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The Matchmaker, the Apprentice, and the Football Fan moves between anarchic campuses, maddening communist factories, and the victims of China's economic miracle to showcase the absurdity, injustice, and socialist Gothic of everyday Chinese life. In "The Football Fan," readers fall in with an intriguingly unreliable narrator who may or may not have killed his elderly neighbor for a few hundred yuan. The bemused antihero of "Reeducation" is appalled to discover that, ten years after graduating during the pro-democracy protests of 1989, his alma mater has summoned him back for a punitive bout of political reeducation with a troublesome ex-girlfriend. "Da Ma's Way of Talking" is a fast, funny recollection of China's picaresque late 1980s, told through the life and times of one of our student narrator's more controversial classmates; while "The Apprentice" plunges us into the comic vexations of life in a more-or-less planned economy, as an enthusiastic young graduate is over-exercised by his table-tennis-fanatic bosses, deprived of sleep by gambling-addicted colleagues, and stuffed with hard-boiled eggs by an overzealous landlady. Full of acute observations, political bite, and piercing insight into friendships and romance, these stories further establish Zhu Wen as a fearless commentator on human nature and contemporary China.
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Ecocriticism can be described in very general terms as the investigation of the many ways in which culture and the environment are interrelated and conceptualized. Ecocriticism aspires to understand and often to celebrate the natural world, yet it does so indirectly by focusing primarily on written texts. Hailed as one of the most timely and provocative developments in literary and cultural studies of recent decades, it has also been greeted with bewilderment or scepticism by those for whom its aims and methods are unclear. This book seeks to bring into view the development of ecocriticism in the context of Canadian literary studies. Selections include work by Margaret Atwood, Northrop Frye, Sherrill Grace, and Rosemary Sullivan.
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Scholars have begun critically assessing the relationship of modern environmental science, including the study of ecology, to the creation and study of art and culture. In this volume, the voices come from around the globe-some tentative in the stirring of conscious entwinement, other voices, strident and forthright, foresee a grim future, for the planet, for our humanity, as our impositions and consumptions have made monsters of us all and stripped us of our essence, the heart of what it is to be human.
Ecocriticism. --- Ecological literary criticism --- Environmental literary criticism --- Criticism
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What may perhaps be more intriguing to the reader who for the first time comes across the title Travessias pela Portuguesa Literatura: critical studies from Saramago to Vieira is the apparent anomaly in the arrangement of the names that appear in subtitles: from Saramago to Vieira. Wouldn't it make more logic from Vieira to Saramago? However, when we go through the set of eight articles that make up this volume, we understand that they are not arranged in chronological order.
Portuguese literature --- History and criticism. --- LITERARY CRITICISM
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Ecocriticism can be described in very general terms as the investigation of the many ways in which culture and the environment are interrelated and conceptualized. Ecocriticism aspires to understand and often to celebrate the natural world, yet it does so indirectly by focusing primarily on written texts. Hailed as one of the most timely and provocative developments in literary and cultural studies of recent decades, it has also been greeted with bewilderment or scepticism by those for whom its aims and methods are unclear. This book seeks to bring into view the development of ecocriticism in the context of Canadian literary studies. Selections include work by Margaret Atwood, Northrop Frye, Sherrill Grace, and Rosemary Sullivan.
Literary studies: general --- Ecocriticism --- Literary Criticism
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Ecocriticism can be described in very general terms as the investigation of the many ways in which culture and the environment are interrelated and conceptualized. Ecocriticism aspires to understand and often to celebrate the natural world, yet it does so indirectly by focusing primarily on written texts. Hailed as one of the most timely and provocative developments in literary and cultural studies of recent decades, it has also been greeted with bewilderment or scepticism by those for whom its aims and methods are unclear. This book seeks to bring into view the development of ecocriticism in the context of Canadian literary studies. Selections include work by Margaret Atwood, Northrop Frye, Sherrill Grace, and Rosemary Sullivan.
Literary studies: general --- Ecocriticism --- Literary Criticism
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Feminist literary criticism --- Science fiction --- Feminist literary criticism. --- Science fiction. --- History and criticism
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Feminist literary criticism --- Science fiction --- Feminist literary criticism. --- Science fiction. --- History and criticism
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"New Formalist Criticism: Theory and Practice attempts to situate New Formalist criticism in contemporary theory and practice, arguing for its singularity and value, tracing its roots and development, exploring its role in other critical modes and in non-literary disciplines, offering analyses of a range of texts, and portraying literary study as a provisional rehearsal of existential postures and attitudes in the inevitably historical present of the reader. Critically sophisticated, but written in a lucid and engaging style, with numerous examples and concrete analyses, New Formalist Criticism: Theory and Practice will speak to a wide readership. While its principal audience will be professional literary scholars and graduate students, it will also be extraordinarily useful to undergraduate students interested in critical method and the study of literature - how we read and why we read. New Formalist Criticism: Theory and Practice will invigorate the study of literary form and help redraw the map of contemporary criticism"--
Criticism. --- Criticism. --- Formalism (Literary analysis). --- Formalism (Literary analysis). --- LITERARY CRITICISM --- LITERARY CRITICISM --- LITERARY CRITICISM --- Reader-response criticism. --- Reader-response criticism. --- Books & Reading. --- General. --- Semiotics & Theory.
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Treasuring the past, savouring the present, and wanting to do right by the future, Archibald Lampman was a poet keenly focused on the workings of time. He was also a thinker of mystical predisposition. His goal was not to transcend time, but to find redemptive meaning within it. Archibald Lampman: Memory, Nature, Progress explores the ways in which Lampman pursued this goal in relation to the three faces of time. Memory fascinated Lampman. He relished the “alchemy” by which the dross of past experience could be left behind and the gold preserved. Nature compelled his mind and emotions, and his clear-eyed observations of both countryside and wilderness settings gave rise to a self-evolved poetics of inclusiveness. In his celebrations of nature in all its manifestations, mild or bleak, he anticipated the work of iconic Canadian painter Tom Thomson and he forecasted the environmentalism of our own time. Progress for Lampman spelled societal rectification. By forwarding the cause of social betterment, one was part of a movement larger than oneself, and this expansion, too, was redemptive. Archibald Lampman: Memory, Nature, Progress is the first book on this foundational figure in Canadian literature to appear in over twenty-five years and the first thematically focused study. Combining close analysis with biographical context, it shows how Lampman’s oeuvre was shaped by his responses to his physical surroundings and to his social-intellectual milieu, as filtered through his stubbornly independent outlook.
Lampman, Archibald, --- Criticism and interpretation. --- LITERARY CRITICISM / Poetry.
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