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2013 (3)

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Book
Anti-Nazi modernism
Author:
ISBN: 0810166372 9780810166370 9780810128637 0810128632 Year: 2013 Publisher: Evanston, Illinois


Book
Virtual modernism : writing and technology in the Progressive Era
Author:
ISBN: 9780816667550 0816667551 9780816687589 0816687587 9781461954699 146195469X 9781452946542 145294654X 9780816667543 0816667543 1306209978 Year: 2013 Publisher: Minneapolis London University of Minnesota Press

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Abstract

Virtual Modernism examines the emergence of American literary modernism from the eruption of popular culture in the early twentieth century. Employing readings of the works of Stephen Crane, Henry James, James Weldon Johnson, Djuna Barnes, and Gertrude Stein, Katherine Biers argues that American modernist writers developed a "poetics of the virtual" in response to the rise of mass communications technologies.


Book
Fictions of autonomy : modernism from Wilde to de Man
Author:
ISBN: 9780199861125 Year: 2013 Volume: *6 Publisher: Oxford [etc.] Oxford University Press

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Abstract

No aspect of modernist literature has attracted more passionate defenses, or more furious denunciations, than its affinity for the idea of autonomy. A belief in art as a law unto itself is central to the work of many writers from the late nineteenth century to the present. But is this belief just a way of denying art's social contexts, its roots in the lives of its creators, its political and ethical obligations? Fictions of Autonomy argues that the concept of autonomy is, on the contrary, essential for understanding modernism historically. Disputing the prevailing skepticism about autonomy, Andrew Goldstone shows that the pursuit of relative independence within society is modernism's distinctive way of relating to its contexts. Goldstone examines an expansive modernist field in fiction, poetry, and theory-Oscar Wilde, J.-K. Huysmans, Henry James, Marcel Proust, T.S. Eliot, James Joyce, Wallace Stevens, Djuna Barnes, Theodor Adorno, Paul de Man-in order to reveal an ever-shifting preoccupation with autonomy. Drawing on Bourdieu's sociology, formalist reading, and historical contextualization, this book demonstrates the importance of autonomy to modernist themes as varied as domestic service, artistic aging, expat life, and non-referentiality. Nothing less than an argument for a wholesale revision of the assumptions of modernist studies, Fictions of Autonomy is also an intervention in literary theory. This book shows why anyone interested in literary history, the sociology of culture, and aesthetics needs to take account of the social, stylistic, and political significance of the problem, and the potential, of autonomy.

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