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Islam emerged amid flourishing Christian and Jewish cultures, yet students of Antiquity and the Middle Ages mostly ignore it. Despite intensive study of late Antiquity over the last fifty years, even generous definitions of this period have reached only the eighth century, whereas Islam did not mature sufficiently to compare with Christianity or rabbinic Judaism until the tenth century. Before and After Muhammad suggests a new way of thinking about the historical relationship between the scriptural monotheisms, integrating Islam into European and West Asian history. Garth Fowden identifies the whole of the First Millennium--from Augustus and Christ to the formation of a recognizably Islamic worldview by the time of the philosopher Avicenna--as the proper chronological unit of analysis for understanding the emergence and maturation of the three monotheistic faiths across Eurasia. Fowden proposes not just a chronological expansion of late Antiquity but also an eastward shift in the geographical frame to embrace Iran. In Before and After Muhammad, Fowden looks at Judaism, Christianity, and Islam alongside other important developments in Greek philosophy and Roman law, to reveal how the First Millennium was bound together by diverse exegetical traditions that nurtured communities and often stimulated each other.
Civilization, Ancient. --- Civilization, Medieval. --- Frühmittelalter. --- Islam. --- Islamic civilization. --- Monotheism --- Periodisierung. --- Religion and civilization --- Spätantike. --- History --- Eurasia --- History. --- Civilization, Medieval --- Civilization, Ancient --- Islamic civilization --- Civilisation médiévale --- Civilisation ancienne --- Religion et civilisation --- Civilisation islamique --- Islamic influences --- Influence islamique --- Religions. --- Mohammedanism --- Muhammadanism --- Muslimism --- Mussulmanism --- Religions --- Muslims --- Comparative religion --- Denominations, Religious --- Religion, Comparative --- Religions, Comparative --- Religious denominations --- World religions --- Civilization --- Gods --- Religion --- Abbasids. --- Achaemenids. --- Alois Riegl. --- America. --- Aristotelianism. --- Aristotle. --- Asia. --- Baghdad. --- Basra. --- Brethren of Purity. --- Christian Bible. --- Christian Rome. --- Christianity. --- East Rome. --- Edward Gibbon. --- Eurasia. --- Eurasian Hinge. --- Europe. --- First Millennium. --- Greece. --- Greek philosophy. --- Henri Pirenne. --- Ibn Sīnā. --- Iran. --- Josef Strzygowski. --- Judaism. --- Justinianic code. --- Latin Europe. --- Manicheism. --- Mazdaism. --- Mediterranean. --- Mountain Arena. --- Muhammad. --- North America. --- Peter Brown. --- Pisa. --- Qur'āan. --- Roman law. --- Tūs. --- Umayyads. --- archaeology. --- architectural history. --- art. --- commonwealths. --- empires. --- exegesis. --- late Antiquity. --- late antique studies. --- monotheism. --- patristic Christianity. --- philosophy. --- rabbinic Judaism. --- salvation. --- translation. --- To 1500 --- Asia --- Europe
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Melancholy is not only about sadness, despair, and loss. As Renaissance artists and philosophers acknowledged long ago, it can engender a certain kind of creativity born from a deep awareness of the mutability of life and the inevitable cycle of birth and death. Drawing on psychoanalysis, philosophy, and the intellectual history of the history of art, The Melancholy Art explores the unique connections between melancholy and the art historian's craft. Though the objects art historians study are materially present in our world, the worlds from which they come are forever lost to time. In this eloquent and inspiring book, Michael Ann Holly traces how this disjunction courses through the history of art and shows how it can give rise to melancholic sentiments in historians who write about art. She confronts pivotal and vexing questions in her discipline: Why do art historians write in the first place? What kinds of psychic exchanges occur between art objects and those who write about them? What institutional and personal needs does art history serve? What is lost in historical writing about art? The Melancholy Art looks at how melancholy suffuses the work of some of the twentieth century's most powerful and poetic writers on the history of art, including Alois Riegl, Franz Wickhoff, Adrian Stokes, Michael Baxandall, Meyer Schapiro, and Jacques Derrida. A disarmingly personal meditation by one of our most distinguished art historians, this book explains why to write about art is to share in a kind of intertwined pleasure and loss that is the very essence of melancholy. Some images inside the book are unavailable due to digital copyright restrictions.
Art --- History as a science --- Affective and dynamic functions --- Melancholy. --- Mélancolie --- Historiography. --- Historiographie --- Melancholy --- Historiography --- Art - Historiography. --- Visual Arts --- Art, Architecture & Applied Arts --- Visual Arts - General --- Mélancolie --- Dejection --- Emotions --- Depression, Mental --- Sadness --- Art - Historiography --- Aby Warburg. --- Aestheticism. --- Aesthetics. --- Allegory. --- Alois Riegl. --- Anachronism. --- Analytic confidence. --- Ancient art. --- Aphorism. --- Art criticism. --- Art history. --- Arthur Schopenhauer. --- Artistic merit. --- Ben Nicholson. --- Bernard Berenson. --- Bernard Bosanquet (philosopher). --- Beyond the Pleasure Principle. --- Caspar David Friedrich. --- Christopher Bollas. --- Classicism. --- Connoisseur. --- Consciousness. --- Contemporary art. --- Criticism. --- Critique of Judgment. --- Death drive. --- Deconstruction. --- Ernst Gombrich. --- Erwin Panofsky. --- Explanation. --- Fra Angelico. --- Friedrich Nietzsche. --- Fritz Saxl. --- Garry Wills. --- Georg Wilhelm Friedrich Hegel. --- George Steiner. --- Giovanni Morelli. --- Hannah Arendt. --- Hans Ulrich Gumbrecht. --- Hayden White. --- Iconography. --- Illusionism (art). --- Isabella Stewart Gardner Museum. --- Jacques Derrida. --- Jacques Lacan. --- Jacques-Alain Miller. --- James Strachey. --- Jan van Eyck. --- Johann Joachim Winckelmann. --- Josef Strzygowski. --- Julia Kristeva. --- Linguistic turn. --- Literary theory. --- Marion Milner. --- Marsilio Ficino. --- Martin Heidegger. --- Maurice Blanchot. --- Melanie Klein. --- Metahistory. --- Metonymy. --- Meyer Schapiro. --- Michael Baxandall. --- Minima Moralia. --- Modernism. --- Modernity. --- Museum. --- Oceanic feeling. --- Oskar Kokoschka. --- Overpainting. --- Paul de Man. --- Petrarch. --- Philosopher. --- Philosophy. --- Positivism. --- Post-structuralism. --- Postmodernism. --- Psychoanalysis. --- Putto. --- Rainer Maria Rilke. --- Renaissance art. --- Rhetoric. --- Richard Wollheim. --- Romanticism. --- Saint Francis Receiving the Stigmata (van Eyck). --- Sandro Botticelli. --- Simone Martini. --- Svetlana Alpers. --- The Art of Memory. --- The Gaze of Orpheus. --- The Origin of German Tragic Drama. --- The Philosopher. --- Theses on the Philosophy of History. --- Thought. --- Tintoretto. --- Unthought known. --- W. G. Sebald. --- Walter Benjamin. --- Walter Pater. --- Work of art. --- Writing.
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