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Guide pratique et illustré permettant de découvrir les différents courants de l'histoire de l'art, de 1850 à aujourd'hui.
Art, Modern --- Art, Modern --- Art --- Art
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"An integrated account of today's contemporary art world that features original articles by leading international art historians, critics, curators, and artists, introducing varied perspectives on the most important debates and discussions happening around the world"--
Art, Modern --- ART --- Art, Modern. --- Kunst. --- History --- General. --- 1900-2099. --- Art --- Art, modern --- Art, modern.
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Présentation de la production artistique du XXe siècle à travers les mouvements du fauvisme, du pop art, de l'art conceptuel, de l'architecture, de la sculpture, de l'art vidéo replacés dans leur contexte politique, culturel, idéologique et social, et des artistes majeurs de cette période (P. Picasso, G. Braque, A. Giacometti, C. Boltanski, J. Nouvel, B. Viola, etc.).
Art, Modern --- Art
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Art, Modern --- Art --- Expositions
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Commençant en 1907 avec Les demoiselles d'Avignon, le XXe siècle artistique est marqué d'expérimentations et de mouvements tels que l'expressionnisme, le futurisme, le dadaïsme, le surréalisme ou encore le cubisme, avec des artistes aussi divers que Picasso, Basquiat, Braque, Léger, Chagall, Ernst, Warhol, Dali, etc.
Art, Modern --- Art
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These critical essays on art and artists by T.G. Rosenthal, chosen by the author from his considerable output over more than fifty years of writing and reviewing, focus mainly on what has come to be known as 'Modern British' art - art from the 20th century. Rosenthal knew many of his subjects personally and some became friends: Michael Ayrton; Arthur Boyd; Ivon Hitchens; Thelma Hulbert; L. S. Lowry; Sidney Nolan; Paula Rego. There are also essays on Wyndham Lewis, Jack B. Yeats and the paint...
Art, Modern --- Art --- History. --- History
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Si la banalité n’a pas d’histoire, en revanche le Culte du banal apparaît bien comme une obsession des artistes et des penseurs du xxe siècle. De Duchamp et ses ready-made à Warhol, qui abolit la frontière entre art et médias, de Perec et son infra-ordinaire aux sociologues du quotidien, les icônes de la modernité ont été les chantres de l’ordinaire. Tous ont reconnu au banal une vertu subversive. Au travers du culte qu’ils leur vouaient, il s’agissait de contester les institutions en place : l’oeuvre, l’artiste, le musée ou les médias. Aujourd’hui, la télévision et la télé-réalité s’emparent à leur tour du banal. Mais ce culte qu’elles lui vouent a-t-il encore une vertu corrosive ? Un essai percutant sur les inversions d’un siècle.
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This book presents a radical reappraisal of one of the most persistent and misunderstood aspects of British cinema: social realism. - - Through means of close textual analysis, David Forrest advances the case that social realism has provided British national culture with a consistent and distinctive art cinema, arguing that a theoretical re-assessment of the mode can enable it to be located within the context of broader traditions of global cinema. - - The book begins with the documentary movement and British wartime cinema, before moving to the British new wave and social problem cycle; the films of Ken Loach; the films of Mike Leigh; realism in the 1980's, specifically the work of Stephen Frears and Alan Clarke; before concluding with a discussion of contemporary realist cinema, specifically the work of Shane Meadows, Andrea Arnold and other recent exponents of the mode. These case studies give a thorough platform to explore the most prominent and diverse examples of realist practice in Britain over the last 80 years. The construction and critical analysis of this social realist canona creates the conditions to reassess and look anew at this most British of cinematic traditions. - -
Social realism --- Art, Modern --- Realism in art
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Marriage in art --- Art, Modern --- Art, European
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