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Humaniste passé à la postérité pour son engagement contre l'exécution de Michel Servet, Sébastien Castellion se serait-il présenté comme un apôtre de la tolérance et de la liberté de conscience? Il fut avant tout pédagogue, traducteur et écrivain. C'est ce versant proprement littéraire et moins exploré de son œuvre qu'analyse le présent ouvrage qui examine en vingt études la fortune de Castellion, ses sources, sa méthode pour traduire et sa pensée herméneutique avant de reprendre sur des bases nouvelles la question de la tolérance.
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fotografie --- België --- eenentwintigste eeuw --- Bowland Ash --- Campers Jim --- Dal Mas Aurore --- Dricot Marine --- Herbst Marina --- Kerckhoffs Yves --- Montagne Clément --- Sweertvaegher Thomas --- Van de Steene Saartje --- Van Malleghem Sébastien --- 77.039
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Art --- art [discipline] --- private collections [object groupings] --- Fassianos, Alexandre --- Arp, Hans --- Hadengue, Sébastien --- Réquichot, Bernard --- Fernández, Luis --- Dubuffet, Jean --- Ernst, Max --- Laurens, Henri --- Takis --- Picasso, Pablo --- Soria, de, Claude --- Léger, Fernand --- Vieillard, Roger --- Klee, Paul --- Sklavos, Yerassimos --- Brauner, Victor --- Seferian, Chouchanik --- Braque, Georges --- Matta, Roberto --- Fautrier, Jean --- Sima, Josef --- Lalanne, François-Xavier --- Tübke, Werner --- Soulages, Pierre --- Giacometti, Alberto --- Fondation des Treilles [Tourtour]
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In this volume, Wolfgang Hirschmann proposes an ethnographic approach that contextualizes Bach's works, addressing the aesthetic paths he took as well as those he did not pursue. Steven Zohn's essay considers Telemann's contribution to the orchestral Ouverture genre, observering how Telemann's approach to integrating the national styles of his time was quite different from, but no less rich than, Bach's Andrew Talle compares settings and strategies of Vergnüte Ruh, beliebte Seelenlust by Bach and Graupner. Alison Dunlop presents valuable primary research on Muffat, the most commonly cited keyboard music composer in Vienna during Bach's lifetime. Finally, Michael Maul sheds new light on the Scheibe-Birnbaum controversy, contextualizing the most famous critique of J. S. Bach's compositional style by discussing the other composers that Scheibe critiqued.
Bach, Johann Sebastian, --- Bach, Johann Sebastian --- Bach, Jean-Sébastien --- Criticism and interpretation. --- Composers --- Bakh, Iogann Sebastian, --- Bakh, Y. S., --- Bach, Jean Sébastien, --- Bach, G. S., --- Bach, Jan Sebastian, --- Bachas, J. S., --- Bach, J. S. --- Bahs, Johans Sebatjans, --- Pa-ha, Te, --- Bakh, Ĭ. S. --- Bakh, Ĭokhan Sebastian, --- Bach, Joh. Seb. --- Bakh, Yohan Sebasṭyan, --- Bach, Iohann Sebastian, --- Bahha, J. S., --- Bahha, Yohan Sebasutian, --- Bach, I. S., --- Bach, Juan S., --- Bach, John Sebastian, --- Bach, Giovanni Sebastiano, --- באך, יוהן סבסטיאן
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"An unprecedented book about one of the greatest of all composers, by his greatest modern interpreter. Johann Sebastian Bach is one of the most famously unfathomable composers in the history of music. How can such sublime work have been produced by a man who (when we can discern his personality at all) seems so ordinary, so opaque--and occasionally so intemperate? John Eliot Gardiner grew up passing one of the only two authentic portraits of Bach every morning and evening on the stairs of his parents' house, where it hung for safety during the Second World War. He has been studying and performing Bach ever since, and is now regarded as one of the composer's greatest living interpreters. The fruits of this lifetime's immersion are now distilled in this remarkable book, which explains in wonderful detail how Bach worked, how his music is constructed, how it achieves its effects--and what it can tell us about Bach the man. It is grounded in all the most recent Bach scholarship but moves far beyond it, and takes us as deeply into Bach's works and mind as perhaps words can. This is a unique book about one of the greatest of all creative artists."-- Publisher information. "From one of Bach's greatest living interpreters: a landmark study which explains in wonderful detail how the composer worked, how his music is constructed, how it achieves its effects--and what it can tell us about Bach the man. Johann Sebastian Bach is one of the most famously unfathomable composers in the history of music. How can such sublime work have been produced by a man who (when we can discern his personality at all) seems so ordinary, so opaque--and occasionally so intemperate? John Eliot Gardiner has been studying and performing Bach ever since, and the fruits of this lifetime's immersion are now distilled in this remarkable book. It is grounded in all the most recent Bach scholarship but moves far beyond it as well, taking us as deeply into Bach's works and mind as perhaps words can. This is an unparalleled book about one of the greatest of all creative artists."--Publisher information.
Composers --- Music --- Compositeurs --- Musique --- Biography. --- History and criticism --- Biographies --- Histoire et critique --- Bach, Johann Sebastian, --- Bakh, Iogann Sebastian, --- Bakh, Y. S., --- Bach, Jean Sébastien, --- Bach, G. S., --- Bach, Jan Sebastian, --- Bachas, J. S., --- Bach, J. S. --- Bahs, Johans Sebatjans, --- Pa-ha, Te, --- Bakh, Ĭ. S. --- Bakh, Ĭokhan Sebastian, --- Bach, Joh. Seb. --- Bakh, Yohan Sebasṭyan, --- Bach, Iohann Sebastian, --- Bahha, J. S., --- Bahha, Yohan Sebasutian, --- Bach, I. S., --- Bach, Juan S., --- Bach, John Sebastian, --- Bach, Giovanni Sebastiano, --- באך, יוהן סבסטיאן --- Bach, Johann Sebastian --- Bach, Jean-Sébastien
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