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Philosophy and the arts
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ISSN: 13582461 ISBN: 9781107661745 1107661749 Year: 2013 Volume: 71 Publisher: Cambridge Cambridge University Press

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Keywords

Aesthetics --- Art --- Philosophy --- Art - Philosophy


Book
Who's Afraid of Conceptual Art?
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ISBN: 1135234876 1282377035 9786612377037 0203866045 Year: 2013 Publisher: Hoboken : Taylor and Francis,

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What is conceptual art? Is it really a kind of art in its own right? Is it clever - or too clever?Of all the different art forms it is perhaps conceptual art which at once fascinates and infuriates the most. In this much-needed book Peter Goldie and Elisabeth Schellekens demystify conceptual art using the sharp tools of philosophy. They explain how conceptual art is driven by ideas rather than the manipulation of paint and physical materials; how it challenges the very basis of what we can know about art, as well as our received ideas of beauty; and why conceptual art requires us to


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Arte, verità, essere : la riabilitazione ontologica dell'arte in Martin Heidegger e Maurice Merleau-Ponty.
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ISBN: 9788878392540 8878392545 Year: 2013 Volume: 31 Publisher: Roma Editrice Pontificia Università Gregoriana

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La domanda fondamentale della ricerca si muove attorno alla relazione tra arte, verità e essere, segnalando la natura metafisica del discorso. Questo fatto è sottolineato in quanto l'arte, in ambito filosofico, è di solito trattata in un contesto estetico, ma i due autori scelti vedono nell'arte un legame intrinseco al problema dell'essere, riconoscendo il suo valore anche nell'orizzonte metafisico. Heidegger e Merleau-Ponty avvertono la necessità di superare l'estetica e di svelare le possibilità ontologiche dell'arte, compiendo così una sua «riabilitazione ontologica», mostrando la sua intima correlatività alla questione dell'Essere e con quella della verità. Il vero senso dell'arte non nasce al di fuori di questo contesto ontologico, ed è proprio questo il motivo per cui la riabilitazione ontologica è diventata necessaria: al punto che si potrebbe affermare che l'estetica conduce l'arte fuori della sua vera essenza. L'arte è, di natura sua, ontologica. Si tratta quindi di un tema assai speciale, che già a prima vista dà luogo a diverse domande. Accettando la sfida della crisi della metafisica nell'età contemporanea, è possibile salvaguardare la questione dell'Essere a partire dall'ambito non-filosofico dell'arte (che condivide in qualche modo il compito della metafisica circa la verità dell'Essere)? Cosa offre l'arte alla filosofia a proposito della questione dell'Essere? Quale verità si esprime in essa? Cosa giustifica il mettere insieme i tre concetti fondamentali della dissertazione e due autori così diversi, anche se di eredità fenomenologica comune? L'obiettivo della ricerca è di vedere se la riabilitazione ontologica dell'arte potesse in qualche modo salvaguardare (o anche rinvigorire) la metafisica dell'Essere; e se a partire da ciò che la filosofia può imparare dall'arte, sia possibile arrivare ad una formulazione filosofica della verità vivente, in dialogo con la concezione dei due autori scelti.


Book
Aphorismes
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ISSN: 16274040 ISBN: 9782728804931 2728804931 Year: 2013 Publisher: Paris : Rue d'Ulm,

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Recueil illustrant la pensée esthétique du philosophe allemand, ainsi que sa conception de l'art et de sa réception.


Book
La forme selon Ernst Cassirer : de la morphologie au structuralisme
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ISSN: 17618304 ISBN: 9782753522244 2753522243 Year: 2013 Publisher: Rennes Presses Universitaire de Rennes

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Un essai proposant une étude de la philosophie de E. Cassirer, de sa perception de la culture comme un ensemble d'interactions entre différents langages (la pensée mythique, l'art, la science, etc.) et de son rôle dans l'essor du structuralisme.


Book
Peindre sous la lumière : Leon Battista Alberti et le moment humaniste de l'évidence
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ISSN: 17618304 ISBN: 9782753527454 2753527458 Year: 2013 Publisher: Rennes Presses universitaires de Rennes

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C’est à la croisée de l’histoire de l’art et de la philosophie de l’art que se place le présent ouvrage. En effet, son objet est d’étudier ce moment où se pensent (magistralement chez Alberti) les coordonnées pour une nouvelle peinture, et plus généralement, pour une nouvelle idée de l’art où s’instaure dans le même temps un véritable régime esthétique dans lequel nous respirons largement aujourd’hui encore. La question principale de l’ouvrage est ainsi la suivante : comment l’humanisme a-il pu opposer le peintre au philosophe (scolastique), ou mieux : faire du peintre un rival du philosophe, sinon en posant que c’est la peinture (et non la pensée conceptuelle) qui désormais donnait consistance à l’évidence et à la connaissance du monde ? Comme cette évidence était d’abord une question de lumière, le peintre devenait l’artisan du clair et du distinct et la peinture le modèle d’intelligibilité principal amenant aujourd’hui encore à préférer "brosser le tableau d’une époque" ou "faire le portrait d’un homme" plutôt que de se lancer dans une construction théorique .Ce livre propose de comprendre la théorie humaniste de la peinture et de l’art dans son ensemble, mais aussi ses présupposés théoriques et ses soubassements philosophiques, son influence à l’époque moderne et contemporaine quant au sens que nous conférons à l’expérience esthétique et à l’usage que nous faisons des images.


Book
Herder und die Künste : Ästhetik, Kunsttheorie, Kunstgeschichte
Authors: --- ---
ISBN: 9783825361327 3825361322 Year: 2013 Volume: 72 Publisher: Heidelberg Universitätsverlag Winter


Book
L'album de l'art à l'époque du "Musée imaginaire"
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ISBN: 9782754106856 2754106855 Year: 2013 Publisher: Paris : ©2013. Hazan : Louvre éditions,

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L’historien de l’art Georges Didi-Huberman propose d’interroger la notion du « Musée imaginaire » d’André Malraux à travers les champs – imaginaire, matériel, littéraire, esthétique et politique – dans lesquels elle s’est épanouie, jusqu’à former aujourd’hui notre inconscient culturel. La reproductibilité de l’art et l’ouverture du champ imaginaire : le Musée imaginaire, au cœur même de sa critique de l’historicisme et du musée traditionnel pour ouvrir le temps de l’art, a engagé Malraux sur la voie pratique d’un nouveau type de livres illustrés dont cette conférence tentera de décrire les principales caractéristiques


Book
When Attitudes become Form : Bern 1969/Venice 2013.
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ISBN: 9788887029550 8887029555 Year: 2013 Publisher: Milan : Fondazione Prada,

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"The Fondazione Prada presents between 1 June and 3 November 2013 at Ca' Corner della Regina in Venice an exhibition entitled "When Attitudes Become Form: Bern 1969/Venice 2013" curated by Germano Celant in dialogue with Thomas Demand and Rem Koolhaas. In a surprising and novel remaking, the project reconstructs "Live in Your Head. When Attitudes Become Form," a show curated by Harald Szeemann at the Bern Kunsthalle in 1969, which went down in history for the curator's radical approach to exhibition practice, conceived as a linguistic medium." - See more at: http://moussemagazine.it/55vb-fondazione-prada/#sthash.PpxmEBXE.dpuf.

Keywords

Art --- Art, Modern --- Conceptual art --- Philosophy --- Exhibitions --- Szeemann, Harald, --- Exposition. Krefeld. Haus Lange museum. 1969 --- Exposition. London. Institute of contemporary art. 1969 --- Exposition. Bern. Kunsthalle. 1969 --- kunst --- twintigste eeuw --- conceptuele kunst --- concept art --- Andre Carl --- Anselmo Giovanni --- Artschwager Richard --- Bang Thomas --- Bark Jared --- Barry Robert --- Beuys Joseph --- Bochner Mel --- Boetti Alighiero --- Boezem Marinus --- Bollinger Bill --- Buthe Michael --- Calzolari Pier Paolo --- Cotton Paul --- Darboven Hanne --- Dibbets Jan --- van Elk Ger --- Ferrer Rafael --- Flanagan Barry --- Haacke Hans --- Heizer Michael --- Hesse Eva --- Huebler Douglas --- Icaro Paolo --- Jacquet Alain --- Jenney Neil --- Kaltenbach Stephen James --- Kaplan Jo Ann --- Kienholz Edward --- Klein Yves --- Kosuth Joseph --- Kounellis Jannis --- Kuehn Gary B. --- LeWitt Sol --- Lohaus Bernd --- Louw Roelof --- Long Richard --- McLean Bruce --- Medalla David --- Merz Maria --- Morris Robert --- Nauman Bruce --- Oldenburg Claes --- Oppenheim Dennis --- Panamarenko --- Pascali Pino --- Pechter Paul --- Pistoletto Michelangelo --- Prini Emilio --- Raetz Markus --- Ruppersberg Allen --- Ruthenbeck Reiner --- Ryman Robert --- Sandback Frederick Lane --- Saret Alan --- Sarkis --- Schnyder Jean-Frédéric --- Serra Richard --- Smithson Robert --- Sonnier Keith --- Tuttle Richard --- Viner Frank Lincoln --- Walther Franz Erhard --- Wegman William G. --- Weiner Lawrence --- Wiley William T. --- Zorio Gilberto --- Szeemann Harald --- tentoonstellingen --- Demand Thomas --- Koolhaas Rem --- 7.038/039 --- Szeemann, Harald. --- DEMAND T.; ANDRE C.; ANSELMO G.; ARTSCHWAGER R.; BANG T.; BARRY T.; BEUYS J.; BOCHNER M.; BOETTI A.; BOEZEM M.; BOLLINGER B.; BUREN D.; BUTHE M.; HESSE E. --- Kuehn Gary B --- Wegman William G --- Wiley William T --- Art - Philosophy --- Art, Modern - 20th century --- Conceptual art - Exhibitions --- Art, Modern - 20th century - Exhibitions --- Art, Modern - 21st century - Exhibitions --- Szeemann, Harald, - 1993-2005

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