Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Une plongée dans la culture matérielle de la noblesse du XVI siècle qui recontextualise les objets du passé en décrivant leur dimension culturelle et sociale et en prenant comme point d'observation la maison de Guise. L'auteure s'interroge sur les enjeux que sous-tendaient la consommation d'une famille ducale et comment les Guise se procuraient les biens nécessaires à la tenue de leur rang.

Material culture --- Nobility --- Culture matérielle --- Noblesse --- History --- Histoire --- Guise, House of --- Guise (famille) --- 929.7 <44> --- 39 <09> <44> --- Adel. Eretitels--Frankrijk --- Geschiedenis van het dagelijks leven. Geschiedenis van de materiële cultuur--Frankrijk --- 39 <09> <44> Geschiedenis van het dagelijks leven. Geschiedenis van de materiële cultuur--Frankrijk --- 929.7 <44> Adel. Eretitels--Frankrijk --- Culture matérielle --- Moeurs et coutumes --- Guise, de (Hertogen) --- anno 1500-1599

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"Drawing from extended fieldwork in La Réunion, in the Indian Ocean, the author suggests an innovative re-reading of different concepts of magic that emerge in the global cultural economics of tourism. Following the making and unmaking of the tropical island tourism destination of La Réunion, he demonstrates how destinations are transformed into magical pleasure gardens in which human life is cultivated for tourist consumption. Like a gardener would cultivate flowers, local development policy, nature conservation, and museum initiatives dramatise local social life so as to evoke modernist paradigms of time, beauty and nature. Islanders who live in this 'human garden' are thus placed in the ambivalent role of 'human flowers', embodying ideas of authenticity and biblical innocence, but also of history and social life in perpetual creolisation."--P. [4] of cover.

Tourism --- Culture and tourism. --- Magic --- Ethnology --- Tourisme --- Ethnotourisme --- Magie --- Anthropologie sociale et culturelle --- Social aspects. --- Aspect social --- #SBIB:316.7C440 --- Toerisme en vakantie: algemeen --- cultural tourism --- tourism --- Sociology of culture --- Anthropology --- Culture and tourism --- #SBIB:39A5 --- Magick --- Necromancy --- Sorcery --- Spells --- Occultism --- Ethnotourism --- Tourism and culture --- Human beings --- Social aspects --- Kunst, habitat, materiële cultuur en ontspanning --- Primitive societies --- Anthropological aspects. --- Social sciences

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Dance music --- Highlife (Music) --- Social aspects --- History and criticism. --- Ghana --- Social conditions. --- #SBIB:309H142 --- #SBIB:39A5 --- #SBIB:39A73 --- Instrumental music --- Music --- Hi-life (Music) --- High-life (Music) --- Popular music --- History and criticism --- Populaire muziek: functies, muziekgenres, historiek --- Kunst, habitat, materiële cultuur en ontspanning --- Etnografie: Afrika

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Japanese --- Tourism --- Japonais --- Tourisme --- Travel --- History --- Voyages --- Histoire --- Japan --- Japon --- Social life and customs. --- Moeurs et coutumes --- #SBIB:39A5 --- #SBIB:316.7C440 --- Kunst, habitat, materiële cultuur en ontspanning --- Toerisme en vakantie: algemeen --- Holiday industry --- Operators, Tour (Industry) --- Tour operators (Industry) --- Tourism industry --- Tourism operators (Industry) --- Tourist industry --- Tourist trade --- Tourist traffic --- Travel industry --- Visitor industry --- Service industries --- National tourism organizations --- Ethnology --- Travel&delete& --- Economic aspects --- History.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

In Art and Agency, Alfred Gell formulates an anthropological theory of visual art that focuses on the social context of art production, circulation, and reception. As a theory of the nexus of social relations involving works of art, this work suggests that in certain contexts, art-objects substitute for persons and thus mediate social agency. Diversely illustrated and based on European, Polynesian, Melanesian, and Australian sources, Art and Agency was completed just before Gell's death at the age of fifty-one in January 1997. It embodies the intellectual bravura, lively wit, vigor, and erudition for which he was admired, and will stand as an enduring testament to one of the most gifted anthropologists of his generation.

#SBIB:39A5 --- #SBIB:316.7C200 --- Kunst, habitat, materiële cultuur en ontspanning --- Sociologie van de cultuuruitingen: algemeen --- Art --- Ethnology. Cultural anthropology --- culturele antropologie --- kunstsociologie --- social anthropology --- Art and anthropology --- Art and society --- Art and anthropology. --- Art and society. --- Art et anthropologie --- Art et société --- Philosophical anthropology --- Anthropology and art --- Art and sociology --- Society and art --- Sociology and art --- Social aspects --- Anthropology --- Art polynésien --- Aspect social --- Marquises (Polynésie française ; îles)