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Catholicism. --- Catholic Chruch

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The book explores those aspects of Donald MacKinnon's theological writings which challenge the claim of the liberal Catholic tradition in the Church of England to have forged an ecclesiological consensus, namely that the Church is the extension of the incarnation. MacKinnon destabilized this claim by exposing the wide gulf between theory and practice in that church, especially in his own Anglo-Catholic tradition within it. For him the collapse of Christendom is the occasion for a dialectical reconstruction of the relation of the Church to Jesus Christ and to the world on the basis of the gospel. His basic claim is that authentic ecclesial existence must correspond with what was revealed and effected by Jesus along his way from Galilee to Jerusalem to Galilee. Reflection on the Church thus takes the form of a lived response shaped by a Christocentric grammar of faith: the submission of the church to Jesus' contemporaneous interrogation, a sustained attentiveness to him and the willing embrace of his 'hour'.

Philosophical theology --- Theology, Doctrinal --- Anglo-Catholicism --- Church and the world --- Incarnation

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The North East of England was regarded as a major Catholic stronghold in the nineteenth century. This was, in no small part, due to the large numbers of Irish Catholic immigrants who contributed greatly towards the region's unprecedented expansion, with the Catholic population in Newcastle and County Durham increasing from 23,250 in 1847 to 86,397 in 1874. How far were the Catholic Church and its incoming Irish adherents accepted by the Protestant population of North East England? This book w...

Anti-Catholicism --- Irish --- History --- Religion --- Social conditions --- England, North East --- Emigration and immigration --- Religious aspects --- Catholic Church

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Ingrid Bergman’s engaging screen performance as Sister Mary Benedict in The Bells of St. Mary’s made the film nun a star and her character a shining standard of comparison. She represented the religious life as the happy and rewarding choice of a modern woman who had a “complete understanding” of both erotic and spiritual desire. How did this vibrant and mature nun figure come to be viewed as girlish and naïve? Why have she and her cinematic sisters in postwar popular film so often been stereotyped or selectively analyzed, so seldom been seen as women and religious? In Veiled Desires—a unique full-length, in-depth look at nuns in film—Maureen Sabine explores these questions in a groundbreaking interdisciplinary study covering more than sixty years of cinema. She looks at an impressive breadth of films in which the nun features as an ardent lead character, including The Bells of St. Mary’s (1945), Black Narcissus (1947), Heaven Knows, Mr. Allison (1957), Sea Wife (1957), The Nun’s Story (1959), The Sound of Music (1965), Change of Habit (1969), In This House of Brede (1975), Agnes of God (1985), Dead Man Walking (1995), and Doubt (2008). Veiled Desires considers how the beautiful and charismatic stars who play chaste nuns, from Ingrid Bergman and Audrey Hepburn to Susan Sarandon and Meryl Streep, call attention to desires that the veil concealed and the habit was thought to stifle. In a theologically and psychoanalytically informed argument, Sabine responds to the critics who have pigeonholed the film nun as the obedient daughter and religious handmaiden of a patriarchal church, and the respectful audience who revered her as an icon of spiritual perfection. Sabine provides a framework for a more complex and holistic picture of nuns onscreen by showing how the films dramatize these women’s Christian call to serve, sacrifice, and dedicate themselves to God, and their erotic desire for intimacy, agency, achievement, and fulfillment.

Motion pictures --- Nuns in motion pictures. --- History. --- Agape and Eros. --- Catholicism. --- Cultural Studies. --- Desire. --- Faith. --- Feminism. --- Freud. --- Gender Politics. --- Postwar Film. --- Spirituality and Sexuality. --- Twentieth-Century Religious Life and History. --- nuns.

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During the first half of the twentieth century, supporters of the eugenics movement offered an image of a racially transformed America by curtailing the reproduction of "unfit" members of society. Through institutionalization, compulsory sterilization, the restriction of immigration and marriages, and other methods, eugenicists promised to improve the population-a policy agenda that was embraced by many leading intellectuals and public figures. But Catholic activists and thinkers across the United States opposed many of these measures, asserting that "every man, even a lunatic, is an image of God, not a mere animal." In An Image of God, Sharon Leon examines the efforts of American Catholics to thwart eugenic policies, illuminating the ways in which Catholic thought transformed the public conversation about individual rights, the role of the state, and the intersections of race, community, and family. Through an examination of the broader questions raised in this debate, Leon casts new light on major issues that remain central in American political life today: the institution of marriage, the role of government, and the separation of church and state. This is essential reading in the history of religion, science, politics, and human rights.

Eugenics --- Religion and science --- Sterilization (Birth control) --- Moral and ethical aspects. --- History --- Religious aspects --- Catholic Church. --- Catholic Church --- eugenics, institutionalization, compulsory sterilization, immigration, marriage, gender, catholicism, religion, spirituality, christianity, state power, race, disability, community, family, public health, birth control, catholic church, history, reproduction, protest, nonfiction, mental illness, retardation, developmental delays, downs syndrome, bioethics, genetic engineering, biology, science.