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Inspired by his experiences and encounters as Co-Editor of the Italian architecture and design magazine Domus, the Lugano-based architect Luca Gazzaniga finds a way of elevating the design to a higher level, even in pragmatic tasks, leading it to a powerful, impressive result - as can be seen in the residential development in Agno (2008).

Architecture --- Architectes --- Casinos --- Immeubles d'habitation --- Constructions en béton --- Habitations individuelles --- Architecture de montagne --- Hôtels --- Conception et construction. --- Gazzaniga, Luca

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Sculpture --- Antiquity --- Greece --- Art, Greek --- Art, Classical --- Art, Hellenistic --- Art grec --- Art antique --- Art hellénistique --- Exhibitions. --- Exhibitions --- Expositions --- -Art, Classical --- -Art, Hellenistic --- -700.9495 --- Hellenistic art --- Classical art --- Classical antiquities --- Greek art --- Art, Aegean --- Art, Greco-Bactrian --- Griekse kunst --- klassieke oudheid --- geschiedenis --- beeldhouwwerken --- Signorelli, Luca --- Griekenland --- Art hellénistique --- klassieke oudheid (historisch tijdvak) --- sculpturen --- Griekse kunst. --- klassieke oudheid (historisch tijdvak). --- geschiedenis. --- sculpturen. --- Signorelli, Luca. --- Griekenland.

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Ouvrage publié à l'occasion de l'exposition présentée à la villa Noailles, Hyères, du 10 février au 24 mars 2013. A l'occasion de la dixième année d'exposition d'architecture(s), la villa Noailles invite à nouveau dix architectes déjà venus et leur offre la possibilité de rencontrer le public et partager un regard personnel sur leur propre production : Rudy Ricciotti, Patrick Bouchain, Anne Lacaton et Jean-Philippe Vassal, Luca Merlini, Anna Heringer ...

Ricciotti, Rudy --- Bouchain, Patrick --- Merlini, Luca --- Heringer, Anna --- Norlander, Johannes --- Cody, Peter --- Silvestre, Fran --- Mateus, Aires --- Lacaton & vassals architects --- Tyin --- Contemporary architecture - 20th-21st century --- Architecture --- Expositions --- Bouchain, Patrick, --- Heringer, Anna, --- Lacaton, Anne, --- Merlini, Luca, --- Ricciotti, Rudy, --- Rocha, Manuel, --- Vassal, Jean-Philippe, --- Lacaton & Vassal --- TYIN Tegnestue (Trondheim, Norvège) --- Lacaton & Vassal architects --- Lacaton, Anne --- Ricciotti, Rudy, 1952 --- -Bouchain, Patrick --- TYIN Tegnestue (Trondheim, Norvège) --- Boyd, Dermot (1967-....) --- Norlander, Johannes (1963-....) --- Sarano, Florence --- Aires Mateus --- Boyd Cody architects --- Villa Noailles (Hyères, France) --- France

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Retooling Design discusses a design discourse in which the superiority of materials is key. These materials will be developed in products with an increasingly layered functionality. The study outlines a starting position in which smart materials (shape memory polymers) can fulfil an expanding range of tasks in the future. A horizon in which reaction mechanisms can develop, which can also adapt to the relentless pace of the public and its environment, resulting in flexible patterns of use and management. An ars combinatoria, which encourages us to reflect and admire.

Academic collection --- 373.67 --- FAK (Faculteit Architectuur en Kunsten) --- LUCA School of Arts --- OPAK (Onderzoeksplatform voor Onderzoek in de Architectuur en de Kunsten) --- De Smet, Carl --- 691 --- 691.9 --- 691.8 --- 749.01 --- 749.039 --- 749.02 --- Product Design --- Productontwikkeling --- Industrieel design ; 21ste eeuw ; nieuwe materialen --- Onderzoek in de architectuur --- OPAK ; Onderzoeksplatform voor onderzoek in de architectuur en de kunsten --- LUCA ; School of Arts --- Polymeren --- FAK ; Faculteit Architectuur en Kunsten --- Ontwerpanalyse --- kunst --- onderzoek in de kunsten --- OPAK --- Onderzoeksplatform voor onderzoek in de architectuur en de kunsten --- design --- materiaal --- smart materials --- De Smet Carl --- polymeren --- shape memory polymers --- LUCA --- 770.6 --- Onderzoek (kunst) --- Bouwmaterialen (architectuur) --- Smart materials --- Smart materials (design) --- Synthetische materialen --- Kunststof --- Meubelkunst en design ; theorie, filosofie, esthetica --- Meubelkunst en design ; 2000 - 2050 --- Meubelkunst en design ; technieken, materialen --- productdesign, filosofie, esthetiek en kritiek --- MAD-faculty 14 --- designconcept

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This cahier documents how the experimental inquiry of the interaction between audiovisual form and musical polyphony gave the research project MULTIPLE voice/vision its specific form. The articles try to shed light on some of the subtopics of this inquiry: how the multilayered texture of polyphony is mapped to multiple audiovisual elements in a spatial structure. The role that anamorphosis played in this process is analyzed: anamorphosis as a visual technique, but also what constitutes anamorphosis into a âmystery in two actsâ, how it is a corruption of the rules of linear perspective and how this re-injects mobility into our perception process. This phenomenological approach of anamorphosis goes together with an investigation of the friction between sound and vision in the spatialized audiovisual form, and how that friction is related to a friction between sensory modes of the human perceptual system. Documenting an inquiry into the interaction between audiovisual form and musical polyphony this cahier finally also describes how the interaction differs in the two phases of the project, and how it is often more a kind of an intermedial relationship than a form of remediation in the strict sense.

Academic collection --- 592 --- 373.67 --- kunst --- onderzoek in de kunsten --- OPAK --- Onderzoeksplatform voor onderzoek in de architectuur en de kunsten --- LUCA --- muziek --- polyfonie --- film en muziek --- anamorfose --- 700.6 --- Publicaties onderzoeksinstellingen --- Onderzoek (kunst) --- Onderzoek (muziek) --- beeldende kunst, filosofie, esthetiek en kritiek der beeldende kunst --- intermedia [concept] --- Art --- multimedia works --- anamorphoses --- 373.67.03(493) --- Onderwijs ; kunst- en architectuuronderwijs ; geschiedenis ; jaarboeken ; projecten ; België