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Rhetoric, Ancient --- Ancient rhetoric --- Classical languages --- Greek language --- Greek rhetoric --- Latin language --- Latin rhetoric --- Rhetoric --- Quintilian --- Quintilianus, Marcus Fabius. --- Quinctilian --- Quintilien --- Quintiliano, Marco Fabio --- Kvintilijan --- 昆体良 --- Quintiliano --- Quintillian --- Criticism and interpretation. --- Quintilianus, Marcus Fabius --- Marcus Fabius Quintilianus --- Quintilianus
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The volume focuses on the evidence of scenic art present in Quintilian's Institutio oratoria to verify its influence on the education of the speaker. The enquiry will also make reference to all Greek and Latin sources useful in highlighting the mutual dependence between oratory and theater from the fifth century B.C. to the second century A.D. The most important area of investigation concerns the teaching of comoedus, master of diction and gestures. The fields of specialization and methods configured by Quintilian recall in detail the training process followed by Demosthenes to achieve excellence in the actio under the guidance of different actors; this close similarity suggests a persistence of training relationships between theater and oratory. The choice of comoedus is based on well-defined selection criteria: in particular, the comedy seems to have replaced the tragedy as the teaching model in the imperial era because of its greater verisimilitude. The enquiry extends to the acting techniques used in the imperial era, with particular attention to the mask and the strategies of identification that the actor could suggest to the speaker to activate the process of sympatheia with the public.
Rhetoric, Ancient. --- Ancient rhetoric --- Classical languages --- Greek language --- Greek rhetoric --- Latin language --- Latin rhetoric --- Rhetoric --- Quintilian --- Marcus Fabius Quintilianus --- Quinctilian --- Quintilien --- Quintiliano, Marco Fabio --- Kvintilijan --- 昆体良 --- Quintiliano --- Quintillian --- Quintilianus --- Criticism and interpretation. --- Education. --- Quintilian. --- rhetoric. --- theater.
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Der Band enthält vier Aufsätze, die von Lennart Håkanson zwischen 1976 und 1982 verfasst, aber aufgrund seines Todes nie veröffentlicht wurden. Håkanson bietet eine allgemeine Darstellung der argumenta in den pseudo-quintilianischen Declamationes maiores und untersucht einige der wichtigsten literarischen Modelle dieser Reden (Cicero, Seneca, Declamationes minores) sowie ihre Überlieferungsgeschichte. Der letzte Aufsatz ist einer umfassenden Analyse der rhythmischen Klausel in den Declamationes maiores gewidmet: Håkanson setzt sich mit älteren Studien zu diesem Thema auseinander und liefert ein unentbehrliches Instrument zur Datierung der einzelnen Reden der Sammlung.
Rhetoric, Ancient. --- Oratory, Ancient. --- Ancient rhetoric --- Classical languages --- Greek language --- Greek rhetoric --- Latin language --- Latin rhetoric --- Rhetoric --- Quintilian --- Marcus Fabius Quintilianus --- Quinctilian --- Quintilien --- Quintiliano, Marco Fabio --- Kvintilijan --- 昆体良 --- Quintiliano --- Quintillian --- Quintilianus --- Authorship. --- Declamationes pseudo-Quintilianeae (Maiores) --- Declamationes maiores --- Declamationes majores --- Grandes déclamations --- Major declamations --- Latin prose literature --- Speeches, addresses, etc., Latin --- Languages & Literatures --- Greek & Latin Languages & Literatures --- History and criticism --- E-books --- Declamationes maiores. --- Lennart Håkanson. --- Pseudo-Quintilian.
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