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Dès la fin du XVIIIe siècle à 1863 c'est dans l'espace hybride des ateliers privés d'enseignement que s'inventent et se développent de nouvelles approches du métier de peintre. Au-delà des aspects techniques et esthétiques, c'est le statut même des artistes qui se redéfinit.
Art --- anno 1700-1799 --- anno 1800-1899 --- Paris --- Artists' studios --- Ateliers d'artiste --- History --- Congresses --- Histoire --- Congrès --- kunsteducatie --- Prijs van Rome --- restauratie --- kopieën --- David, Jacques-Louis --- Girodet, Anne-Louis --- Camuccini, Vincenzo --- Delaroche, Paul --- Cogniet, Léon --- Rodakowski, Henryk --- Gleyre, Marc Charles Gabriel --- Couture, Thomas --- Courbet, Gustave --- 1780 - 1863 --- 18de eeuw --- 19de eeuw --- Parijs --- Duitsland --- Polen --- Congrès --- Girodet-Trioson, Anne-Louis --- kunst (kopie, kopiëren) --- kunst (+ kopie, kopiëren) --- kunsteducatie. --- Prijs van Rome. --- restauratie. --- kunst (+ kopie, kopiëren). --- David, Jacques-Louis. --- Girodet-Trioson, Anne Louis. --- Camuccini, Vincenzo. --- Delaroche, Paul. --- Cogniet, Léon. --- Rodakowski, Henryk. --- Gleyre, Marc Charles Gabriel. --- Couture, Thomas. --- Courbet, Gustave. --- 1780 - 1863. --- 18de eeuw. --- 19de eeuw. --- Parijs. --- Duitsland. --- Polen. --- kunstenaarsateliers --- Girodet-Trioson, Anne Louis --- kunstenaarsateliers. --- Lurçat, Jean.
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The artist's house is a prism through which to view not only the artistic practice of its inhabitant, but also to apprehend broader developments in sculpture and contemporary art in relation to domestic architecture and interior space. Based on a series of interviews and site visits with living artists about the role of their home in relation to their work, Kirsty Bell looks at the house as receptacle, vehicle, model, theater, or dream space. In-depth analyses of these contemporary examples—including Jorge Pardo, Mirosław Bałka, Danh Vo, Gregor Schneider, Frances Stark, Marc Camille Chaimowicz, Dominique Gonzalez-Foerster, Paweł Althamer, Mark Leckey, Monika Sosnowska, Gabriel Orozco, Rirkrit Tiravanija, and Andrea Zittel—are contextualized by key artists of the twentieth century such as Kurt Schwitters, Alice Neel, Edward Krasiński, Carlo Mollino, and Louise Bourgeois. A two-way flow from the domestic arena to the exhibition space becomes apparent, in which the everyday has a significant role to play in the merging of such developments as installation art, relational aesthetics, expanded collage, and performance art.
dwellings --- Art --- anno 1900-1999 --- anno 2000-2099 --- kunst --- architectuur --- kunst en architectuur --- 7.036/039 --- woningen --- twintigste eeuw --- Zittel Andrea --- Vo Danh --- Tiravanija Rirkrit --- Stettheimer Florine --- Stark Frances --- Sosnowska Monika --- Schwitters Kurt --- Schneider Gregor --- Pardo Jorge --- Orozco Gabriel --- Neel Alice --- Mollino Carlo --- Leckey Mark --- Krasinski Edward --- Grosse Katharina --- Gonzalez-Foerster Dominique --- Chaimowicz Marc Camille --- Bourgeois Louise --- Balka Miroslaw --- Althamer Pawel --- 728 --- kunstenaarshuizen --- ateliers --- 7.049 --- 7.01 --- Kunstenaarshuizen ; betekenis voor de artistieke productie --- Kunstenaarsateliers --- Kunsttheorie ; over wonen en werken van kunstenaars --- Iconografie ; verschillende onderwerpen --- Kunst ; theorie, filosofie, esthetica --- MAD-faculty 14 --- Artists --- Architecture, Domestic. --- Creation (Literary, artistic, etc.) --- Homes and haunts. --- Philosophy. --- Artistes --- Architecture domestique --- Création (Arts) --- Résidences et lieux familiers --- Philosophie --- artists's house
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