entend - sont les blocs de bois amassés et disposés dans un certain ordre, peut-être aléatoire, mais groupés comme une assemblée en face de laquelle se trouve le sculpteur. Ces blocs sont chargés d'un passé qu'ils révèlent peu à peu, d'une histoire qu'ils dévoilent partiellement par des traces affleurant à leur surface ...

Sculptors --- Wood sculpture, Belgian --- Sculpture, Modern --- Sculpteurs --- Sculpture sur bois --- Sculpture --- Biography --- Biographie --- Lohaus, Bernd, --- Sculpture, German --- Words in art --- 73.07 --- Lohaus, Bernd 1940-2010 (°Düsseldorf, Duitsland) --- Beeldhouwkunst ; 2de h. 20ste eeuw ; Bernd Lohaus --- Tentoonstellingscatalogi ; Grand-Hornu ; Musée des Arts Contemporains (Mac) --- German sculpture --- Beeldhouwkunst ; beeldhouwers A - Z --- Sculpteur --- Fluxus --- Arte povera --- Bois --- Lohaus, Bernd --- Exhibitions --- Sculpture [Abstract ] --- Germany

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Art, Modern --- Sculpture, Modern --- Archaeology and art --- Classical antiquities in art --- Art --- Sculpture --- Archéologie et art --- Antiquités gréco-romaines dans l'art --- Themes, motives --- Congresses. --- Exhibitions --- Congresses. --- Congresses --- Thèmes, motifs --- Congrès --- Expositions --- Congrès --- Congrès --- Gavoty, Jean-François --- Exhibitions

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beeldhouwkunst --- sculpting --- Art --- Sculpture --- outdoor sculpture --- Maillol, Aristide --- Manzù, Giacomo --- Calder, Alexander --- Kirkeby, Per --- Permeke, Constant --- Vermeiren, Didier --- Bandau, Joachim --- Burden, Chris --- Gentils, Vic --- Lohaus, Bernd --- Wouters, Rik --- Ai Weiwei --- McCorkle, Corey --- Szukalski, Albert --- Bill, Max --- Bourdelle, Antoine --- Andre, Carl --- Wurm, Erwin --- Fabro, Luciano --- Graham, Dan --- Pompon, François --- Gargallo, Pablo --- Marini, Marino --- Reis, Pedro Cabrita --- Soto, Jesús Rafael --- Stockholder, Jessica --- Bijl, Guillaume --- Honoré d'O --- Klingelhöller, Harold --- Hepworth, Barbara --- Meunier, Constantin --- Schütte, Thomas --- Deleu, Luc --- Breedam, van, Camiel --- Arp, Hans --- Weiner, Lawrence --- Ulrichs, Timm --- Vandenhove, Charles --- Cragg, Tony --- Rodin, Auguste --- Gormley, Antony --- Signer, Roman --- Visch, Henk --- Snick, van, Philippe --- Moore, Henry --- Milles, Carl --- Laurens, Henri --- Muñoz, Juan --- Körmeling, John --- Mullican, Matt --- Duchamp-Villon, Raymond --- Genzken, Isa --- Panamarenko --- West, Franz --- Dodeigne, Eugène --- Open-Air Museum of Sculpture Middelheim [Antwerp] --- Atelier Van Lieshout [Rotterdam] --- anno 1900-1999 --- anno 1800-1899 --- anno 2000-2099 --- Belgium --- 73 <493> --- kunst --- twintigste eeuw --- eenentwintigste eeuw --- Middelheim --- openbare ruimte --- kunst en openbare ruimte --- parken --- Gentils Vic --- Moore Henry --- Wouters Rik --- Rodin Auguste --- Bourdelle Emile-Antoine --- Meunier Constantin --- Arp Jean --- Arp Hans --- Maillol Aristide --- Bill Max --- Manzù Giacomo --- Gargallo Pablo --- Laurens Henri --- Duchamp-Villon Raymond --- Dodeigne Eugène --- Milles Carl --- Van Breedam Camiel --- Szukalski Albert --- Soto Jesús Rafael --- Calder Alexander --- Marini Marino --- Hepworth Barbara --- Permeke Constant --- Pompon François --- Weiner Lawrence --- Andre Carl --- Muñoz Juan --- Schütte Thomas --- Fabro Luciano --- Bijl Guillaume --- Kirkeby Per --- West Franz --- Mullican Matt --- Visch Henk --- Genzken Isa --- Atelier Van Lieshout --- Vandenhove Charles --- Cragg Tony --- Bandau Joachim --- Klingelhöller Harald --- Lohaus Bernd --- d'O Honoré --- Stockholder Jessica --- Ulrichs Timm --- Vermeiren Didier --- Deleu Luc --- Graham Dan --- Burden Chris --- Cabrita Reis Pedro --- Wurm Erwin --- McCorkle Corey --- Körmeling John --- Weiwei Ai --- Signer Roman --- Van Snick Philippe --- Gormley Antony --- 73.036/039 --- 7.078 --- Beeldhouwkunst. Sculptuur--België --- 73 <493> Beeldhouwkunst. Sculptuur--België --- museumcollecties --- Middelheimmuseum (Antwerpen) --- 069(493) --- Musea. Collecties ; België --- Openluchtmuseum voor Beeldhouwkunst Middelheim (Antwerp, Belgium) --- Catalogs --- Sculpture [Modern ] --- 20th century --- 21st century --- Outdoor sculpture --- Antwerp (Belgium) --- 73(493) --- Beelden buiten ; beelden in het park --- Museumcatalogi ; Antwerpen ; Middelheimmuseum ; collectie --- Beeldhouwkunst ; België --- O, d', Honoré --- Breedam, Van, Camiel --- museumcollecties. --- Middelheimmuseum (Antwerpen). --- sculptuur. --- sculptuur