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Coleridge has been perceived as the youthful author of a few brilliant poems and the rest of his career as a downward spiral of unfinished verses, philosophical meanderings, and opium addiction. While the perception contains just enough truth to render it indestructible, it is neither the whole truth nor the only one. The present study argues that the poetry is a continuous process of experimentation, especially with metre, rhythm and sound patterns. It provides a new perspective on both familiar and unfamiliar poems, and of the relation between Coleridge's poetry and philosophical thinking, and suggests connections with several modern writers.
Poétique --- Poetics --- History --- Coleridge, Samuel Taylor, --- Coleridge, Samuel Taylor, --- Coleridge, Samuel Taylor, --- Oeuvres --- Poésie --- Poetic works. --- Knowledge --- Literature.
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Thematology --- American literature --- English literature --- Coleridge, Samuel Taylor --- anno 1800-1899 --- New England --- United States of America
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English poetry --- Romanticism --- Point of view (Literature) --- First person narrative. --- Persona (Literature) --- Narration (Rhetoric) --- History and criticism --- Theory, etc. --- Keats, John, --- Wordsworth, William, --- Coleridge, Samuel Taylor, --- Blake, William, --- Criticism and interpretation --- History. --- English poetry - 19th century - History and criticism - Theory, etc. --- Romanticism - Great Britain. --- Keats, John, - 1795-1821 - Criticism and interpretation - History. --- Wordsworth, William, - 1770-1850. - Intimations of immortality. --- Coleridge, Samuel Taylor, - 1772-1834. - Rime of the ancient mariner. --- Blake, William, - 1757-1827. - Songs of experience. --- Wordsworth, William, - 1770-1850. - Prelude --- Keats, John, - 1795-1821
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"While postcolonial studies of Romantic-period literature have flourished in recent years, scholars have long neglected the extent of Samuel Taylor Coleridge's engagement with the Orient in both his literary and philsophical writings. Bringing together leading international writers, Coleridge, Romanticism and the Orient is the first substantial exploration of Coleridge's literary and scholarly representations of the east and the ways in which these were influenced by and went on to influence his own work and the orientalism of the Romanticists more broadly. Bringing together postcolonial, philsophical, historicist and literary-critical perspectives, this groundbreaking book develops a new understanding of 'Orientalism' that recognises the importance of colonial ideologies in Romantic representations of the East as well as appreciating the unique forms of meaning and value which authors such as Coleridge asscoiated with the Orient."--Bloomsbury Publishing.
Coleridge, Samuel Taylor, --- Coleridge, S. T. --- Kolʹridzh, Samuil, --- Кольридж, Самуил, --- Kolʹridzh, Samuil Teĭlor, --- Кольридж, Самуил Тейлор, --- Kūlīridzh, Ṣāmwīl Tīlūr, --- קולרידג׳, סמיואל טיילור --- Kūlīridj, Ṣāmwīl Tīlūr, --- كولردج، صمويل تيلور, --- קאָלרידש, ס. ט., --- Criticism and interpretation. --- Romanticism --- Knowledge --- Orient.
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The first book devoted to Coleridge's influence on Emerson and the development of American Transcendentalism. As Samantha Harvey demonstrates, Samuel Taylor Coleridge's thought galvanized Emerson at a pivotal moment in his intellectual development in the years 1826-1836, giving him new ways to harmonize the Romantic triad of nature, spirit and humanity. Emerson did not think about Coleridge: he thought with Coleridge, resulting in a unique case of assimilative influence. In addition to examining his specific literary, philosophical, and theological influences on Emerson, this book reveals Coleridge's centrality for Boston Transcendentalism and Vermont Transcendentalism, a movement which profoundly affected the development of modern higher education, the national press, and the emergence of Pragmatism.
Emerson, Ralph Waldo --- Criticism and interpretation --- Knowledge --- Literature --- Coleridge, Samuel Taylor --- Philosophy --- Influence --- Transcendentalism (New England) --- Philosophy in literature --- American literature --- History and criticism --- English influences --- Romanticism --- United States --- Transcendentalism. --- English literature --- Nature in literature. --- Nature in poetry --- Philosophy, Modern --- Idealism --- History and criticism. --- Philosophy in literature. --- English influences. --- Influence. --- Emerson, Ralph Waldo, --- Coleridge, Samuel Taylor, --- Criticism and interpretation. --- Literature. --- Philosophy. --- New England transcendentalism --- Pseudo-romanticism --- Romanticism in literature --- Aesthetics --- Fiction --- Literary movements --- Coleridge, S. T. --- Kolʹridzh, Samuil, --- Кольридж, Самуил, --- Kolʹridzh, Samuil Teĭlor, --- Кольридж, Самуил Тейлор, --- Kūlīridzh, Ṣāmwīl Tīlūr, --- קולרידג׳, סמיואל טיילור --- Kūlīridj, Ṣāmwīl Tīlūr, --- كولردج، صمويل تيلور, --- קאָלרידש, ס. ט., --- Imarsana, Rāfa Vālḍō, --- Emerson, R. W. --- Emerson, Waldo, --- Emerson, R. Waldo --- Ėmerson, Ralʹf Uoldo, --- Ai-mo-sheng, --- Emarsan̲, --- אמרסון, רלף ולדו, --- עמערסון, ראלף וואלדא,
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