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Das Richterbuch präsentiert einen Rückblick in die Geschichte des Volkes Israel, der eine große Vergangenheit (re)konstruiert und zugleich einen äußerst kritischen Blick auf diese Zeit wirft. Die vorliegende Studie zeigt, wie die Erzählzyklen des Richterbuchs das zentrale Thema, die Suche nach einer verbindlichen und lebensförderlichen Ordnung, aus verschiedenen Blickwinkeln darstellen und reflektieren. Die unterschiedlichen Perspektiven treten dabei miteinander in einen kontroversen Dialog, der keine eindeutige oder einseitige Einordnung dieser Epoche erlaubt. Eine detaillierte narratologische Analyse der erzählten Welten der Texte und ihrer Figuren zeigt, dass die Komposition und Zusammenstellung der einzelnen Erzählungen zwar Systematisierungen der Epoche andeuten, diese jedoch stets wieder dekonstruieren. So bleibt das Richterbuch ein Rückblick zwischen Bewunderung und Befremden. The Book of Judges presents a (re)construction of Israel’s history that recalls a splendid past but simultaneously offers a very critical view. This study focuses on the narrated worlds of the stories and the way they contribute to the central theme: the search for obligatory and beneficial guidelines for the people. A detailed narratological analysis of the narrated worlds shows how the different perspectives presented in the texts engage in a controversial dialogue. Although the composition of the stories indicates a systematisation, these attempts are repeatedly deconstructed. Thus the Book of Judges eludes any one-sided interpretation and remains a retrospection between admiration and disconcertment.
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Between the advent of motion pictures in the 1890s and the close of the 'silent' era at the end of the 1920s, many of the longest, most expensive and most watched films on both sides of the Atlantic drew upon biblical traditions. David J. Shepherd traces the evolution of the biblical film through the silent era, asking why the Bible attracted early film makers, how biblical films were indebted to other interpretive traditions, and how these films were received. Drawing upon rarely seen archival footage and early landmark films of directors such as Louis Feuillade, D. W. Griffith, Michael Curtis and Cecil B. DeMille, this history treats well-known biblical subjects including Joseph, Moses, David and Jesus, along with lesser-known biblical stars such as Jael, Judith and Jephthah's daughter. This book will be of great interest to students of Biblical studies, Jewish studies and film studies.
Films bibliques --- Films muets --- Bible films --- Silent films --- Histoire et critique. --- Aspect religieux. --- History and criticism. --- Religious aspects. --- Bible --- In motion pictures. --- RELIGION / Biblical Studies / Old Testament. --- Moving pictures, Silent --- Silent motion pictures --- Motion pictures --- Biblical films --- Religious films --- Arts and Humanities --- Religion
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The Book of Genesis in Late Antiquity: Encounters between Jewish and Christian Exegesis examines the relationship between rabbinic and Christian exegetical writings of Late Antiquity in the Eastern Roman Empire and Mesopotamia. The volume identifies and analyses evidence of potential ‘encounters’ between rabbinic and Christian interpretations of the book of Genesis. Each chapter investigates exegesis of a different episode of Genesis, including the Paradise Story, Cain and Abel, the Flood Story, Abraham and Melchizedek, Hagar and Ishmael, Jacob’s Ladder, Joseph and Potiphar and the Blessing on Judah. The book discusses a wide range of Jewish and Christian literature, including primarily rabbinic and patristic traditions, but also apocrypha, pseudepigrapha, Philo and Josephus. The volume sheds light on the history of the relationship between Jews and Christians in Late Antiquity, and brings together two scholars (of Rabbinics and of Eastern Christianity) in a truly collaborative work. The research was funded by an award from the Leverhulme Trust at the Centre for the Study of Jewish-Christian Relations, Cambridge, UK, and the Centre for Advanced Religious and Theological Studies of the Faculty of Divinity, University of Cambridge, UK.
Bible
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Criticism, interpretation, etc
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History
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222.2
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221.06 <09>
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Genesis
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Oud Testament: exegese--
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