Listing 1 - 4 of 4 |
Sort by
|
Choose an application
Choose an application
Wondrous Brutal Fictions presents eight seminal works from the seventeenth-century Japanese sekkyo and ko-joruri puppet theaters, many translated into English for the first time. Both poignant and disturbing, they range from stories of cruelty and brutality to tales of love, charity, and outstanding filial devotion, representing the best of early Edo-period literary and performance traditions and acting as important precursors to the Bunraku and Kabuki styles of theater.As works of Buddhist fiction, these texts relate the histories and miracles of particular buddhas, bodhisattvas, and local deities. Many of their protagonists are cultural icons, recognizable through their representation in later works of Japanese drama, fiction, and film. The collection includes such sekkyo "sermon-ballad" classics as Sansho Dayu, Karukaya, and Oguri, as well as the "old joruri" plays Goo-no-hime and Amida's Riven Breast. R. Keller Kimbrough provides a critical introduction to these vibrant performance genres, emphasizing the role of seventeenth-century publishing in their spread. He also details six major sekkyo chanters and their playbooks, filling a crucial scholarly gap in early Edo-period theater. More than fifty reproductions of mostly seventeenth-century woodblock illustrations offer rich, visual foundations for the critical introduction and translated tales. Ideal for students and scholars of medieval and early modern Japanese literature, theater, and Buddhism, this collection provides an unprecedented encounter with popular Buddhist drama and its far-reaching impact on literature and culture.
Sekkyō jōruri. --- Buddhist literature, Japanese --- Japanese drama --- Puppet plays, Japanese --- Japanese puppet plays --- Japanese literature --- Japanese Buddhist literature --- Sekkyōbushi --- Jōruri --- Katarimono --- Monologue --- Monologues with music --- History and criticism.
Choose an application
The population of Mexican-origin peoples in the United States is a diverse one, as reflected by age, class, gender, sexuality, and religion. Far from antiquated concepts of mestizaje, recent scholarship has shown that Mexican@/Chican@ culture is a mixture of indigenous, African, and Spanish and other European peoples and cultures. No one reflects this rich blend of cultures better than Chican@ rappers, whose lyrics and iconography can help to deepen our understanding of what it means to be Chican@ or Mexican@ today. While some identify as Mexican mestizos, others identify as ind
Mexican American youth --- Rap (Music) --- Hip-hop --- Mexican Americans --- Hip-hop culture --- Hiphop --- African American arts --- Popular culture --- Hip-hop music --- Rap songs --- Rappin' (Music) --- Rapping (Music) --- African Americans --- Monologues with music --- Popular music --- Trip hop (Music) --- Youth, Mexican American --- Youth --- Social life and customs. --- Social aspects --- Social conditions. --- Influence. --- Ethnic identity.
Choose an application
Stephenson explores the autobiographical form by analysing seven works by Canadian playwrights written and performed between 1999 and 2009, including Judith Thompson's Perfect Pie, Daniel MacIvor's In On It, and Timothy Findley's Shadows.
Monodramas --- One-person shows (Performing arts) --- One-man shows (Performing arts) --- One-woman shows (Performing arts) --- Solo acts (Performing arts) --- Performing arts --- One-person plays --- Solo dramas --- Solo plays --- Drama --- Monologues --- History and criticism. --- Kanada --- Canada. --- Canada (Province) --- Canadae --- Ceanada --- Chanada --- Chanadey --- Dominio del Canadá --- Dominion of Canada --- Jianada --- Kʻaenada --- Kaineḍā --- Ḳanadah --- Kanadaja --- Kanadas --- Ḳanade --- Kanado --- Kanakā --- Province of Canada --- Republica de Canadá --- Yn Chanadey --- Canada --- Puissance du Canada --- Kanadier --- Provinz Kanada --- 01.07.1867 --- -Monodramas
Listing 1 - 4 of 4 |
Sort by
|