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'Imogen; Or, Only Eighteen' is a coming-of-age novel by Mrs. Molesworth. It revolves around Imogen, who grew up a bit spoiled and eventually became a proper Victorian lady that could attract the attention of a man that she has been enamoured with since her youth.
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One Circle is in fact the complete narrative of Hüning’s trilogy previously published individually in small editions. The first chapter Einer (One) concerns death, the pain and strife required to overcome the loss of a loved one, a stillborn baby. In Zwei (Two) a couple learn about each other, rediscovering love, happiness and sex. A man succumbs to his partner’s desire to become a mother again, leading to the third book, Drei (Three). This chapter reveals an idyllic childhood, the magical world of a child unearthing life and illuminating those around him. With non-linear photographs of his own family Hüning managed to tell perhaps not a personal but a universal tale of parenthood.
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'Imogen; Or, Only Eighteen' is a coming-of-age novel by Mrs. Molesworth. It revolves around Imogen, who grew up a bit spoiled and eventually became a proper Victorian lady that could attract the attention of a man that she has been enamoured with since her youth.
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Simoneau charts his love affair with a U.S. soldier. Sequenced to mimic the disjointed nature of memory and identity, the project reveals how our perceptions of ourselves and our loved ones are always a blend of past and present. Ultimately, Simoneau reveals the lasting impact-the invisible, indelible, and often irreversible effects that both love and war have on people's lives.
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"In 1995 Tom Hunter set off from a squatted street in Hackney with a group of friends in an old double decker bus, loaded with muesli, Sosmix, baby-foot table and a sound system. Fuelled by selling egg butties, veggie burgers and beer, their journey took them through folk festivals in France, teknivals in Czech Republic, hippie gatherings in Austria and beach parties in Spain. Le Crowbar Café became an oasis for a nomadic party community hungry for all night food and a break from the hardcore techno. 'Le Crowbar' paints a vivid picture of friends on a journey, exploring new horizons and ways of living on the road, in the wake of the introduction of the Criminal Justice and Public Order Act 1994"--Publisher's website.
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Tobias Zielony’s recent photo series started with a chance encounter. A conversation with a young couple on a Berlin subway train led Zielony to suggest to photograph them. At the next stop they took a few quick shots on the platform. She told him that she could always be found around here, and he could come back anytime to take more pictures. »Here?«—»I walk the street, right around the corner!« They meet again, Zielony first portrays her and then also her fellow prostitutes and friends. The result is the 40 part series »Jenny Jenny«. It is not documentary: Tobias Zielony avoids the journalistic impetus for certainty and truth. To him, the authenticity of the subject is as relevant as the question of the objectivity of the documentary image: both are never free of dramatic elements.The book was published on occasion of the exhibition »Tobias Zielony: Jenny Jenny« in the Berlinischen Galerie.
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